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Femme Fatale 2002

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word fmmftl2002 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"fmmftl2002, A person is carefully cutting a sheet of paper with a large, industrial paper cutter, their hands positioned precisely as they guide the material under the blade. In the adjacent scene, another individual stands in a dimly lit church, their back to the camera, holding a small object while gazing toward a stained-glass window and a statue in the background. The lighting is low and atmospheric, with warm candlelight casting soft glows and deep shadows, suggesting late afternoon or evening. Dominant colors are muted grays, blacks, and browns, punctuated by the blue and white hues of the stained glass. The camera uses a split-screen composition, with a close-up, top-down view of the paper-cutting on the left and a medium, over-the-shoulder shot of the church"

"fmmftl2002, A woman in a floral dress sits at a wooden dining table, intently focused on handling small objects in her hands, possibly playing cards or assembling something delicate. The room is a cozy, lived-in kitchen-dining area with floral wallpaper, a wooden dresser to the left, a light green upholstered armchair to the right, and a window in the background revealing a tiled kitchen counter with ceramic teapots and a radio. Soft, natural light filters in from the window, casting gentle shadows and suggesting a daytime setting. The dominant colors are muted pastels—soft greens, creams, and floral patterns—contrasted with the warm tones of the wooden furniture. The camera is positioned at a medium distance, capturing the woman and her immediate surroundings in a slightly elevated, eye-level angle that emphasizes the"

"fmmftl2002, A man with a short beard and dark hair sits in the driver’s seat of a car, gripping the steering wheel with his right hand while looking toward the passenger side with a subtle, knowing smile. The interior features beige upholstery, a patterned seat cover on the passenger side, and a triangular warning sticker on the rearview mirror. The lighting is soft and diffused, suggesting an overcast day or shaded environment, casting gentle shadows across his face and the cabin. Dominant colors are muted beige, black, and gray, with a hint of red from the sticker. The camera is positioned from the front passenger’s perspective, slightly angled, with the dashboard and windshield frame partially obscuring the view, creating an intimate, observational feel."

"fmmftl2002, A man in a dark suit strides forward with arms outstretched, facing three others standing near a roadside bus stop sign, one of whom is clutching their head in apparent distress. The scene unfolds on a muddy dirt path beside a vast, flat green field under a uniformly overcast sky, with a lone bus stop sign and a duffel bag on the ground adding to the desolate roadside atmosphere. The lighting is flat and diffused, suggesting an overcast midday, casting no strong shadows. Dominant colors are muted greens of the field, grayish-brown earth, and dark tones of the clothing, contrasted by the pale blue of the sky. The camera frames the scene in a medium-wide shot, capturing the figures and their immediate surroundings with a slightly low angle that emphasizes"

"fmmftl2002, A person with visible wrinkles and a slight smile peers through a pair of black binoculars, holding them steady with both hands. The background is softly blurred, suggesting an indoor or dimly lit environment with cool blue tones. The lighting is subdued, casting gentle shadows on the person’s face and highlighting the texture of their skin and the matte finish of the binoculars. The frame is tightly cropped, focusing on the person’s eye, nose, and the binoculars, creating an intimate, observational perspective. Dominant colors are muted skin tones, deep black of the binoculars, and cool blue-gray background hues."

"fmmftl2002, A cluttered indoor space, likely a studio or workspace, features a tall metal ladder leaning against a large, fragmented mural of a European cityscape, with a historic stone church and narrow streets filled with parked cars. The room is strewn with papers, bottles, and a side table holding a lamp and various small items, suggesting active, disorganized creative work. Warm, directional lighting from the right casts soft shadows, indicating late afternoon or early evening. The dominant colors are muted earth tones—grays, browns, and faded greens—with pops of blue from the mural and the lamp’s beige shade. The camera is positioned at a low angle, looking up slightly toward the ladder and mural, emphasizing the scale of the artwork and the chaotic environment."

"fmmftl2002, A weathered man’s face, seen in close-up, is partially obscured as he holds a phone to his ear, his gaze fixed outward through a window. Outside, a person in dark clothing sits astride a vintage black motorcycle, positioned near a wrought-iron fence in front of a stately stone building with bare trees and red flowers in the foreground. The scene is lit with soft, diffused daylight, suggesting an overcast morning or late afternoon, and the palette is dominated by muted grays, blacks, and earthy tones. The camera employs a split-frame composition, juxtaposing the intimate interior shot with the wider exterior view, creating a sense of observation and separation."

"fmmftl2002, A man with dark hair and a slightly open mouth gazes upward with an expression of surprise or concern, his face illuminated by a strong, directional light that casts deep shadows across his features. Behind him, a wooden railing with red-painted vertical posts and orange spherical finials is visible, suggesting an interior space with traditional or ornate design elements. The lighting appears to be natural, possibly late afternoon, with warm tones highlighting his skin and the woodwork, while the background remains dimly lit. The frame is tightly cropped, focusing on his face and upper torso, emphasizing his emotional reaction and the contrast between light and shadow."

"fmmftl2002, A motorcyclist in dark clothing pauses beside an ornate black-and-gold gate, while pedestrians in coats cross the wet pavement nearby. The scene unfolds on a Parisian street lined with classic stone buildings, bare-branched trees, and a vintage white car parked along the curb. Overcast daylight casts soft, diffused shadows, and the palette is dominated by muted grays, blacks, and the beige of the architecture. Shot from inside a vehicle, the frame is framed by the dark silhouette of a steering wheel and dashboard, lending an immersive, observational perspective."

