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Next 2007

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word nxt2007 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"nxt2007, A person with long, wavy hair, seen from behind, holds a microphone branded with “KPRC 10 NEWS” while standing outdoors in front of a graffiti-covered urban backdrop with parked cars and buildings. The scene is viewed through a television screen mounted on a stand, with a blurred, out-of-focus head in the foreground suggesting someone is watching the broadcast. The lighting is bright and natural, indicating daytime, with warm tones dominating the frame—browns, muted reds, and greys. The camera is positioned at a medium distance, capturing the television screen as the central focus, framed against a dark, textured wall."

"nxt2007, A man in a tan jacket walks forward through a dimly lit industrial facility, flanked by others who appear to be moving with purpose. The environment is dominated by massive, rusted pipes, cylindrical machinery, and steam rising from vents, suggesting heavy machinery or a power plant. Warm, directional lighting casts long shadows and highlights metallic surfaces, indicating either late afternoon or artificial illumination in a nighttime setting. The color palette is earthy, with browns, yellows, and muted blues, contrasted by the dark vertical slats of a gate on the right. The camera frames the scene from a medium distance, capturing the scale of the machinery while keeping the central figure in focus, creating a sense of movement through a confined, mechanical space."

"nxt2007, inside a retro-style diner, a person in a tan jacket sits at a booth, turned slightly away, while another individual in a dark jacket reads a newspaper at a nearby table. The setting features red vinyl booths, a long counter with condiments and a martini glass in the foreground, and large windows with striped blinds revealing bright, sunlit outdoor foliage. Warm, golden light filters through the windows, suggesting late afternoon, casting soft shadows and highlighting the rich reds, browns, and muted whites of the interior. The camera is positioned at eye level from behind the foreground diner, creating a candid, observational perspective that draws attention to the quiet activity and ambient atmosphere."

"nxt2007, A black and yellow Caterpillar forklift is parked in a warehouse yard, its mast raised and a pair of LPG tanks mounted on the front. Behind it, a white van is partially visible, and large shipping containers stand in the background, one marked with “CAXU US” and container numbers. The scene is bathed in warm, golden sunlight casting long shadows, suggesting late afternoon. The dominant colors are earthy yellows, deep blacks, and muted browns, with the camera positioned at a low angle, emphasizing the industrial scale of the machinery and surroundings."

"nxt2007, A man in a dark suit and light blue shirt leans forward intently, his gaze fixed downward as if gripping or steadying something out of frame, his expression tense and focused. The scene unfolds at night in an urban environment, with blurred neon lights—purple and white—glowing in the background, suggesting a city street or alleyway. Cool, dim lighting casts sharp shadows across his face and clothing, emphasizing the gritty, moody atmosphere. The camera is positioned at a low angle, looking up at him, which amplifies his presence and adds a sense of immediacy and intensity to the moment. Dominant colors are deep blues, blacks, and the vibrant streaks of neon, creating a high-contrast, cinematic feel."

"nxt2007, A weathered, rusted steam locomotive with large wooden-spoked wheels sits abandoned in a sunlit, overgrown field, its boiler and smokestack corroded and partially obscured by foliage. The setting is a rural, wooded area under a clear blue sky, with trees and shrubs encroaching on the machinery, suggesting long-term neglect. Bright, direct sunlight casts sharp shadows, highlighting the textures of rust, wood, and metal, with dominant hues of faded brown, green, and blue. The camera is positioned at a low angle, emphasizing the scale and decay of the train’s wheels and undercarriage, creating a sense of stillness and forgotten history."

"nxt2007, A silver four-door sedan, likely a mid-2000s model, is parked in a lot with its side profile facing the viewer, flanked by other vehicles including a dark-colored car behind it. The scene is set outdoors under bright, direct sunlight that casts sharp shadows, suggesting midday, with a slightly overexposed, high-contrast filter giving the image a gritty, cinematic feel. The dominant colors are metallic silver, dark grays, and muted earth tones from the pavement and background foliage, while the chrome wheels and door handles catch the light. The camera is positioned at a low, slightly angled side view, emphasizing the car’s length and sleek lines, with a shallow depth of field blurring the background elements."

"nxt2007, A man with short dark hair and a focused expression is aiming a rifle equipped with a scope, his eye pressed against the lens and his hands gripping the weapon steady. He is positioned outdoors in a natural, wooded environment with blurred earthy tones in the background, suggesting a forest or brushland. Warm, directional sunlight illuminates his face and the rifle, indicating late afternoon or early evening. The dominant colors are rich browns and muted greens, with the dark silhouette of the rifle contrasting against his skin and clothing. The camera frames him in a tight close-up, angled slightly from the side, emphasizing his intent gaze and the tension of the moment."

"nxt2007, A person in a brown jacket is mid-motion, swinging a large, dark object like a bat or pipe, while another individual in camouflage gear crouches defensively nearby, seemingly recoiling from the attack. The scene unfolds in a dimly lit, industrial-style corridor with concrete walls, metal railings, and glass doors revealing equipment or machinery in the background; a wheeled cart and a security camera are also visible. The lighting is sparse and artificial, casting stark shadows and creating a tense, nighttime atmosphere. Dominant colors are muted grays, browns, and blacks, with the occasional glow from overhead fluorescent lights. The camera is positioned at a low angle, capturing the action from behind the aggressor, emphasizing the dynamic movement and the confined, gritty environment."

"nxt2007, two men stand in close proximity, engaged in a tense, face-to-face conversation, their expressions serious and focused. The setting appears to be an indoor, dimly lit space with muted, earthy tones—walls and window frames suggest a utilitarian or institutional environment. Warm, directional lighting casts soft shadows across their faces, indicating an interior scene during late afternoon or early evening. Dominant colors are subdued browns, grays, and muted purples, with the man on the left wearing a patterned tie and a collared shirt under a suit jacket. The camera frames them in a tight, side-profile shot, emphasizing their proximity and the intensity of their interaction."

