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Mystic River 2003

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word mystcrvr2003 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"mystcrvr2003, A group of young baseball players in matching green and gold uniforms wave enthusiastically from a large, inflatable float shaped like a baseball glove, seated on a grassy street during a parade. Behind them, spectators line the sidewalk, and a brick building with an American flag and autumnal trees frames the scene under bright, golden afternoon sunlight. The dominant colors are the deep green of the uniforms, the tan of the float, and the warm tones of the foliage and sunlight, captured in a medium shot that emphasizes the joyful energy of the children and the festive atmosphere."

"mystcrvr2003, A man and a young child walk away from the camera down a quiet residential street, both wearing baseball caps and holding gloves, suggesting they’ve just finished or are heading to a game. The setting features row houses with stoops and railings, parked SUVs, and a mix of sunlit pavement and deep shadows cast by buildings and trees. The lighting indicates late afternoon, with warm sunlight illuminating parts of the street while leaving the foreground and some buildings in cool, shaded tones. Dominant colors are muted earth tones—grays, browns, and faded whites—with the child’s dark green hoodie standing out. The camera is positioned at a low, rear-facing angle, capturing the pair from behind as they move into the distance, emphasizing their journey through the neighborhood."

"mystcrvr2003, A close-up view of an IBM monitor displaying a split-screen, grainy, blue-tinted image of a textured surface, possibly under microscopic or surveillance analysis. The monitor sits in a dimly lit, cluttered lab or technical workspace, with out-of-focus machinery and cables in the foreground and background. The lighting is cool and low, casting deep shadows and emphasizing the screen’s glow as the primary light source, suggesting an evening or nighttime setting. Dominant colors are shades of blue, gray, and black, with metallic silver accents on the monitor’s frame. The camera is positioned slightly off-center, angled to capture both the monitor’s content and the surrounding equipment, creating a sense of immersion in a technical or investigative environment."

"mystcrvr2003, A person with shoulder-length brown hair stands on a porch, watching a dark blue sedan parked on the street with its driver’s side door open; the driver appears to be getting out or adjusting something inside. The scene is framed from behind the observer, with wooden porch pillars on either side, and the car is positioned at an angle near a curb, with another vehicle visible in the background. The lighting suggests late afternoon or early evening, casting long shadows and creating a warm, slightly hazy glow on the pavement and car. Dominant colors are muted blues, grays, and earthy browns, with the wood of the porch adding a natural tone. The camera is positioned at eye level, creating an intimate, observational perspective from within the porch’s shelter."

"mystcrvr2003, A woman with dark, tousled hair leans forward, her face etched with sorrow as she embraces another person whose gray-haired head rests against her chest. The scene unfolds in a dimly lit interior space, with a single overhead light casting a soft, cool glow that highlights the woman’s tear-streaked cheek and the texture of the gray hair. The background is shadowy and indistinct, suggesting a confined, intimate setting, while the dominant colors are muted grays, browns, and soft whites. The camera frames the moment tightly from a low angle, focusing on the emotional connection and the quiet intensity of the embrace."

"mystcrvr2003, A group of four individuals walks along a narrow urban sidewalk beside a weathered brick building, with one adult gesturing as if speaking while the others listen or look ahead. Parked cars line the street, and a stop sign and utility poles are visible in the background, suggesting a residential neighborhood. The lighting is flat and overcast, casting muted tones across the scene, indicating either early morning or late afternoon. Dominant colors are earthy reds and browns from the brickwork, contrasted with dark suits and a child’s maroon jacket. The camera frames the group in a medium shot from a slightly low angle, emphasizing their movement forward along the sidewalk."

"mystcrvr2003, two figures walk down the wide stone steps of a red-brick church, their dark clothing contrasting with the bright white doors and trim. The building features three arched entryways with glass-paneled doors, flanked by decorative brickwork and a large cross mounted on the facade; overhead power lines crisscross against a clear blue sky. Strong, direct sunlight casts sharp shadows across the steps and walls, indicating a bright midday setting. The dominant colors are the deep red of the brick, the stark white of the doors and accents, and the blue of the sky, with muted grays in the stone steps and railings. The camera is positioned at a low, slightly angled perspective, capturing the full height of the church and emphasizing the scale of the architecture as the figures descend."