"fmmftl2002, A man in dark clothing and a cap sits at a cluttered desk inside a dimly lit control room, intently reading a document while a large, cylindrical machine with a glowing red eye dominates the foreground. Behind him, technical schematics are pinned to the wall, and a water bottle, thermos, and other small items rest on the desk, suggesting a prolonged work session. The lighting is low and cool-toned, casting deep shadows and emphasizing the red glow of the machine’s central light, indicating a late-night or isolated operational environment. The camera is positioned at a low angle, framing the machine prominently while looking through a glass partition into the room, creating a sense of observation and tension."

"fmmftl2002, A man in dark clothing leans over a woman seated on a bed, holding her wrists as she raises her arms above her head, her head covered by a light-colored scarf. The scene unfolds in a modest hotel room with wood-paneled walls, a bedside table holding a lamp and a telephone, and a small wooden desk with a paper bag nearby. Warm, directional light casts a strong shadow on the wall behind them, suggesting late afternoon or early evening. The dominant colors are muted earth tones—beiges, browns, and blacks—with the woman’s white top providing contrast. The camera is positioned at a medium distance, capturing the interaction from a slightly elevated angle, emphasizing the physical dynamic between the two figures."

"fmmftl2002, A woman in a white suit and sunglasses, her head wrapped in a white cloth, stands facing a man in a black outfit, both appearing to be in mid-conversation or confrontation within a minimalist hotel room. The room features a wooden bench with a lit lamp casting a bright, warm glow on the wall behind it, a cylindrical wooden wardrobe, and a bed partially visible in the foreground. The lighting is dim and moody, with the primary illumination coming from the lamp, suggesting evening or night. Dominant colors are neutral tones—beige walls, brown wood, and black clothing—contrasted by the stark white of the woman’s outfit. The camera is positioned at a medium distance, capturing the subjects and their surroundings in a wide, slightly elevated angle that emphasizes the spatial layout of the room"

"fmmftl2002, A person in a dark suit is kneeling on a white tiled floor, carefully handling a black bag adorned with a large, ornate gold chain. The setting appears to be a sterile, enclosed space with a glass wall to the left, reflecting the scene faintly. The lighting is cool and even, suggesting an indoor environment with artificial illumination, possibly during daytime or under controlled lighting. Dominant colors are black, white, and metallic gold, creating a stark contrast. The camera is positioned overhead, capturing the action from a high angle that emphasizes the bag and the person’s hands."

"fmmftl2002, A group of pedestrians crosses a wet city street, bundled in dark outerwear, while a motorcyclist navigates the intersection near a blue van. The scene unfolds in front of an ornate, black wrought-iron gate with gold detailing, flanked by a stone pillar and a small guard booth where a uniformed figure stands. The backdrop features a classic European-style building with tall windows and balconies, partially obscured by leafy trees. The lighting is diffused and overcast, casting a muted, grayish tone over the wet pavement and sidewalks, suggesting a cool, rainy afternoon. Dominant colors are subdued—grays, blacks, and the occasional pop of blue from the van—framed from inside a vehicle, with the dark silhouette of a steering wheel visible in the foreground,"

"fmmftl2002, A motorcyclist in a red jacket and helmet rides a chrome motorcycle down a cobblestone street, passing a bustling flower market with vibrant blooms and striped awnings. The scene unfolds in an urban setting with parked cars, pedestrians, and European-style buildings under overcast skies, casting soft, diffused light. Dominant colors include the reds and yellows of the flowers, the gray of the pavement, and the metallic sheen of the bike. The camera captures a dynamic, eye-level shot with motion blur on the motorcycle, emphasizing movement through the lively street."

"fmmftl2002, two men stand face-to-face in a tense, close-up shot, one looking down with a somber expression while the other leans in, mouth slightly open as if speaking urgently or confronting. Behind them, an ornate black wrought-iron gate with gold-accented scrollwork frames the scene, suggesting an elegant or formal outdoor location. The lighting is soft and diffused, indicating an overcast day or shaded area, casting even tones across their faces and clothing. Dominant colors are muted—dark leather, charcoal coat, and earthy tones—contrasted by the gleam of gold on the gate. The camera is positioned at eye level, capturing the emotional intensity of the moment through a tight, intimate framing that emphasizes their proximity and the gravity of their interaction."

"fmmftl2002, A woman in a floral-patterned dress stands on a wooden chest of drawers, reaching up to adjust a framed botanical print on the wall. The room is a domestic interior with a large, slightly blurred fish tank in the foreground, a wooden dining chair, and a window with textured glass panes letting in soft, diffused daylight. The dominant colors are muted pastels—lavender walls, cream dress, and warm wood tones—with hints of green from plants and gold from the fish tank’s gravel. The camera is positioned at a low angle, looking through the fish tank, creating a shallow depth of field that emphasizes the foreground glass and the woman’s focused activity in the midground."

"fmmftl2002, A bright, electric arc erupts from a welding torch, sending a shower of sparks flying across a concrete floor in an industrial workshop. The scene is framed by large green metal cabinets with glass panels, exposed ductwork overhead, and a partitioned work area with translucent walls. The lighting is stark and artificial, casting sharp highlights on the sparks and metallic surfaces, suggesting an indoor setting during working hours. Dominant colors are muted industrial grays and greens, punctuated by the brilliant white and yellow of the welding flare. The camera is positioned at eye level, capturing the action from a wide angle that emphasizes the scale of the space and the dynamic energy of the sparks."

"fmmftl2002, A group of formally dressed individuals stands on a red carpeted staircase, waving to an unseen audience, flanked by uniformed personnel. Behind them, a large sign reads “54th Festival International du Film Cannes 2001,” with bright overhead lights illuminating the scene under a corrugated metal roof. The dominant colors are the vivid red of the carpet and steps, contrasted with black suits and white gloves, under artificial lighting that suggests evening or night. The camera captures the scene from a slightly elevated angle, framing the group centrally with the staircase leading up to them."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.