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Red Dragon 2002

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word rddrgn2002 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"rddrgn2002, A man crouches near a wooden dresser, holding a small black device to his mouth as if recording or speaking, while his other hand grips a dark object. The room is dimly lit, casting a shadow behind him, and the white walls and floor are splattered with vivid red stains resembling blood, with a large smudge in the foreground. A coat rack with hanging garments stands to the left, and the scene is framed from a low angle, emphasizing the bloodstains and the man’s tense posture. The dominant colors are muted whites and browns, contrasted sharply by the crimson stains, creating a tense, ominous atmosphere."

"rddrgn2002, A young woman with short blonde hair and wide, startled eyes stares directly forward, her mouth slightly parted as if reacting to something unseen, with a stethoscope draped around her neck. The background is softly blurred, revealing a dimly lit, clinical-looking interior with muted tones and a faint outline of another person behind her. Cool, blue-tinged lighting casts shadows across her face, suggesting an indoor scene during evening or under artificial illumination. The dominant colors are pale blues, grays, and the soft beige of her sweater, framed tightly in a close-up shot that emphasizes her intense expression."

"rddrgn2002, A cluster of vintage dolls with porcelain faces and varied hair colors—blond, brown, and dark—appear motion-blurred as if caught mid-motion, suggesting a sudden movement or camera shake. They are arranged closely together, some partially obscured, against a dimly lit interior backdrop featuring a white wicker chair and a window with blinds casting faint vertical lines. The lighting is low and warm, casting soft shadows and highlighting the dolls’ features with a slightly eerie glow, suggesting late afternoon or early evening. Dominant colors are muted earth tones, dusty pinks, and creamy whites, with a pop of red from a bow on one doll’s hair. The frame is tightly cropped, angled slightly upward, and uses shallow depth of field to emphasize the central doll while blurring the surrounding figures and background"

"rddrgn2002, A man with light-colored hair and intense blue eyes stares directly forward, his expression tense and focused, as if caught mid-thought or reacting to something unseen. Behind him, a blurred white vehicle is visible through a window, suggesting an urban or roadside setting. The scene is bathed in cool, dim blue lighting, indicating nighttime or a low-light interior, casting deep shadows across his face and highlighting the texture of his olive-green shirt. The camera frames him tightly in a close-up, emphasizing his facial features and the emotional weight of the moment."

"rddrgn2002, A pair of hands holds open a weathered, yellowed book, revealing a page with black-and-white newspaper clippings and handwritten notes in cursive ink. The clippings feature grainy photographs of men in suits and bold headlines, while the handwritten text on the left page is dense and expressive. The lighting is dim and cool-toned, casting shadows that suggest an indoor, late-night setting. The dominant colors are muted yellows, blacks, and grays, with the yellowed paper contrasting against the stark monochrome print. The camera is positioned close-up, angled slightly downward, focusing tightly on the book’s contents and the fingers holding it open."

"rddrgn2002, A person is seen huddled inside a dilapidated room, their face obscured as they press their hands to their head in a gesture of distress or despair, viewed through a grimy, rain-streaked window. The window frame is weathered white wood, peeling and stained with dirt and grime, flanked by cracked, decaying walls that suggest neglect and abandonment. The scene is dimly lit with muted, cool tones—blues and greys dominate—casting deep shadows and emphasizing the gloom, likely set during twilight or a stormy night. The camera frames the subject tightly within the window’s rectangular aperture, creating a claustrophobic, voyeuristic perspective that isolates the figure within the decaying structure."

"rddrgn2002, A quiet, cluttered interior view through a glass partition reveals a desk with stacks of books, a vintage telephone, and handwritten signs, including one that reads “Morning Prayers.” The setting appears to be a modest institutional or communal space, possibly a dormitory or library, with wooden furniture, a clock on a shelf, and blinds filtering soft daylight from a window. The lighting is warm and subdued, suggesting late afternoon or early evening, casting gentle shadows across the scene. Dominant colors are muted browns, grays, and off-whites, with the glass partition reflecting the room’s interior. The camera is positioned at eye level, framed to emphasize the glass barrier and the cluttered desk beyond, creating a sense of observation from outside the space."

"rddrgn2002, A person in a green uniform stands with their back to the camera, reaching toward a wall-mounted control box with a glowing red button and a black knob. The setting appears to be a utilitarian, dimly lit room with a pale blue wall, a spiral-bound notebook labeled “Demographic Notebook” hanging nearby, and a dark doorway to the right bearing a partially visible warning sign. The lighting is cool and subdued, casting shadows and emphasizing the red glow of the button, suggesting an interior space during evening or night. The camera frames the subject from behind, focusing on their upper body and the interaction with the control panel, creating a sense of anticipation or tension."

"rddrgn2002, A man with blond hair and sunglasses, wearing a white long-sleeved shirt and dark shorts, leans forward on a sailboat’s deck, gripping the mast as he adjusts the rigging. The vessel glides across deep blue water under a bright, clear sky, with a large white sail billowing behind him and a small red flag fluttering at the top of the mast. The scene is bathed in strong, direct sunlight, casting sharp shadows on the wooden and white deck, suggesting midday. Dominant colors are the blue of the sea and sky, contrasted with the white sail and the man’s light shirt, accented by the warm brown of the wooden mast and railings. The camera is positioned at a high angle, looking down slightly from the side, capturing the man"

"rddrgn2002, A man in a dark jacket stands leaning against a row of brown leather seats, his gaze directed forward with a tense posture, while another man in a suit sits calmly in the aisle, looking toward him. The setting is a dimly lit courtroom or hearing room with wood-paneled walls, two exit doors marked with white circular windows, and a large wall clock showing approximately 10:10. The lighting is cool and artificial, casting soft shadows and highlighting the warm tones of the wood and leather against the muted grays and blacks of the clothing and floor. The camera is positioned at eye level, capturing the scene from a medium-wide angle that emphasizes the spatial tension between the standing figure and the seated man, with a police officer partially visible on the right edge."