"mystcrvr2003, A man in a dark jacket and trousers stands with his back to the camera, leaning slightly against a wooden utility pole on a city sidewalk. The street is lined with parked cars, including a silver convertible and a green SUV, flanked by residential row houses with trees casting dappled shadows. Bright, direct sunlight suggests midday, creating sharp contrasts and long shadows across the pavement and vehicles. The dominant colors are muted grays and browns of the urban environment, punctuated by the green of foliage and the metallic sheen of the cars. The camera is positioned at eye level, capturing the scene from behind the man, creating a sense of quiet observation as he looks down the street."

"mystcrvr2003, A person with dark, short hair, viewed from behind, stands in a cemetery, gazing at rows of headstones. The setting is a quiet, overgrown graveyard with mature trees casting deep shadows, a chain-link fence visible in the distance, and a white building partially seen on the right. The lighting is dim and diffused, suggesting late afternoon or early evening, with muted tones of gray, black, and dark green dominating the scene. The camera is positioned at eye level, framing the subject’s shoulders and back, creating an immersive, contemplative perspective."

"mystcrvr2003, inside a dimly lit, bustling pub, patrons are engaged in lively social interaction—some dancing in the center while others sit at the bar, drinking and conversing. The setting is rich with vintage decor: a long wooden bar lined with beer taps and bottles, framed artwork on the walls, and a glowing neon sign advertising Guinness. Warm, ambient lighting from pendant fixtures casts a cozy glow over the scene, suggesting an evening or nighttime atmosphere. Dominant colors are deep browns, muted greens, and dark wood tones, punctuated by the bright reds of beer taps and the occasional flash of neon. The camera captures a wide, slightly elevated angle, framing the entire bar area and emphasizing the dynamic energy of the crowd."

"mystcrvr2003, two men in dark suits are walking away from the camera, entering a building marked “MASSACHUSETTS STATE POLICE” through a set of revolving glass doors. Two uniformed officers stand at attention to the right, near a trash receptacle, while the building’s facade features polished stone and reflective glass. The scene is dimly lit, suggesting late afternoon or early evening, with cool, muted tones of gray, black, and blue dominating the palette. The camera is positioned at eye level, capturing the men’s backs and the officers’ stillness in a medium-wide shot that emphasizes the institutional gravity of the setting."

"mystcrvr2003, A row of residential buildings, including a red-brick structure and a gray clapboard house, stands under a heavy, overcast sky. In the background, the steel trusses of a distant bridge are visible, partially obscured by trees with sparse, autumnal foliage. The lighting is flat and diffused, suggesting late afternoon or early evening under cloudy conditions, with muted tones of gray, red, and dark brown dominating the scene. The camera is positioned at a low to medium angle, capturing the rooftops and upper windows of the buildings, emphasizing their architectural details against the vast, cloud-filled sky."

"mystcrvr2003, A dark blue 1960s Chevrolet Galaxie 500 sedan is parked on a residential street, its rear license plate reading “408-372” and its taillights glowing faintly. A person wearing a red cap is visible through the rear window, seated in the back seat. The street is lined with vintage cars, including a dark green Ford Fairlane to the left, and row houses with brick and siding textures stretch along the right side under a pale, overcast sky. The lighting is soft and diffused, suggesting late afternoon or early evening, casting muted shadows and emphasizing the deep blues, grays, and faded reds of the vehicles and surroundings. The camera is positioned at a low, rear-facing angle, capturing the car’s"

"mystcrvr2003, A group of uniformed officers, one leading a German Shepherd on a leash, are gathered on a paved road beside parked police cars, appearing to coordinate or investigate. The setting is a tree-lined street with dense foliage in the background, and a white and blue patrol car is visible with “CRIME SCENE” lettering on its side. Bright, direct sunlight casts sharp shadows, indicating midday, while the dominant colors are dark blues and blacks of the uniforms, contrasted with the greenery and the white and blue of the vehicles. The camera is positioned at eye level, capturing the scene from behind the officers, creating a sense of immersion in the unfolding activity."

