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The World's End 2013 Movie Lora Style

4

Updated: Oct 5, 2026

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Half precision, best balance • 218 MB

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Type
LoRA
Stats

1

4

1

Generation

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Published

Oct 5, 2026

Base Model

Krea 2

Training
Steps: 2,000
Epochs: 3
Usage Tips
Strength: 1
Hash
AutoV2
5D783C287E
Trigger Words
wrldsend2013
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Followers - 525

525

Likes - 4280

4.3K

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The Worlds End 2013

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word wrldsend2013 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"wrldsend2013, A man with thick-rimmed glasses and a beige trench coat stands in a dimly lit interior, his expression tense as he looks intently at another person partially visible in the foreground. Behind him, a muted blue wall with faint lettering and wooden trim frames the scene, suggesting a confined, possibly institutional space. The lighting casts soft shadows across his face, indicating an indoor setting with artificial light, likely during evening or night. Dominant colors are cool blues and earthy beiges, with the warm tones of the wood trim providing contrast. The camera frames him in a tight close-up, angled slightly from the side, emphasizing his focused gaze and the gravity of the moment."

"wrldsend2013, A solitary figure walks away from the camera down a wet, dimly lit street at night, their silhouette blurred slightly by motion. In the background, a small yellow-painted building with a lit doorway stands near a bus stop shelter, while streetlights cast pools of white illumination on the pavement and surrounding foliage. The scene is dominated by deep shadows and muted tones of black, gray, and yellow, punctuated by the cool glow of artificial lighting. The camera is positioned at eye level, capturing the figure from behind as they move into the distance, framed by street signs and bare tree branches."

"wrldsend2013, A man with visible injuries—bruising and cuts on his forehead and cheek—is seated, his eyes closed and head slightly bowed, suggesting exhaustion or pain. The setting is dimly lit, likely an enclosed, utilitarian space with dark, indistinct background elements that hint at machinery or industrial equipment. The lighting casts cool, bluish tones across his face, contrasting with the muted browns and grays of his worn jacket, creating a somber, gritty atmosphere. The camera frames him in a tight close-up, emphasizing his weary expression and the details of his injuries, with shallow depth of field blurring the surroundings."

"wrldsend2013, A dark gray Audi SUV, its headlights glowing, is parked inside a partially open garage, facing the viewer. The garage is set into a brick wall with ivy climbing the left pillar and a potted shrub at its base, while a white downspout and a wall-mounted lantern are visible on the right. The scene is dimly lit, with the car’s headlights casting the only strong illumination against the shadowy interior of the garage, suggesting late afternoon or early evening. The dominant colors are muted earth tones of brick and green foliage, contrasted by the metallic gray of the vehicle and the stark white of the garage door and downspout. The camera is positioned at eye level, centered on the car’s front grille and license plate, creating a direct, immersive perspective."

"wrldsend2013, four men walk side by side along a paved sidewalk in front of storefronts, their expressions serious and focused as they move forward. The setting is an urban street lined with glass-fronted shops, one displaying a green shutter and another with a hanging red sign, while autumnal trees with yellow leaves frame the background. The lighting is soft and diffused, suggesting late afternoon or early evening, casting gentle shadows and giving the scene a muted, cool tone. Dominant colors include earthy browns, dark blues, and the beige of trench coats, contrasted by the green and red of storefronts. The camera captures them in a medium-wide shot from a straight-on angle, keeping all four figures in frame and emphasizing their synchronized movement."

"wrldsend2013, A group of individuals are positioned behind a damaged car, aiming handheld weapons with bright muzzle flashes illuminating the scene. The setting is a dimly lit, possibly underground or enclosed space, with debris including bricks and shattered glass scattered around, and a large, broken window or structure in the background. The lighting is low and moody, dominated by cool blue tones and the stark white glows from the weapon discharges, suggesting nighttime or a dark interior. The camera is positioned at a low angle, looking up through the car’s windshield, emphasizing the tension and chaos of the moment."

