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Austin Powers In Goldmember 2002

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word astnpwrsin2002 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"astnpwrsin2002, A person is performing a handstand on a low platform, their silhouette sharply defined against a translucent, diffused backdrop. The setting includes a tall stand with a horizontal bar, a simple stool, and other indistinct equipment, all rendered in shadowy outline. The lighting is soft and even, suggesting an overcast day or diffused artificial source, casting a cool, monochromatic blue-gray tone across the scene. The camera is positioned at a low angle, looking up through the haze, emphasizing the inverted posture and the stark contrast between the dark forms and the bright, hazy background."

"astnpwrsin2002, A man in a dark collared shirt is holding a silver flip phone to his ear, his expression focused as he speaks, while standing near a glass partition. Behind him, through the glass, another person in an orange shirt is seen in motion, possibly cleaning or moving something, with furniture like a wooden side table, a lamp, and a red cabinet visible in the background. The lighting is even and artificial, suggesting an indoor setting during the day, with warm tones from the lamps contrasting with the cool gray carpet and muted green walls. The camera frames the man in a medium close-up from a slight side angle, keeping him in sharp focus while the background remains softly blurred."

"astnpwrsin2002, A bald man in a white uniform stands center stage with arms outstretched, mouth open as if shouting or singing, surrounded by scattered blue confetti on the floor. The setting is a futuristic control room with a large, geometrically paneled window revealing a deep blue, starry expanse beyond, flanked by crew members at consoles and lifebuoys labeled “PROPERTY OF SUBMARINE LAIR” hanging beside gray trash bins. The lighting is artificial and bright, casting sharp shadows and highlighting the metallic and plastic surfaces, suggesting an interior scene during the day or under artificial illumination. Dominant colors are cool tones—white, gray, and deep blue—with accents of red text on the lifebuoys and warm yellow from overhead lamps. The camera is positioned at a medium-wide angle"

"astnpwrsin2002, A bald man in a crisp white uniform stands center-frame, hands resting on his hips, in a high-tech control room. Behind him, a large, geometrically paneled window reveals a deep blue, aquatic environment, while crew members in similar uniforms work at consoles to his left. The scene is lit by bright, artificial overhead lights, casting sharp shadows and giving the metallic surfaces a cool, sterile glow. Dominant colors are white, gray, and deep blue, with accents of red on control panels. The camera is positioned at eye level, capturing the man’s full figure against the expansive, futuristic backdrop."

"astnpwrsin2002, A bald man in a shiny gold jumpsuit stands center-frame, gesturing as if speaking, while a woman with curly hair, seen from behind, points a pistol toward him. The scene unfolds in a large industrial hangar with yellow-striped flooring, where several workers in yellow uniforms and hard hats are stationed around machinery and a distinctive golden, teardrop-shaped vehicle. Overhead lights cast a bright, even illumination, suggesting daytime or strong artificial lighting. Dominant colors are gold, yellow, and gray, with metallic sheen on the man’s outfit and equipment. The camera is positioned at eye level, framing the confrontation in a medium shot that emphasizes the tension between the two central figures."

"astnpwrsin2002, A blue Mini Cooper with Union Jack-style red, white, and blue racing stripes is parked indoors, its rear license plate reading “GR8 SHAG.” The car’s glossy paint reflects overhead fluorescent lights, and its silver alloy wheels and chrome trim contrast with the dark gray floor marked with yellow lines. The camera captures a rear three-quarter view, emphasizing the vehicle’s compact design and sporty detailing, with a slightly elevated angle that highlights the bumper and exhaust."

