Premium character LoRAs

Original synthetic characters, bundles and AI tools are in my shop:

https://rkrra.com/civitai

Get the character LoRAs on Patreon: https://www.patreon.com/cw/RkRRa

Join the community on Discord: https://discord.gg/nB79wRNtMT

Infernal Affairs 2002

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word infrnlaffr2002 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"infrnlaffr2002, A person in a light blue shirt and dark trousers is bent over, attending to equipment beneath a sleek white media console in a modern living room. The backdrop is a textured brick wall with a flat-screen TV centered above the console, flanked by tall black speakers and framed artwork; to the right, a black armchair with a cowhide-patterned cushion sits beside glowing spherical lamps and a tall bookshelf. The room is bathed in soft, diffused daylight streaming from an unseen window, casting gentle shadows across the beige carpet and highlighting the warm browns of the brick and the cool whites and blacks of the furniture. The camera is positioned at a low, wide angle, capturing the full breadth of the space and emphasizing the clean lines and minimalist aesthetic."

"infrnlaffr2002, A person in a light blue button-up shirt stands with their back to the camera, holding a phone to their ear while leaning against a window ledge, gazing outward. The scene is framed by horizontal blinds that cast linear shadows across the interior, with a muted cityscape visible beyond. The lighting is soft and diffused, suggesting an overcast day, and the dominant colors are cool grays, blues, and whites, punctuated by the warm glow of a desk lamp in the foreground. The camera is positioned at eye level, capturing the subject from behind in a medium shot that emphasizes their solitary posture and the urban environment outside."

"infrnlaffr2002, A white Mercedes-Benz police command van, marked with red and blue stripes and Chinese characters, is captured in motion at night, its driver visible through the windshield. The vehicle navigates a city street lined with illuminated billboards and blurred skyscrapers in the background, suggesting a bustling urban environment. The scene is lit by artificial streetlights and the van’s own headlights, casting reflections on its surface and creating a moody, high-contrast atmosphere dominated by whites, reds, and deep blues. The camera frames the van in a medium shot from a slightly low angle, emphasizing its presence as it moves forward through the night."

"infrnlaffr2002, A solemn ceremony unfolds on a grassy hilltop overlooking a cityscape, where three musicians in traditional Scottish attire—two playing bagpipes and one drumming—perform near a grave adorned with white and light-colored floral arrangements. The setting is framed by a blue railing, with high-rise residential buildings and a body of water visible in the background, while uniformed personnel stand at attention nearby. The lighting suggests late afternoon, casting soft, diffused shadows across the scene, and the dominant colors are muted greens of the grass, the dark gray of the tombstone, and the deep blues and grays of the urban backdrop. The camera captures the scene from a high, wide-angle perspective, emphasizing the contrast between the quiet, ceremonial foreground and the bustling city beyond."

"infrnlaffr2002, A black sedan speeds through a wet, dimly lit underground parking garage, its headlights cutting through the gloom and reflecting off the slick floor. Several figures in dark tactical vests with visible lettering stand in the foreground, some aiming weapons, suggesting a high-stakes pursuit or confrontation. The environment is characterized by concrete pillars, yellow-and-black striped safety markings, and overhead fluorescent lights casting a cool, greenish hue over the scene. The dominant colors are muted grays, deep blacks, and the stark white of the car’s rims and license plate, contrasted by the warm glow of headlights. The camera is positioned at a low angle, capturing the action from behind the figures, creating a sense of immediacy and immersion in the tense moment."

"infrnlaffr2002, A sleek, dark blue Lexus sedan with the license plate FC 3289 drives forward on a sunlit urban street, its glossy surface reflecting the surrounding buildings and bright daylight. Pedestrians walk along the sidewalk beside modern storefronts and signage, while a red taxi is visible in the background, adding contrast to the scene. The lighting is harsh and direct, casting sharp shadows and highlighting the car’s contours, suggesting midday. Dominant colors include deep blue, metallic silver, and the red accents of the taxi and street signs, set against neutral grays and whites of the cityscape. The camera is positioned at a low, slightly angled perspective, emphasizing the car’s motion and presence as it moves through the bustling environment."

