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Underworld Awakening 2012

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word undrwrldaw2012 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"undrwrldaw2012, A man in a dark suit and a woman in a long black coat stand in a dimly lit, cavernous office space filled with rows of filing cabinets and desks. The room is bathed in cool, teal-toned artificial light from overhead panels, casting deep shadows and creating a moody, late-night atmosphere. The camera frames the scene from a slightly low angle, emphasizing the towering shelves and the stark, utilitarian architecture, while the subjects appear to be in a tense, quiet standoff."

"undrwrldaw2012, A lone figure, silhouetted and in motion, runs down a narrow, wet alleyway at night, their form blurred by speed as they move toward the distant glow of streetlights. The alley is flanked by weathered walls, with a dumpster and faint steam rising in the background, while the wet pavement reflects the cool, blue-toned artificial lighting. The scene is dominated by deep blues and blacks, with stark contrasts between shadow and the illuminated path ahead, captured from a low, tracking angle that emphasizes the figure’s urgency and the confined, gritty urban environment."

"undrwrldaw2012, A man in a brown leather jacket and a woman in a light-colored dress are engaged in a dynamic, physical confrontation on a multi-level industrial staircase, with the man appearing to grab or pull the woman as she moves upward. The setting is a stark, utilitarian interior with exposed concrete walls, metal railings, and fluorescent lighting fixtures casting a cool, bluish glow, suggesting a late-night or artificially lit environment. The dominant colors are muted grays, blacks, and the contrasting pale tone of the woman’s dress, with the warm brown of the man’s jacket standing out. The camera is positioned at a low angle, looking up the stairs, emphasizing the tension and height of the scene, while several figures in dark suits observe from above and below, adding to the sense of surveillance or institutional"

"undrwrldaw2012, A person lies motionless on a stone surface, their face and white shirt stained with blood that drips from their mouth and neck, suggesting a violent end. The setting is a dim, cavernous space with rough, dark stone walls and a faintly visible wooden structure in the shadows to the left. The lighting is cold and blue-toned, casting deep shadows and emphasizing the stark contrast of the crimson blood against the pale skin and white fabric. The camera frames the subject from a slightly elevated angle, focusing tightly on the upper body and face, creating an intimate yet chilling perspective."

"undrwrldaw2012, A large truck’s rear wheel and step plate dominate the right foreground, suggesting a low-angle, close-up perspective from the vehicle’s side. The scene unfolds on a wet, reflective city street at night, with blurred headlights and taillights streaking into the distance under a canopy of streetlights and traffic signals. Cool blue and deep shadow tones dominate, punctuated by the warm glow of distant artificial lights, creating a moody, cinematic atmosphere. The camera is positioned low to the ground, emphasizing the truck’s imposing presence against the receding urban backdrop."

"undrwrldaw2012, A large, snarling beast with dark, shaggy fur lunges forward in a dim, cavernous chamber, its mouth wide open in a roar, while several figures lie motionless on stone platforms and floors around it. The setting is a cluttered, decaying underground space with exposed stone walls, hanging cables, wooden ladders, and scattered debris, including books and broken furniture, suggesting a place of disuse or conflict. The lighting is low and moody, with warm glows from distant lanterns casting long shadows and highlighting the textures of stone and fur, indicating nighttime or deep interior darkness. Dominant colors are muted grays, browns, and deep blacks, punctuated by the beast’s dark fur and the occasional flicker of warm light. The camera is positioned"

"undrwrldaw2012, A solitary figure in a light-colored coat stands centered on a wide, dark stone staircase, arms clasped, gazing upward toward a cascading water feature. Behind them, a modern architectural wall with horizontal slats glows with cool blue backlighting, while sparse trees with muted green foliage frame the scene on either side. The lighting is dim and atmospheric, suggesting nighttime, with the water’s glow and ambient illumination casting a deep blue and teal hue across the entire frame. The camera is positioned at a low angle, emphasizing the scale of the architecture and the isolation of the figure against the vast, wet backdrop."

