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Saw 2004

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word sw2004 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"sw2004, A man in a dark suit stands with his back to the viewer, holding a handgun aimed at a seated figure wearing a white, painted mask with red accents, who appears to be in a workshop or cluttered lab. The setting is dimly lit, with warm, focused light sources casting shadows across shelves stocked with bottles, tools, and mechanical parts, while a red curtain glows faintly in the background. The dominant colors are deep blacks, muted browns, and the stark white of the mask, contrasted by the red glow and metallic sheen of objects. The camera is positioned over the shoulder of the man, creating a tense, immersive perspective that centers on the confrontation."

"sw2004, A man with tousled, light-colored hair is holding a flip phone to his ear, his expression tense and focused as he listens intently. He’s wearing a blue button-up shirt, and the scene is set indoors under dim, cool-toned lighting that casts deep shadows, suggesting evening or nighttime. The camera frames him in a tight close-up, emphasizing his furrowed brow and the urgency in his gaze, while the background remains blurred and indistinct. Dominant colors are shades of blue and gray, enhancing the somber, suspenseful mood."

"sw2004, A solitary figure in a dark suit walks through a dimly lit, industrial-style garage, passing parked cars under the glow of fluorescent lights. The space is defined by exposed metal beams, concrete pillars, and graffiti on the walls, with several sedans—silver, white, and black—lined up in the shadows. The lighting is sparse and cool-toned, casting stark highlights and deep shadows, suggesting late evening or nighttime. Dominant colors are muted grays, blacks, and the pale blue-white of the artificial light, creating a moody, gritty atmosphere. The camera is positioned at a low angle, capturing the scene from within the garage, emphasizing the scale of the space and the isolation of the figure."

"sw2004, A middle-aged man with a trimmed beard and short hair, dressed in a dark pinstripe suit and light blue shirt, gazes intently off-camera with a serious, contemplative expression. He is seated in a dimly lit room with muted blue and gray tones, suggesting a somber or private atmosphere; the background is softly blurred, emphasizing his face. The lighting is low and directional, casting subtle shadows across his features and highlighting the texture of his skin and clothing, indicating an interior scene likely at night. The camera frames him in a tight close-up, angled slightly from the side, drawing focus to his intense, thoughtful demeanor."

"sw2004, A person with short dark hair, seen from behind, walks slowly down a narrow, cluttered alleyway, their silhouette barely illuminated by a single overhead bulb. The alley is lined with discarded items including stacked boxes, a large metal barrel, a wooden bench, and a leaning ladder, all under a dim, greenish-yellow glow that suggests late evening or night. The walls are rough and weathered, with peeling paint and exposed brick, and the floor is littered with debris and cables. The camera follows closely behind the subject, maintaining a low, steady angle that enhances the sense of confinement and unease."

"sw2004, A shirtless person is bent over a small, dark wooden chest, holding a lit candle that casts a warm glow on their hands and the object’s surface. The scene is set in a damp, enclosed brick room with walls covered in faded red markings, and the floor is littered with scattered debris under a single overhead light that casts a greenish hue across the space. The lighting is dim and atmospheric, suggesting nighttime or an underground location, with the candle’s flicker providing the only direct illumination. Dominant colors are muted greens and browns, with the red brick and markings offering contrast. The camera is positioned at a low angle, capturing the subject’s focused posture and the confined, gritty environment."

"sw2004, A man sits at a cluttered desk in a dimly lit office, intently examining a small object in his hands, while another person stands in the background near a window. The room contains a vintage computer monitor, a desk lamp with a glowing circular array of lights, and scattered papers, suggesting a workspace in the late evening or night. The dominant colors are muted grays, browns, and the soft glow of the lamp, creating a moody, focused atmosphere. The camera is positioned at eye level, framing the seated man in the foreground with the standing figure and window in the background, emphasizing the quiet intensity of the moment."

"sw2004, A person in a blue shirt, stained with dark marks, is bent over on a grimy tiled floor, carefully gathering scattered black-and-white photographs. The setting is a dilapidated, possibly abandoned bathroom or utility room, with peeling tiles, rusted pipes, and a red velvet-covered object lying nearby; a dark, wet stain on the floor suggests recent violence or neglect. The lighting is dim and cool-toned, casting a blueish hue over the scene, implying either nighttime or a poorly lit interior. Dominant colors are shades of blue, gray, and white, punctuated by the red object and dark stains. The camera is positioned at a low angle, capturing the subject’s focused, almost reverent interaction with the photos, emphasizing the desolate and somber atmosphere."

"sw2004, A barefoot man in a stained white t-shirt and faded jeans stands in a dilapidated bathroom, holding a chain in his right hand, his expression tense and alert. The room is grimy, with cracked white tiles, a rusted bathtub, a broken toilet with a heart drawn on its tank, and exposed pipes running along the walls. The lighting is dim and cool-toned, casting deep shadows and suggesting late evening or night. Dominant colors are muted grays, whites, and rust-brown stains, creating a bleak, abandoned atmosphere. The camera frames the man in a medium shot, centered in the room, with the decaying fixtures flanking him on either side."

"sw2004, An old, boxy television set sits in a dimly lit room, its screen displaying a grainy, blue-tinted image of a weathered window with vertical and horizontal bars, possibly from a prison or institutional building. The room’s ambient light is low, casting shadows on the wall beside the TV, where faint, dark silhouettes of hanging branches or vines are visible. The dominant colors are muted purples and blacks, with the television’s screen glowing faintly against the darkness. The camera is positioned at a slight angle, capturing the TV’s right side and part of the surrounding wall, emphasizing the vintage aesthetic and the eerie, static-filled broadcast."