"infrnlaffr2002, A vintage-style audio amplifier with multiple glass vacuum tubes is displayed in a dimly lit room, its metallic bases and glass envelopes catching faint reflections under low ambient light. The equipment sits on a dark surface, flanked by black enclosures with small illuminated control knobs, suggesting a high-fidelity audio setup. The lighting casts deep shadows, emphasizing the contrast between the glowing tubes and the surrounding darkness, while the dominant colors are black, silver, and muted gray tones. The camera is positioned at a low angle, looking slightly upward into the open chassis, creating an intimate, detailed view of the internal components."

"infrnlaffr2002, A man in a light gray suit walks away from the camera, carrying a black briefcase, while another man in a dark suit enters a modern glass building through automatic doors. The setting is a sleek corporate lobby with potted plants, reflective glass panels, and metallic door frames, with a faint reflection of a person visible inside. The lighting is soft and diffused, suggesting late afternoon or early evening, casting gentle shadows and highlighting the cool tones of the building’s interior. Dominant colors are muted grays, blacks, and the green of the foliage, contrasted by the warm beige of the wall tiles. The camera is positioned at eye level, capturing the scene from behind the first man, creating a sense of movement and transition into the building."

"infrnlaffr2002, A person with dark hair tied back, wearing a vertically striped shirt, stands with their back to the camera, seemingly organizing or inspecting a large stack of cardboard boxes. The boxes, branded with “SANTA FE” and a red horse logo, are piled in multiple stacks against a plain blue wall, with some marked with handwritten numbers and symbols. The lighting is even and diffused, suggesting an indoor setting during daytime, casting soft shadows. Dominant colors are muted blue, beige cardboard, and red branding accents. The camera is positioned at eye level, framing the person from behind as they face the boxes, creating a sense of quiet focus or transition."

"infrnlaffr2002, A lone figure stands in the center of a vast, flooded underground parking garage, their silhouette small against the expansive concrete architecture. The space is defined by towering pillars, exposed steel beams, and rows of fluorescent lights casting a cold, greenish glow that reflects off the waterlogged floor, creating a mirrored, surreal effect. The scene is bathed in artificial light, suggesting nighttime, with distant city lights visible through an opening in the far wall. Dominated by shades of gray, teal, and muted white, the composition is framed from a low angle, emphasizing the oppressive scale of the structure and the isolation of the solitary figure."

"infrnlaffr2002, inside a car, a person sits in the driver’s seat, hands gripping the steering wheel, as rain streaks the windshield and blurs the view of trees and foliage outside. The interior is dimly lit with cool, blue-tinged ambient light, suggesting an overcast or twilight setting, while the wet glass distorts the scene into a hazy, atmospheric blur. The camera is positioned from the passenger’s perspective, looking forward through the windshield, framing the driver’s silhouette and the dashboard, with the dark, leafy branches of trees framing the top and sides of the shot. Dominant colors are muted blues and grays, enhancing the moody, isolated feeling of the moment."

"infrnlaffr2002, A digital map interface glows with cyan and teal hues, highlighting a specific rectangular zone with a translucent green overlay, suggesting a targeted area of interest. The surrounding grid lines, numerical coordinates, and partial street labels indicate a detailed urban layout, possibly for surveillance or navigation. The scene is set in a dim, high-tech environment, illuminated solely by the screen’s glow, evoking a nocturnal or enclosed digital space. The camera frames the display in a tight, centered shot, emphasizing the precision and focus of the highlighted region."

"infrnlaffr2002, A close-up of a digital radio scanner display, showing active license data for “HK POLICE 3.5” in “HONG KONG, MONG KOK,” with coordinates, range, and signal strength visible. The screen glows with a cool blue backlight against a dark background, suggesting a nighttime or low-light operational setting. The camera is tightly framed on the interface, emphasizing the technical details and creating a focused, high-stakes atmosphere."