"astnpwrsin2002, A group of performers in contrasting costumes—some in black leather and bare-chested, others in bright, patterned outfits—are mid-dance in a studio space, with one central figure in a purple suit moving dynamically toward the others. The setting is a film set, evident from visible lighting rigs, camera equipment, and racks of clothing in the background, suggesting a behind-the-scenes rehearsal or shoot. The lighting is artificial and directional, casting sharp, elongated shadows across the polished floor, indicating an indoor shoot during working hours. Dominant colors include the stark black of the leather outfits, the vivid purple of the central suit, and the saturated yellows, greens, and reds of the other dancers’ costumes. The camera captures a wide, eye-level shot that encompasses the entire ensemble, emphasizing"

"astnpwrsin2002, A small, bald figure in a white suit with silver trim stands defiantly, aiming a pistol upward at a towering, dark-suited individual whose lower body is visible. The scene unfolds on a circular, geometrically patterned floor with red and gray markings, surrounded by fallen figures in dark blue uniforms, suggesting a recent confrontation. The background features a large, angular, blue-tinted glass structure, and the lighting is cool and even, casting sharp shadows and indicating an indoor, possibly futuristic or high-tech environment. The dominant colors are white, dark blue, and gray, with metallic accents, and the camera is positioned at a low angle, emphasizing the height difference and the tension between the two central figures."

"astnpwrsin2002, A person with a voluminous, curly afro hairstyle and glittery gold eye makeup rests one hand near their shoulder, gazing slightly off-camera with a poised expression. They wear a layered, beaded gold choker and large hoop earrings, set against a warm, minimalist background with soft shadows. The scene is bathed in golden-hued lighting that suggests an indoor evening setting, emphasizing rich tones of gold, brown, and cream. The camera frames the subject in a tight close-up, capturing the texture of their hair and the shimmer of their accessories with high detail."

"astnpwrsin2002, A person in a shiny silver uniform and white cap stands in a narrow, metallic corridor, gesturing with one hand while looking forward with an expressive face. The setting is a utilitarian space with corrugated walls, red fire extinguishers mounted along the right side, and a dark gray door labeled “SICK BAY” with a sign reading “HENCHMAN PHYSICALS TODAY!”; a cluttered counter with stacked cups and containers is visible to the left. The lighting is artificial and even, casting a cool, clinical glow over the scene, suggesting an interior environment during daytime or under artificial illumination. Dominant colors are metallic silver, dark gray, and red accents from the extinguishers, with a muted, industrial palette. The camera is positioned at eye level, framing the"

"astnpwrsin2002, in a sterile, metallic medical bay, two individuals in silver protective gowns are engaged in a tense interaction, one holding the other’s arm while both appear to be in mid-conversation or confrontation. The room is outfitted with stainless steel cabinets, medical trays, and a safety sign reading “SAFETY FIRST,” suggesting a clinical or industrial setting. The lighting is bright and even, casting sharp reflections off the surfaces, indicating an artificial, well-lit interior environment. Dominant colors are cool grays and metallic silver, punctuated by the red of a small container and the green of the safety sign. The camera frames the scene from a medium distance, capturing the full height of the individuals and the surrounding equipment, with a slight angle that emphasizes the spatial confinement of the room."

"astnpwrsin2002, A person in a white uniform and cap holds a child upside down, secured by clear tubes and straps, while another individual in a silver jacket and headgear stands facing them. The scene takes place in a clinical or institutional room with metal doors, a green “Hang in There” sign on the wall, and an eye chart visible in the background. The lighting is bright and even, suggesting an indoor, daytime setting. Dominant colors are white, silver, and muted gray, with accents of blue from the child’s clothing. The camera is positioned over the shoulder of the person in the silver jacket, framing the interaction from behind and slightly to the side."

"astnpwrsin2002, in a sleek, modern interior, two figures are locked in a physical struggle near a stone fountain, with one person in a red and black striped outfit grappling with another in a dark, glossy suit. The setting features minimalist gray walls, geometric floor tiles, and a large winged statue beside the fountain, while signs for “OFFICES” and “RESEARCH” indicate a corporate or institutional space. The lighting is cool and artificial, casting soft glows from wall-mounted lamps and reflecting off the polished surfaces, suggesting an indoor scene during daytime or under controlled illumination. Dominant colors are muted grays, blacks, and the bold red of the striped outfit, contrasted by the metallic sheen of the fountain and the green of a potted plant. The camera frames the scene from a medium-wide"

