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Team America World Police 2004

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word tmamrcwrld2004 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"tmamrcwrld2004, A blonde woman with a headset microphone is seated inside a vehicle, her gaze directed forward with a focused expression, suggesting she is engaged in communication or monitoring. The interior features red and white trim, with a blurred window revealing a pale blue sky and a distant red and white object, possibly another vehicle or structure. The lighting is soft and diffused, indicating either early morning or late afternoon, casting gentle shadows on her face. Dominant colors are cool blues and warm reds, contrasting with her pale skin and blonde hair. The camera frames her in a tight close-up from a side profile, emphasizing her facial details and the headset."

"tmamrcwrld2004, A close-up shot focuses on a figure with dark hair and large, gold-rimmed glasses, their face etched with deep wrinkles and a stern, downward gaze, suggesting intense concentration or disapproval. In the softly blurred background, another figure with blonde hair and a red patterned garment stands, partially obscured by warm, ambient lighting that casts rich shadows and highlights the textures of the scene. The composition uses shallow depth of field to emphasize the foreground subject, while the dominant colors—deep reds, dark tones, and golden accents—create a dramatic, intimate atmosphere suggestive of an interior space at dusk or under artificial light."

"tmamrcwrld2004, A grand, multi-tiered palace complex sits atop a vast plaza, flanked by towering, jagged mountains under a fiery orange and crimson sky, suggesting either dawn or dusk. Below the palace, a dense cluster of traditional-style rooftops forms a sprawling cityscape, while the foreground features a wide, open plaza with a central stone structure. The lighting casts long shadows and bathes the scene in warm, dramatic hues of red, orange, and deep brown, emphasizing the monumental scale. The camera is positioned at a high, wide angle, capturing the entire architectural ensemble and its surrounding landscape in a sweeping, cinematic composition."

"tmamrcwrld2004, A puppet-like figure in a blue suit is suspended upside down by a thin wire, mouth agape, while a uniformed puppet with medals and a cap stands below, arms outstretched as if commanding or reacting. Two other puppets — one with dark hair in a black suit, the other with short blonde hair — stand on stone steps, observing the scene, with a red velvet rope barrier and a rifle leaning against the steps nearby. The setting is a dimly lit, grand interior with marble walls and ornate golden fixtures overhead, suggesting an institutional or ceremonial space. The lighting casts deep shadows, emphasizing the dramatic, theatrical mood, with dominant colors of muted gray, black, and metallic gold. The camera is positioned at eye level, capturing the scene in a medium shot that emphasizes the"

"tmamrcwrld2004, A sleek, dark fighter jet streaks low over a vast desert landscape, its motion blurred as it flies past ancient pyramids and a colossal sphinx statue. The setting is a sun-drenched, arid expanse with golden sand dunes, distant ruins, and a sprawling city visible on the horizon under a clear blue sky. The dominant colors are warm earth tones—ochre, tan, and gold—with the jet’s dark silhouette contrasting sharply against the bright, sunlit terrain. The camera is positioned at a high, sweeping angle, capturing the scale of the desert and the dynamic movement of the aircraft as it glides past iconic monuments."

"tmamrcwrld2004, A high-tech intelligence monitoring screen displays a glowing world map centered on Europe, overlaid with targeting reticles and data streams, flanked by grids of surveillance footage and categorized menus. The interface is embedded in a dark wooden console, illuminated by cool cyan and red digital glows against a black background, suggesting a high-stakes command center at night. The camera frames the screen head-on, emphasizing its immersive, immersive, and detailed layout with sharp, crisp edges and a focused, centered composition."

"tmamrcwrld2004, two humanoid figures with lifelike facial features are locked in a close, intense interaction, one displaying wide-eyed shock while the other gazes calmly forward. They are seated inside a sleek, modern interior illuminated by a cool, glowing blue light strip along the cabin’s edge, suggesting a high-tech or futuristic setting. The lighting casts soft shadows and highlights the glossy texture of their skin and clothing, with dominant tones of blue, black, and muted gray creating a moody, cinematic atmosphere. The camera frames them in a tight, over-the-shoulder close-up, emphasizing their facial expressions and the emotional tension between them."