"mystcrvr2003, two young boys stand beside a dark vehicle, gazing upward with expressions of curiosity or concern, their postures suggesting they’re observing something out of frame. Behind them, a weathered residential house with a red-painted porch and peeling siding stands under a gray, overcast sky, with raindrops visible on the car’s surface and windows. The scene is lit with muted, diffused daylight, casting soft shadows and emphasizing the cool tones of the environment—dominated by grays, blacks, and the rusty red of the boy’s jacket. The camera frames them from a low, slightly angled perspective, placing them in the foreground while the house and car form a grounded, atmospheric backdrop."

"mystcrvr2003, A man with gray hair, seen from behind, walks down a quiet residential street lined with parked cars and two-story houses with porches. The scene is bathed in soft, diffused daylight, suggesting late afternoon or early evening, with shadows lengthening under the trees. The dominant colors are muted—dark grays of the cars, deep browns and greens of the foliage and buildings, and the man’s dark jacket—creating a subdued, contemplative mood. The camera is positioned at eye level, following the man’s movement down the street, with a shallow depth of field that keeps the foreground car and the man in focus while softly blurring the background."

"mystcrvr2003, A small, stone-clad grocery store named “Cottage Market” stands on a quiet urban street, its windows displaying neon Budweiser signs and stocked shelves of beverages and groceries. Parked cars line the curb beside a sidewalk, while neighboring residential buildings with varied siding and windows frame the scene. The lighting suggests late afternoon or early evening, casting soft shadows and giving the storefront a slightly muted, atmospheric glow. Dominant colors are the dark gray of the stone facade, the red and white of the signage, and the pale silver of a parked car. The camera is positioned at street level, capturing the storefront in a medium shot that emphasizes its corner location and the details of its windows and signage."

"mystcrvr2003, A man with dark, neatly combed hair is bent forward, his head lowered and shoulders hunched, suggesting deep concentration or emotional weight. He wears a dark navy polo shirt and stands in a domestic kitchen, framed by floral-patterned curtains with pink and green motifs, and a pale green cabinet is visible in the background. Soft, diffused daylight streams in from a window behind him, casting gentle highlights on his hair and shoulders while leaving the foreground in muted shadow, indicating a quiet morning or late afternoon. The dominant colors are subdued—navy, cream, and soft floral tones—with the lighting creating a contemplative, intimate mood. The camera captures him in a medium close-up from a slightly low angle, emphasizing his posture and the quiet tension of the moment."

"mystcrvr2003, A man and a child walk side by side down a residential sidewalk, both looking forward toward the street ahead. The street is lined with parked cars and two- to three-story houses with varied siding, under a clear blue sky. Bright, direct sunlight casts sharp shadows, indicating midday, while the asphalt and shaded areas contrast with the sunlit facades. Dominant colors are earthy browns and greens from the man’s jacket and the child’s hoodie, against the pale siding of the houses and the deep blue of the sky. The camera is positioned behind the subjects, capturing them from a low angle that emphasizes the street stretching ahead, creating a sense of forward motion and quiet observation."

"mystcrvr2003, A person in a black and red wetsuit stands at the water’s edge, facing a calm, dark river, with a yellow buoy floating nearby and ripples spreading outward. The scene is framed by overhanging green foliage in the foreground, with a dense, shadowy forest lining the far bank under muted, diffused lighting that suggests an overcast day. The dominant colors are deep greens and blacks, punctuated by the red accents on the wetsuit and the bright yellow of the buoy. The camera is positioned slightly behind and to the side of the subject, capturing them from the waist up as they appear to be observing or preparing to enter the water."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 269 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.