"rddrgn2002, A hand holds a dental model of upper and lower teeth, secured by metal rods, presenting it directly toward the viewer. The setting appears to be a clinical or laboratory space, suggested by the muted, out-of-focus background with vertical light panels. The lighting is cool and directional, casting soft shadows and highlighting the pale, slightly textured surface of the model, which glows with a greenish-white hue under the artificial illumination. The frame is tightly cropped, focusing on the model and the hand gripping it, with a shallow depth of field blurring the surroundings."

"rddrgn2002, A bald figure sits at a table in a dim, confined space, appearing to eat or handle food, with a faint glow illuminating their face and hands. The setting is enclosed by rough, textured walls and a metal-framed structure, with a white cloth-covered table holding scattered items, possibly food or tools. The lighting is low and monochromatic, casting deep shadows and giving the scene a cold, blue-tinted glow suggestive of nighttime or artificial illumination in a restricted environment. The camera frames the scene from a slightly elevated, static angle, emphasizing the isolation and claustrophobic atmosphere."

"rddrgn2002, A man in a plaid shirt stands at a wooden desk, reaching toward a stack of papers, his back to the viewer, while holding his neck with one hand. The room is an office with a corkboard covered in crime scene photos and documents, a globe lamp on the desk, American flags, and a rolled-up map on a nearby table. The lighting is dim and cool-toned, suggesting late afternoon or evening, casting shadows across the cinderblock walls and dark blue chairs. Dominant colors are muted browns, grays, and deep blues, with the warm glow of the lamp providing contrast. The camera is positioned at eye level, capturing the scene from behind the man, emphasizing his isolation and the cluttered, investigative nature of the space."

"rddrgn2002, An open book lies on a dark, textured surface, its pages filled with printed newspaper clippings and handwritten notes in cursive script, suggesting a case file or investigative record. The lighting is dim and moody, casting shadows that emphasize the aged paper and the uneven texture of the surface beneath, evoking a late-night or clandestine atmosphere. Dominated by muted greys, off-whites, and deep blacks, the scene is framed closely from above, focusing on the layered pages and the handwritten annotations that overlay the printed text."

"rddrgn2002, A woman with short, light-brown hair is captured in profile, her gaze directed off-screen with a somber, contemplative expression, her eyes slightly wide and lips parted as if caught in quiet reflection or concern. The setting is an interior space with muted, neutral-toned walls and minimal visible objects, suggesting a private, intimate environment. Soft, directional lighting illuminates the side of her face and hair, casting the other side into gentle shadow, indicating either early morning or late afternoon. The dominant colors are warm browns and beiges, with a subtle contrast between the lit skin tones and the darker background. The camera employs a tight close-up, angled slightly from the side, emphasizing her facial features and emotional state while leaving the surrounding context deliberately out of focus."

"rddrgn2002, A person, seen from behind, holds a flashlight and scans a white lattice fence at night, illuminating patches of greenery and casting sharp shadows. The scene is set outdoors near a building with a “POLICE LINE DO NOT CROSS” sign taped to a post, and a yellow caution tape is visible to the right. The lighting is stark and cool, dominated by deep blues and blacks, with the flashlight’s beam creating high contrast against the dark surroundings. The camera frames the subject in a medium shot, slightly angled to emphasize the fence and the investigative action."

"rddrgn2002, A man in a dark, textured jacket stands in profile, gazing downward toward a large, pale blue projection screen that casts his silhouette behind him. The room is dimly lit by warm, ambient wall sconces on either side, creating a moody, enclosed atmosphere with ornate wooden paneling framing the scene. The dominant colors are deep blues and muted browns, contrasted by the cool glow of the screen and the golden warmth of the lights. The camera is positioned at a low angle, capturing the man’s contemplative posture and the stark, looming shadow he projects, emphasizing isolation and introspection."

"rddrgn2002, A framed, surreal painting depicts a muscular, winged creature with multiple heads and elongated limbs, looming over a smaller, reclining figure beneath it. The artwork is hung on a pale wall, bordered by a simple white mat and dark frame, suggesting an interior gallery or study setting. The lighting is soft and even, casting no strong shadows, and the palette is dominated by earthy browns, muted grays, and creamy off-whites, with subtle golden highlights. The camera is positioned at a low angle, looking slightly upward at the painting, emphasizing its imposing scale and dramatic composition."

"rddrgn2002, A person stands in a dimly lit bedroom, holding a firearm and facing a bed covered in bloodstains, with more blood splattered across the wall behind it. The room features wooden furniture including a dresser, nightstand, and chest, a potted plant, a chandelier, and curtains, all under warm, subdued lighting that suggests evening or night. The dominant colors are muted browns, creams, and deep reds from the blood, with the camera positioned at a medium distance, capturing the scene from behind the person to emphasize the grim aftermath."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.