"tmamrcwrld2004, A person with dark hair and a headset microphone sits in a white chair, gazing directly forward with a neutral expression, wearing a patterned pink and purple shirt under a light-colored jacket. The background is dominated by deep red walls with yellow triangular warning signs and a small rectangular label, suggesting an industrial or control room environment. The lighting is focused and directional, casting soft shadows on the face and highlighting the skin’s texture, indicating an interior scene with artificial illumination. The dominant colors are red, yellow, and muted pink, with the camera framed tightly as a close-up, emphasizing the subject’s face and upper torso."

"tmamrcwrld2004, A bearded man with a turban is seated inside a cockpit, gripping controls as bright, jagged sparks fly across the curved windshield, suggesting intense mechanical action or an explosion outside. The interior is cluttered with exposed wiring, metal components, and a wooden support structure, all bathed in a cool, bluish ambient light that contrasts with the warm orange glow of fire or smoke visible through the glass. The camera is positioned close to the cockpit’s edge, capturing the man’s focused expression and the chaotic energy of the sparks, emphasizing the immediacy and danger of the moment. Dominant colors are muted grays and browns of the machinery, punctuated by the stark white of the sparks and the fiery orange haze."

"tmamrcwrld2004, A close-up captures a person with wide, startled eyes and slightly parted lips, their head tilted back against a dark, textured surface, suggesting a moment of shock or fear. Behind them, a window is streaked with rain and dark smudges, hinting at a stormy, overcast day. The lighting is dim and cool, casting soft shadows across the face and emphasizing the pale skin tones and deep blue irises. The frame is tightly cropped, angled slightly upward, focusing intensely on the expression and the wet, blurred background."

"tmamrcwrld2004, A person in a black leather jacket lies motionless in a large, irregularly shaped puddle of murky brown water, arms splayed out, suggesting a moment of stillness or aftermath. The scene is set on a dark, gritty asphalt surface littered with scattered debris and discarded items near the edge, hinting at an urban or neglected environment. The lighting is stark and directional, casting a sharp, elongated shadow across the puddle and ground, indicating a single strong light source during nighttime or under artificial illumination. Dominant colors are deep blacks and browns, punctuated by the dull sheen of wet leather and the muted tones of trash. The camera is positioned overhead at a high angle, looking down directly onto the subject, emphasizing the isolation and scale of the puddle against the surrounding"

"tmamrcwrld2004, A puppet with a detailed, aged male face—complete with white hair, expressive eyes, and a subtle smirk—is dressed in a dark suit and patterned tie, appearing to be mid-conversation or reacting to something off-screen. The background is softly blurred, featuring vertical light streaks and muted tones, suggesting an indoor, modern setting with artificial lighting. The lighting is even and cool, casting gentle highlights on the puppet’s face and creating a slightly theatrical ambiance. The camera frames the subject in a tight close-up, emphasizing the puppet’s facial expression and the texture of its skin and hair. Dominant colors are neutral—grays, browns, and muted blues—with the tie adding a touch of warm red and orange."

"tmamrcwrld2004, bold, metallic lettering with a brushed steel texture and bronze outlines stands out against a solid black background, listing “CO-PRODUCERS” followed by two names. The text is centered and rendered in a three-dimensional, blocky font that casts subtle shadows, giving it a heavy, industrial feel. The lighting is focused directly on the text, creating sharp highlights and deep contrast, while the surrounding darkness emphasizes the typography. The composition is tightly framed, with a slight vignette effect on the left edge, drawing attention to the central credit block. Dominant colors are silver-gray, bronze, and black, reinforcing a sleek, cinematic credit sequence aesthetic."