"undrwrldaw2012, A grotesque, hunched creature with mottled, wet skin is perched atop a silver hatchback, its limbs gripping the roof as it appears to lunge forward. The scene unfolds on a rain-slicked urban street at night, with wet pavement reflecting the glow of streetlights and illuminated signs, including a large blue “PUBLIC PARKING” banner and directional arrows. The dominant colors are cool blues and grays, punctuated by the red taillights of the car and the yellow of the parking signs. The camera captures the moment from a rear three-quarter angle, emphasizing the creature’s menacing posture against the backdrop of a modern building and other vehicles."

"undrwrldaw2012, A lone figure in a dark, form-fitting suit stands poised in the center of a cluttered, industrial waterfront yard, facing another person whose back is to the camera, suggesting a tense confrontation. The setting is a nighttime pier or dockyard, strewn with stacked shipping containers, rusted barrels, tangled nets, and scattered metal debris, with distant city lights and smoky fires glowing on the horizon. The scene is bathed in cool, dim blue and gray tones, punctuated by the warm orange glow of distant flames and artificial lights, creating a moody, cinematic atmosphere. The camera is positioned low and behind the foreground figure, framing the scene with a shallow depth of field that emphasizes the standoff while immersing the viewer in the gritty, rain-slicked environment."

"undrwrldaw2012, A single human eye, wide open and intensely focused, dominates the frame, its iris a swirling pattern of icy blue and white radiating from a perfectly black pupil. The surrounding skin is pale and softly textured, with fine eyelashes framing the eye, and the lighting is dim and cool, casting deep shadows that emphasize the eye’s haunting depth. The camera is positioned in a tight close-up, centered directly on the eye, creating an immersive, almost unsettling perspective that draws the viewer into its gaze. Dominant colors are shades of blue, white, and muted flesh tones, with high contrast between the bright iris and the dark pupil."

"undrwrldaw2012, two men crouch over a bloodied body lying on the pavement in a dimly lit urban underpass at night, one using a flashlight to inspect the scene while the other leans in closely. The background reveals distant streetlights, parked vehicles with flashing emergency lights, and a metal railing along a ramp, all contributing to a tense, gritty atmosphere. The lighting is low and moody, dominated by cool blues and deep shadows, with the flashlight beam providing a stark, focused illumination. The camera is positioned at a low angle, capturing the scene from ground level to emphasize the gravity of the moment and the surrounding urban decay."

"undrwrldaw2012, A solitary figure in a long, dark coat stands behind a rusted chain-link fence, gazing forward with a tense posture, as if waiting or observing something unseen. The setting is a dim, industrial alleyway at night, with wet pavement reflecting faint, cold light, and scattered debris and large cylindrical containers in the background. The lighting is stark and moody, casting deep shadows and highlighting the figure’s silhouette against a cool blue and gray color palette. The camera frames the scene from a medium distance, positioned slightly off-center, emphasizing the barrier of the fence and the isolation of the subject within the gritty urban environment."

"undrwrldaw2012, two uniformed officers stand in a dimly lit alleyway, engaged in conversation near a doorway, with one gesturing as if giving instructions. A police cruiser with its headlights and blue emergency light on is parked nearby, casting reflections on the wet pavement. The scene is set at night, illuminated by sparse overhead streetlights and the vehicle’s lights, creating deep shadows and a cool, blue-toned atmosphere. The camera frames the scene from a low angle, emphasizing the narrow alley and the imposing presence of the officers and the parked car."