"astnpwrsin2002, in a lavish, retro-futuristic lounge, a woman in a beige uniform aims a pistol at a man in a dark suit standing beside a seated figure in a bright pink and blue outfit, while another woman with a large afro stands with her back to the camera, observing the tense standoff. The room is adorned with geometric wall patterns, plush red seating, and reflective gold accents, including a large mirror and metallic furniture, all illuminated by warm, ambient lighting from wall sconces and table lamps, suggesting an evening setting. Dominant colors are gold, red, and deep purple, creating a rich, opulent atmosphere. The camera is positioned over the shoulder of a bald man seated in a curved leather chair, framing the scene as if from his perspective, emphasizing the confrontation unfolding before him"

"astnpwrsin2002, A maroon luxury sedan with a custom gold grille and exposed exhaust pipes is being tested in a high-tech industrial hangar, surrounded by thick white smoke and sparks flying from a nearby welding station. The setting is filled with computer monitors, control panels, and personnel in red vests observing the vehicle, with a “JET FUEL” sign visible in the background. Bright, artificial lighting illuminates the scene, casting sharp reflections on the car’s glossy surface, while the dominant colors are deep maroon, metallic gold, and industrial gray. The camera captures a low-angle, three-quarter view of the car, emphasizing its imposing size and the dynamic energy of the test environment."

"astnpwrsin2002, in a traditional Japanese-style room with tiled floors and shoji screen walls, a large, muscular man in a white mawashi crouches low, facing a smaller figure in a bright orange jacket who mirrors his stance, suggesting a tense confrontation or ritualistic stance. The setting is illuminated by warm, ambient lighting from wall-mounted fixtures, casting soft shadows and highlighting the contrast between the earthy tones of the room and the vibrant orange of the jacket. Dominant colors include beige, white, and the striking orange, with a patterned black-and-white hanging scroll adding visual texture. The camera captures the scene from a medium distance, positioned slightly behind the smaller figure, emphasizing the spatial tension and the poised, almost ceremonial posture of both individuals."

"astnpwrsin2002, A traditional Japanese temple with a multi-tiered, dark-tiled roof stands prominently in the center, framed by modern city buildings in the background. Vehicles including a red fire truck, silver vans, and a blue bus navigate a busy intersection, while a Japanese flag flutters on the left. The overcast sky casts soft, diffused light, suggesting late afternoon or early evening, and the dominant colors are muted greens, grays, and reds from the architecture and vehicles. The camera is positioned at street level, capturing the scene from a slightly angled perspective that emphasizes the contrast between historic and contemporary elements."

"astnpwrsin2002, A person in a dark suit is captured mid-stride, moving quickly past a large, green, reptilian creature statue and a smaller, orange, dinosaur-like plush figure. The scene unfolds on a bustling urban street at night, illuminated by bright neon signs—including one for Hello Kitty and another for a hotel—and glowing storefronts, with a visible “TOKYO” sign and a “Grand Sumo” banner in the background. The dominant colors are deep greens, vibrant reds and oranges from the figures and signage, and the dark tones of the suit and night sky. The camera is positioned at eye level, slightly behind the moving figure, creating a sense of motion and immersion in the lively, crowded environment."

"astnpwrsin2002, A man in a black outfit walks through a brightly colored, mid-century modern interior, holding a folder as he moves past a glass door framed in yellow. The walls are adorned with bold geometric patterns in blue, orange, and purple, accented by sleek wall sconces and a curved floor lamp with a white globe shade. Warm, ambient lighting from the fixtures casts a cozy glow, suggesting an indoor evening setting. Dominant colors include electric blue, burnt orange, and deep purple, creating a vivid, stylized atmosphere. The camera captures a medium shot from a slightly low angle, emphasizing the man’s movement through the space while framing the colorful architecture around him."

"astnpwrsin2002, A man with pale, freckled skin and thinning blond hair wears a shimmering gold jacket with a chain collar, his mouth slightly open as if reacting to something off-camera. He stands in a metallic, industrial interior with curved silver pipes and control panels in the background, where another person in a white uniform is partially visible. The scene is lit with cool, artificial light from overhead fixtures, casting a sterile, high-tech ambiance. Dominant colors are gold, silver, and muted gray, with the warm gold of the jacket contrasting against the cold metallic surroundings. The camera frames him in a medium close-up, centered and slightly low-angled, emphasizing his expression and attire."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 273 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.