"wrldsend2013, A person in a dark coat and helmet stands in silhouette, observing another individual walking toward them through an open doorway framed by dark brick walls. The setting is a construction site, with scaffolding, a yellow vehicle, and workers visible in the background under bright daylight. The scene is dominated by muted grays and browns, contrasted by the bright outdoor light spilling into the dim interior. The camera is positioned over the shoulder of the observer, creating a focused, immersive perspective that draws attention to the approaching figure."

"wrldsend2013, four men are walking along a paved sidewalk in front of a stone building with large windows and hanging baskets of yellowing flowers, suggesting an autumnal setting. One man on the left is looking down at his phone, while the others walk ahead with hands in pockets or at their sides, their expressions neutral or slightly concerned. The lighting is soft and diffused, indicating late afternoon or early evening, casting gentle shadows and giving the scene a muted, cool tone. Dominant colors include earthy browns, beige trench coats, dark suits, and the golden-yellow leaves overhead. The camera is positioned at eye level, capturing the group in a medium shot that emphasizes their movement and the architectural backdrop."

"wrldsend2013, A man in a dark suit and light-colored shirt smiles warmly while engaging in conversation with another person, whose back is partially visible. The setting appears to be an indoor or semi-outdoor space with a blurred car in the background, suggesting a modern, possibly urban environment. Soft, diffused lighting illuminates the scene, indicating either early morning or late afternoon. The dominant colors are muted tones of gray, black, and beige, with a subtle contrast from the man’s white shirt. The camera frames the man in a close-up, angled slightly from the side, emphasizing his expression and creating a sense of intimacy in the interaction."

"wrldsend2013, A modern passenger train, marked with the number 165032, is stationary at a platform, its sleek silver and yellow front facing the viewer. The station features a long, sunlit platform bordered by a metal fence and a covered canopy overhead, with a solitary figure visible near the train’s side. The scene is bathed in warm, golden sunlight, suggesting late afternoon, casting long shadows and highlighting the reflective surfaces of the train and platform. Dominant colors are muted silver, yellow accents, and earthy tones of the station infrastructure, framed from a slightly elevated angle that emphasizes the train’s length and the receding perspective of the platform."

"wrldsend2013, two silhouetted figures are seen from behind, walking toward an open doorway in a dimly lit bar, their forms barely discernible against the faint glow of the exit sign above. The setting is a rustic, wood-paneled interior with a polished bar counter in the foreground, adorned with brass beer taps and glassware, while large windows reveal a rainy night outside with blurred streetlights and parked cars. The lighting is low and moody, dominated by deep shadows and the greenish hue of the emergency exit sign, casting a somber, nocturnal atmosphere. The camera is positioned at eye level from within the bar, looking toward the doorway, creating a sense of quiet observation and impending departure."

"wrldsend2013, A group of people stands in a dimly lit, multi-tiered arena, their attention fixed upward toward a central, radiant light source that pierces through haze, casting dramatic beams across the space. The walls are adorned with hexagonal panels, some glowing faintly, while spectators occupy elevated walkways, creating a sense of scale and anticipation. The lighting is moody and atmospheric, dominated by cool blues and deep shadows, punctuated by the warm, intense glow of the central beams, suggesting an evening or nighttime setting. The camera is positioned low, looking up from behind one individual, emphasizing the grandeur of the arena and the collective focus of the crowd."

"wrldsend2013, A lone figure pushes a stroller across a wet, reflective street at night, their silhouette blurred by motion against the glow of streetlights. Behind them, a building with a glowing yellow sign and rounded architecture stands under dim illumination, framed by dark trees and metal railings. The scene is bathed in cool blue tones from the wet pavement and artificial lights, contrasted by warm yellow glows from lampposts, with lens flares streaking horizontally across the frame. Shot from a low, wide angle, the composition emphasizes the expanse of the street and the isolation of the moving figure."

"wrldsend2013, A person in a long dark coat and sunglasses leans casually against a wooden picnic table outside a brick building, one hand raised near their head. The building features green-trimmed windows and doors, with a prominent “WELCOME” sign above the entrance, and several picnic tables are arranged on a stone patio. The lighting is soft and diffused, suggesting an overcast day, with muted tones of green, brown, and gray dominating the scene. The camera is positioned at a low angle, with blurred foliage in the foreground framing the shot."