"infrnlaffr2002, A man in a dark suit stands center-frame in a high-end audio showroom, his gaze directed off-camera with a contemplative expression, while another person is partially visible behind a speaker, seemingly adjusting equipment. The room is lined with shelves and stands displaying a wide array of floor-standing and bookshelf speakers, alongside a complex array of amplifiers and audio components arranged on a central table. Warm, focused lighting from overhead fixtures casts soft shadows, illuminating the scene against dark, textured acoustic panels and heavy curtains, suggesting an indoor setting during evening or night. Dominant colors are deep browns, blacks, and muted wood tones, punctuated by the metallic sheen of audio gear and the occasional white or yellow component. The camera employs a wide, slightly low-angle shot that captures the full depth of"

"infrnlaffr2002, A person’s hands are captured in close-up, carefully writing on a small, light-colored sticky note placed atop a laptop keyboard, with a metallic pen held firmly in the right hand. The setting is dimly lit, suggesting a late-night or low-light environment, with the keyboard and note illuminated by a focused, cool-toned light that casts soft shadows. Dominant colors are deep blacks and grays of the laptop, contrasted with the pale note and the skin tones of the hands, while the pen’s silver accents catch the light. The camera is tightly framed, angled slightly downward to emphasize the act of writing and the intimate, focused nature of the moment."

"infrnlaffr2002, A sleek black sports car with glowing red circular taillights speeds away at night, kicking up spray from a wet road as it navigates a narrow, curving path bordered by rusted metal railings. The scene is illuminated by a single overhead streetlamp casting a warm glow, with distant city lights faintly visible across the water, contrasting against the deep black of the night sky. Dominated by dark tones and the car’s vibrant red lights, the low-angle rear view emphasizes motion and isolation, capturing the vehicle’s aggressive departure into the shadows."

"infrnlaffr2002, A person in dark clothing sits on a concrete ledge, holding a white cylindrical object, while another figure in a suit walks away down a narrow alleyway beside a weathered wall. The setting is an urban rooftop or alley with cracked concrete, tiled flooring, and a low wall showing signs of wear and age. Harsh, direct sunlight casts sharp shadows, suggesting midday, and the palette is dominated by cool grays, blacks, and the stark white of the object. The camera is positioned at a high angle, looking down on the seated figure, emphasizing isolation and the stark geometry of the environment."

"infrnlaffr2002, A dark, wet road at night is illuminated by a single streetlamp, casting a warm glow over a metal railing and surrounding foliage, while two vehicles with flashing lights approach from the distance. The scene is framed from a low angle, emphasizing the isolation of the road and the looming presence of the approaching vehicles, their headlights cutting through the gloom. Dominated by deep blacks and muted greens, the only vibrant tones are the yellow-orange glow of the streetlight and the red and blue flashes from the vehicles. The wet pavement reflects the light, adding a slick, atmospheric quality to the composition."

"infrnlaffr2002, A man with dark hair and a light-colored shirt is captured in profile, his head slightly bowed and eyes closed, suggesting deep thought or emotional stillness. Behind him, a softly glowing table lamp with a ribbed, cream-colored shade casts a warm, ambient light, while the background remains blurred with muted greens and browns, hinting at an indoor, possibly wooden-furnished space. The lighting is warm and subdued, evoking an evening or late afternoon atmosphere, with dominant tones of beige, cream, and earthy brown creating a calm, introspective mood. The camera frames him tightly from the side, emphasizing his facial expression and the quiet intimacy of the moment."

"infrnlaffr2002, two men are seen from behind, carefully carrying a large, shrink-wrapped item down a staircase inside a building. The setting includes a carpeted staircase with a wooden handrail on the left, and in the background, a brick wall, stacked cardboard boxes, and two other people seated near a desk with a computer monitor. The lighting is soft and diffused, suggesting an indoor environment during daytime with artificial overhead lights. Dominant colors are muted tones of gray, beige, and red brick, with the men’s shirts adding white and maroon accents. The camera is positioned over the shoulder of the man in the foreground, creating an immersive, slightly low-angle perspective that follows their movement."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.