"nxt2007, A person in a brown jacket leans forward in a dimly lit interior space, their face partially obscured by shadow and motion blur, suggesting urgency or exhaustion. Outside a window framed by a black metal railing, a muted street scene unfolds with parked cars and a building facade under soft, diffused daylight, indicating either early morning or late afternoon. The dominant colors are earthy browns and grays, with the contrast between the dark interior and the brighter exterior enhancing the sense of confinement. The camera is positioned at a low angle, capturing the subject’s profile against the window, creating a tight, immersive frame that emphasizes the tension between the enclosed space and the world beyond."

"nxt2007, A group of individuals in dark uniforms are gathered around a black police SUV with its side door open, appearing to be in the process of securing or escorting someone. The scene is set on a sunlit urban street, with several parked vehicles including a white pickup truck and a dark sedan visible in the background, along with a concrete barrier in the foreground. Bright daylight casts sharp shadows, indicating midday, and the dominant colors are muted grays, blacks, and whites, punctuated by the tan interior of the SUV. The camera is positioned at a low angle, looking slightly upward over the barrier, creating a sense of immediacy and observation from a concealed vantage point."

"nxt2007, A beige Ford van, bearing a California license plate reading “50KF272,” is captured from behind as it moves forward on a paved industrial lot. In the background, a chain-link fence encloses parked cars and a distant urban skyline, while a solitary figure stands near a red vehicle. The scene is bathed in warm, golden sunlight, suggesting late afternoon, casting long shadows across the concrete. The dominant colors are muted earth tones—beige, gray, and faded red—with the bright yellow of a caution tape adding contrast. The camera is positioned at a low, rear-facing angle, emphasizing the van’s movement and the expansive, slightly gritty environment."

"nxt2007, A group of individuals, one in the foreground wearing a jacket over a t-shirt, stand on a metal walkway within a dim, industrial interior, possibly a factory or warehouse, surrounded by exposed beams, pipes, and machinery. The scene is bathed in a cold, greenish-blue light that casts deep shadows, suggesting nighttime or an artificially lit underground space. The camera frames the group from a slightly low angle, emphasizing the industrial scale of the environment and the tense, alert posture of the figures."

"nxt2007, two black helicopters fly low over a coastal residential area, their rotors spinning as they navigate between palm trees and houses, with one helicopter slightly ahead of the other. In the background, a bustling port is visible, featuring large blue cranes, stacked shipping containers, and cargo ships docked along the water’s edge. The scene is bathed in bright, natural daylight, suggesting midday, with clear shadows indicating strong sunlight. Dominant colors include the deep blue of the water and sky, the green of the grass and palm fronds, and the earthy tones of the buildings and rocky shoreline. The camera is positioned at a high, wide angle, capturing the expansive view from above and slightly to the side, emphasizing the contrast between the urban port and the tranquil residential neighborhood below."

"nxt2007, A group of armed individuals moves cautiously down a narrow, brightly lit corridor, with one person in the foreground holding a rifle and scanning ahead while others follow closely behind. The setting is an institutional hallway with wooden doors, a green “LIFEBOAT” sign with an arrow, and a wall lined with framed posters or notices. The lighting is even and artificial, suggesting daytime inside a building, with neutral tones of beige walls and brown wood dominating the palette. The camera is positioned at a low angle, slightly tilted, capturing the urgency and tension of the movement as the group advances."

"nxt2007, A silver Dodge Charger with its headlights blazing drives forward at night, flanked by other vehicles on a wet city street, with a police cruiser’s flashing lights visible behind it. The scene is set under a dark sky with streetlights and distant city glow, and a red stop sign and “Ventura” street sign are visible to the right. The dominant colors are deep blacks, bright whites from headlights, and muted grays of the asphalt and cars, with warm orange from the police lights. The camera is positioned at a low, head-on angle, emphasizing the car’s aggressive stance and the intensity of the headlights cutting through the night."

"nxt2007, A woman with curly, light-brown hair is shown with duct tape over her mouth, her expression conveying distress, while wearing a purple top and a visible bomb vest with wires. The scene is framed as if viewed on a television screen, with a news channel logo reading “KPPQ 10 LOS ANGELES” in the lower-right corner, suggesting a broadcast context. The lighting is bright and even, indicating daytime, and the background is a blurred, neutral-toned urban wall. Dominant colors include muted browns, the purple of the top, and the gray of the tape, all contained within a tight, centered close-up shot."

"nxt2007, A high-speed nighttime chase unfolds on a wet urban street, with a black sedan and a police cruiser in close pursuit, their taillights streaking red and white against the blur of motion. The scene is framed from behind, capturing the vehicles as they race forward, with the police car’s flashing blue light visible atop its roof and the word “POLICE” partially legible on its side. The ambient lighting is dim, punctuated by the glow of streetlights and vehicle lights reflecting off the damp asphalt, casting elongated, warm-toned highlights. Dominant colors are deep blacks and grays of the cars, contrasted with vivid red taillights and cool blue emergency lights, all rendered with motion blur that conveys urgency and speed."

"nxt2007, in a dimly lit control room, several figures stand before a wall of illuminated panels and switches, intently observing the glowing indicators and circuit diagrams. The setting is a high-tech operations center, filled with analog dials, blinking red and amber lights, and complex wiring schematics that cast an eerie greenish glow across the space. The lighting is low and atmospheric, dominated by the artificial glow of the control systems, suggesting a nighttime or isolated environment. The camera is positioned at a low angle, looking up slightly at the figures and the wall of equipment, emphasizing the scale and complexity of the machinery surrounding them."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.