"tmamrcwrld2004, A puppet with a distorted, screaming face and pink-tinted glasses is caught mid-outburst, its mouth wide open in a visceral expression, while another puppet with a blood-streaked forehead stands behind, gripping its shoulder. The scene is set against a backdrop of ornate, dark wood carvings and red patterned fabric, suggesting a theatrical or ritualistic interior. Warm, dramatic lighting casts deep shadows, enhancing the intensity of the moment, with dominant tones of brown, gold, and muted red. The camera is tightly framed, angled slightly upward to emphasize the puppet’s exaggerated facial features and emotional peak."

"tmamrcwrld2004, two humanoid figures with lifelike facial features sit facing each other inside a vehicle, their expressions suggesting an intense or serious conversation. The interior is illuminated by a cool blue ambient glow, likely from LED strips along the car’s ceiling and windows, casting soft shadows and highlighting the glossy texture of the black leather jacket worn by the figure on the left. The background is softly blurred, emphasizing the close-up interaction, while the muted tones of gray upholstery and the dark clothing contrast with the vibrant blue lighting. The camera is positioned at eye level, capturing a tight profile shot that focuses on the figures’ faces and upper torsos, enhancing the intimacy and tension of the moment."

"tmamrcwrld2004, A maroon helicopter with bold white lettering reading “WE PROTECT WE SERVE WE CARE” is parked on sandy ground, its nose angled toward the viewer, with a small figure seated under a patterned canopy nearby. The setting is a sun-drenched, arid marketplace with weathered buildings, hanging textiles, and a camel lying in the background, suggesting a desert locale. Bright, direct sunlight casts sharp shadows, indicating midday, while the dominant colors are earthy browns, deep maroon, and white text. The camera is positioned at a low angle, emphasizing the helicopter’s imposing presence and the contrast between the modern aircraft and the rustic surroundings."

"tmamrcwrld2004, A rugged, custom-modified vehicle with a patriotic red, white, and blue paint scheme and mounted weaponry speeds across a barren desert landscape, kicking up a thick cloud of dust behind it. In the distance, a larger, armored military-style vehicle follows, partially obscured by the dust and rolling dunes under a heavy, overcast sky. The scene is lit with muted, diffused daylight, casting soft shadows and emphasizing the earthy browns and grays of the terrain, contrasted by the vehicle’s bold colors. Shot from a rear three-quarter angle, the camera tracks the motion, placing the viewer behind the speeding vehicle as it races toward the horizon."

"tmamrcwrld2004, two figures walk away from the camera down a sun-drenched, sandy alleyway flanked by weathered, earth-toned buildings with hanging lanterns and market stalls displaying ornate pottery and textiles. In the distance, domed structures rise against a clear blue sky, suggesting a bustling, ancient marketplace. The scene is bathed in bright, direct sunlight casting sharp shadows, indicating midday, with dominant hues of beige, ochre, and muted browns punctuated by the deep blue of the sky and accents of gold and teal from the merchandise. The camera is positioned at eye level, capturing the alley’s depth and perspective as the figures recede into the background."

"tmamrcwrld2004, A stylized, puppet-like figure in a blue shirt and glasses stands on a balcony, holding a small firearm, while a second figure with blonde hair sits beside them. The setting is an ornate, theatrical balcony framed by gold pillars and red patterned railings, with decorative lanterns and a red curtain backdrop. Warm, focused lighting illuminates the figures from above, contrasting with the cool, dim ambient tones of the surrounding stone walls. Dominant colors are deep reds, metallic golds, and muted blues, creating a dramatic, staged atmosphere. The camera is positioned at a low angle, looking up through crossed, red-tipped missile-like props in the foreground, framing the scene with a sense of tension and scale."

"tmamrcwrld2004, A blonde woman with glasses rides a red and blue motorcycle adorned with white stars, navigating through a vast, undulating desert landscape. Sparse, dark green palm trees dot the sandy terrain under a muted, overcast sky, suggesting late afternoon or early evening. The scene is bathed in soft, diffused light with dominant earthy tones of beige and tan, contrasted by the motorcycle’s bold red and blue. The camera captures a low-angle, wide shot that emphasizes the scale of the dunes and the solitary figure moving through the arid expanse."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 263 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.