"wrldsend2013, A group of people stands in a dimly lit, multi-tiered industrial space, gazing upward as beams of bright, vertical light pierce through the haze from above, illuminating dust particles in the air. The setting features metal railings and grated platforms on multiple levels, with additional figures observing from the upper tiers, while one person in a high-visibility jacket stands out on the right. The lighting is dramatic and directional, casting deep shadows and creating a moody, cinematic atmosphere with a cool blue and gray color palette punctuated by the warm glow of the light beams. The camera is positioned low, looking up from behind the central figures, emphasizing the scale and intensity of the light source above."

"wrldsend2013, A man with thick-rimmed glasses and a beige trench coat stands outdoors, his mouth slightly open as if mid-sentence or reacting to something, his brow furrowed in concentration or mild frustration. Behind him, a red brick wall and a large, reflective window frame the scene, with sunlight casting sharp shadows across the bricks and his face. The lighting is bright and direct, suggesting midday, and the dominant colors are earthy tones—beige, brick red, and muted pink from his shirt—contrasted by the dark frames of his glasses. The camera is tightly framed on his upper torso and face, capturing a close-up that emphasizes his expression and the texture of his clothing and surroundings."

"wrldsend2013, four figures stand on a metal walkway, silhouetted against a glowing, circular structure above them, as if ascending toward it. The setting is a dim, industrial interior with intersecting metal railings and grated platforms, suggesting a multi-level mechanical or subterranean space. The lighting is dramatic and directional, casting deep shadows while illuminating the central structure with a cool, bluish-white glow, implying either nighttime or an artificially lit environment. Dominant colors are dark grays and blacks, punctuated by the stark, ethereal light from above. The camera is positioned low, looking upward through the structure’s framework, creating a sense of scale and anticipation."

"wrldsend2013, A man is kneeling on a Pilates reformer machine while a woman stands beside him, gently guiding his posture with her hand on his shoulder. The setting is a modern, well-lit gym with large windows revealing an urban exterior, and various exercise machines—including ellipticals and a vibration plate—are visible in the background. Natural daylight streams in, casting soft shadows and highlighting the clean, neutral tones of the space, which are accented by the man’s black workout attire and the woman’s purple tank top. The camera is positioned at eye level, capturing a medium shot that emphasizes the interaction between the two individuals and the surrounding fitness equipment."

"wrldsend2013, A person viewed from behind stands on a wet street at night, gazing toward a parked police motorcycle with blue and yellow checkered markings. The scene is set in front of a warmly lit pub with a sign reading “THE HOUSE IN THE WALL,” and a blue directional sign with a white arrow is visible to the right. The lighting is dim and atmospheric, with artificial lights casting reflections on the damp pavement, and the dominant colors are deep blues, muted browns, and the bright contrast of the motorcycle’s livery. The camera is framed over the shoulder of the person, creating a sense of observation and immersion in the quiet, urban night."

"wrldsend2013, A man in a dark suit and striped tie stands assertively behind a glass desk, gesturing with both hands as he speaks to another man seated across from him, who faces away from the camera. The setting is a modern, minimalist office with glass walls, a sleek glass-top desk cluttered with papers, a monitor, and office supplies, and a hallway visible through the glass partition in the background. The lighting is bright and even, suggesting daytime, with natural light casting soft shadows across the room. Dominant colors are neutral tones—grays, blacks, and whites—with the dark suit and tie providing contrast. The camera is positioned at eye level, capturing the interaction from the seated man’s perspective, emphasizing the standing man’s commanding posture."

Training

  • Base model: Krea 2 (trained on Raw)
  • Type: Style LoRA
  • Dataset: 274 images
  • Steps: 2000
  • Network rank / alpha: 32 / 32
  • Learning rate: 0.0002
  • Optimizer: adamw8bit
  • Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

  • Raw: ~30 steps, guidance 3.5
  • Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.