"sw2004, A sleek, dark-colored sedan is captured from a high-angle, fisheye lens perspective, its headlights glowing brightly as it appears to be parked or idling in a dimly lit underground garage. The curved reflection of the car is visible on a large, glossy surface—possibly a cylindrical mirror or a curved wall—adding a distorted, immersive quality to the scene. The environment is shadowy with muted tones, dominated by deep blacks and cool blues from the artificial lighting, which casts sharp highlights on the car’s glossy surface. The camera’s wide, curved framing emphasizes the isolation and enclosed nature of the space, with faint graffiti or markings visible along the curved wall’s edge."

"sw2004, A masked figure with spiral-patterned eyes and a wide, toothy grin stares directly forward on a vintage television screen, which displays a grainy, green-tinted image. The TV sits in a dimly lit room, its glowing screen casting the only significant light, with a red digital number “3” visible in the upper right corner. The overall color palette is dominated by dark greens and blacks, with the eerie glow of the screen illuminating the surrounding shadows. The camera frames the television head-on, centered in the shot, creating an intimate and unsettling perspective."

"sw2004, A round analog clock with a silver rim and black numerals hangs on a tiled wall, its hands indicating approximately 10:10, casting a soft glow against the dim surroundings. The setting appears to be an industrial or utility space, with exposed pipes running overhead, a concrete ledge below the clock, and a fluorescent light fixture partially visible in the lower right. The lighting is cool and blue-toned, suggesting nighttime or an artificially lit interior, with shadows accentuating the worn texture of the tiles and pipes. The camera is positioned at a low angle, looking slightly upward, emphasizing the clock’s prominence against the gritty, utilitarian backdrop."

"sw2004, A person lies motionless on a tiled floor, blood pooling around them, while another individual crawls nearby, suggesting a violent confrontation has just occurred. The setting is a dilapidated, abandoned public restroom with cracked tiles, rusted pipes, a broken urinal, and a corroded bathtub, all contributing to a grim, neglected atmosphere. The lighting is cold and blue-toned, casting stark shadows and emphasizing the sterile decay, with no natural light indicating it’s likely nighttime or in a poorly lit interior. Dominant colors are muted whites and grays of the tiles and walls, contrasted sharply by the vivid red of the blood. The camera is positioned at a low angle, capturing the scene from a wide perspective that emphasizes the isolation and horror of the moment."

"sw2004, A person in a blue shirt kneels on a tiled floor, carefully opening a red velvet-lined case to reveal a silver flip phone inside. Nearby, a small padlock lies discarded, a white tag with the word “EVIDENCE” rests on the floor, and a dark, spreading stain of blood contrasts sharply against the pale tiles. The scene is bathed in cool, dim blue lighting, suggesting nighttime or a poorly lit interior. The camera is positioned overhead, looking down at the hands, the case, and the surrounding debris, emphasizing the gravity of the moment. Dominant colors are blue, red, and stark white, with the blood adding a deep, ominous tone."

"sw2004, A weathered brick wall is covered in faded, red-painted numbers and symbols, appearing as if hastily scrawled or stenciled over time, with some digits partially obscured by peeling greenish paint. The scene is dimly lit with a cool, greenish hue that suggests either nighttime or an artificially lit, enclosed space, casting shadows that emphasize the rough texture of the bricks and the decay of the paint. The camera frames the wall in a tight, centered shot, focusing on the chaotic arrangement of digits that create a sense of abandonment or cryptic messaging. Dominant colors are muted green and rust-red, with the red numbers standing out against the decaying backdrop."

"sw2004, A young man in a white t-shirt and faded jeans sits slumped against a tiled wall, his head tilted back and eyes closed, appearing exhausted or unconscious. The setting is a grimy, industrial-style room with white tiles marred by grime and rusted pipes running vertically and horizontally along the walls; a broken sink with a heart drawn on its side sits in the foreground. The lighting is dim and cool-toned, casting deep shadows and giving the scene a blue-tinged, nighttime atmosphere. The dominant colors are muted blues, grays, and browns, emphasizing decay and isolation. The camera frames the subject in a medium shot, centered slightly to the right, with a shallow depth of field that blurs the background pipes and foreground debris, focusing attention on his still form."

"sw2004, A person in dark clothing walks away from the camera toward a dimly lit doorway, their back turned as they move into shadow. The setting is a cluttered, warmly lit interior with exposed brick walls, a patterned rug on the floor, potted plants, and a small glass display case holding a figurine. Cool blue light spills from the doorway, contrasting with the warm amber glow of the ambient lighting, suggesting evening or night. The dominant colors are deep browns, muted greens, and the cool blue of the doorway, framed by a wide, static shot that emphasizes the quiet, solitary movement through the space."

"sw2004, A person lies motionless on a rough, wet surface, their body partially obscured by a dark, worn jacket with a visible white streak running down the back. One hand rests limply beside them, while the other is partially buried in the debris-strewn ground. The scene is captured in stark black and white, with high contrast and deep shadows suggesting a dim, overcast, or nighttime setting. The camera is positioned low and close, emphasizing the texture of the clothing and the gritty environment, creating an intimate and somber mood."

"sw2004, A blurred, out-of-focus foreground figure, possibly wearing a light-colored coat, partially obscures the view of a dimly lit, cluttered interior space. In the background, shelves hold various bottles and containers, a red cloth drapes over a surface, and a single bright lamp casts a focused glow on the scene, suggesting late evening or nighttime. The dominant colors are muted greens, blacks, and deep reds, with the warm light creating stark contrast. The camera is positioned at a low angle, with the foreground figure dominating the frame, creating a sense of mystery and intimacy."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.