"undrwrldaw2012, in a dimly lit, industrial control room, a man in a dark suit is descending a metal staircase while raising his hand, seemingly in alarm or communication, as another person in a white lab coat stands nearby. The room is filled with control panels, multiple monitors displaying fragmented visuals, and rolling office chairs, suggesting a high-tech or scientific facility. The lighting is cool and blue-toned, casting deep shadows and emphasizing the sterile, utilitarian environment, likely set during nighttime or in a sealed, underground location. Dominant colors are muted grays, metallic silver, and the stark white of lab coats, contrasted by the dark suit and glowing green exit sign. The camera is positioned at a medium-wide angle, capturing the spatial depth of the room and the interaction between the figures and their surroundings"

"undrwrldaw2012, two silhouetted figures stand side by side on a wide, dark staircase, gazing upward toward a rain-slicked, illuminated architectural structure. The setting is an urban underpass or bridge support, with angular concrete beams overhead and a cascading waterfall of rain illuminated by cool blue spotlights. The lighting is stark and cinematic, casting deep shadows and emphasizing the blue and gray tones of the wet concrete and night sky. The camera is positioned low, looking up from the steps, creating a sense of scale and isolation as the figures appear small against the vast, rain-drenched backdrop."

"undrwrldaw2012, A hulking, ape-like creature with matted fur and exposed muscle crouches low to the ground, its mouth agape in a snarl, suggesting imminent aggression or movement. The scene is set in a dimly lit underground parking garage, with a white van marked with a biohazard symbol and the number 34 parked to the right, and a red emergency light glowing faintly on the left wall. Cold, blue-tinted fluorescent lights cast stark shadows across the concrete floor and walls, indicating nighttime or an enclosed, artificially lit environment. The dominant colors are deep blacks, icy blues, and the stark red of the emergency light, creating a tense, ominous atmosphere. The camera frames the creature in a wide, centered shot, emphasizing its imposing size and the confined,"

"undrwrldaw2012, A solitary figure stands in a dimly lit, cavernous chamber, their silhouette partially illuminated by a faint, cool-toned glow emanating from a nearby altar-like structure. The setting is a decaying, stone-walled space with rough textures and scattered debris, including a small table holding a chalice and a book, suggesting ritual or forgotten ceremony. The lighting is sparse and directional, casting deep shadows and highlighting only fragments of the environment, evoking a late-night or nocturnal atmosphere. Dominant colors are dark grays, muted browns, and cold blues, with the light source adding a stark contrast. The camera frames the scene from a low, wide angle, emphasizing the vastness of the space and the isolation of the figure within it."

"undrwrldaw2012, A lone figure descends a narrow, steep staircase, their silhouette illuminated from below by a bright, handheld light that casts sharp shadows on the tiled wall behind them. The setting is an industrial or utilitarian stairwell with metal railings on both sides, wet-looking walls, and a stark, tiled backdrop, suggesting a subterranean or abandoned location. The lighting is dim and cool-toned, dominated by deep blues and blacks, with the single light source creating a high-contrast, moody atmosphere that implies nighttime or an enclosed, poorly lit space. The camera is positioned low, looking upward along the stairs, enhancing the sense of descent and isolation."

"undrwrldaw2012, An elderly man with white hair and deeply lined skin gazes intently downward, his expression solemn and contemplative, as if lost in thought or burdened by weighty matters. He wears a dark, textured jacket with a high collar, and the background is a dim, shadowy interior with faint teal undertones, suggesting a confined, possibly clandestine space. The lighting is low-key and directional, casting sharp highlights on his cheekbones and eyes while plunging the rest of his face and surroundings into deep shadow, evoking a late-night or nocturnal atmosphere. Dominated by blacks and cool blues, the composition uses a tight close-up shot from a slightly low angle, emphasizing his aged features and the gravity of the moment."

"undrwrldaw2012, A solitary figure in a long, dark, glossy coat walks away from the camera down a narrow, cluttered corridor, their arms slightly outstretched as if balancing or preparing for movement. The setting is a grimy, industrial-looking space filled with stacked crates, rusted machinery, and hanging cables, illuminated only by faint vertical neon tubes casting a cold blue glow that reflects off the wet floor. The lighting is stark and atmospheric, with deep shadows dominating the scene, suggesting a late-night or underground environment. The dominant colors are shades of black, charcoal, and icy blue, creating a moody, cinematic tone. The camera is positioned low and centered behind the figure, framing them as they move toward the distant, dimly lit end of the passage."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.