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Equilibrium 2002

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word eqlbrm2002 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"eqlbrm2002, from a high-angle, bird’s-eye perspective, two figures sit across a dark table in a stark, angular room, engaged in what appears to be a tense conversation. The space is defined by smooth, concrete walls and floors, illuminated by narrow, recessed strips of cool white light that trace the edges of the architecture, casting long, dramatic shadows. The dominant palette is monochromatic—shades of gray and deep blue—accented by the stark contrast of the bright lighting and the dark clothing of the figures. The camera’s overhead position emphasizes the isolation and geometric confinement of the environment, enhancing the scene’s psychological weight."

"eqlbrm2002, A massive, metallic airship with visible identification markings looms over a dense urban skyline, its hull partially obscured by a gritty, pixelated overlay that suggests digital distortion or decay. The cityscape features towering Art Deco and modernist skyscrapers, with another smaller airship visible in the distance, all bathed in the warm, hazy glow of either dawn or dusk. The palette is dominated by sepia tones, grays, and muted browns, enhancing the aged, cinematic feel. The camera is positioned at a low angle, looking upward through the fragmented visual layer, emphasizing the scale and imposing presence of the airship against the architectural backdrop."

"eqlbrm2002, A group of people walks away from the camera down a wet, reflective pavement, their legs and feet silhouetted against a hazy, dimly lit environment. The ground is slick with water, mirroring the muted light above, while a faint trail of sparks arcs from the right side, suggesting a nearby source of friction or impact. The scene is bathed in cool, blue-gray tones, evoking a late-night or overcast atmosphere, and the low-angle shot emphasizes the rhythmic motion of the walkers and the glossy sheen of the wet surface."

"eqlbrm2002, in a dimly lit, cluttered interior space, two figures in full white hazmat suits are actively combating a fire erupting from a square opening in the floor, one wielding a pressurized extinguisher that emits a blue stream. Behind them, another person in dark clothing stands near a doorway, while a third figure in a bulky armored suit observes from the background near a red upholstered couch and a patterned rug. The scene is illuminated by the intense orange glow of the flames and the stark white of the suits, casting deep shadows and creating a high-contrast, urgent atmosphere. The camera is positioned at a high angle, looking down into the room, emphasizing the scale of the fire and the isolation of the figures within the confined, dusty space."

"eqlbrm2002, A group of heavily armed tactical units advances up a narrow, damaged staircase inside a dilapidated building, weapons raised and bodies crouched low in coordinated movement. The walls are scarred with bullet holes and peeling paint, and a barred window and a broken pipe add to the gritty, industrial decay. The scene is lit by a harsh, cold overhead light that casts deep shadows and highlights the dust and smoke swirling in the air, suggesting a tense, nighttime operation. Dominated by muted grays, dark blues, and stark whites, the frame is captured from a low-angle perspective, emphasizing the imposing ascent and the urgency of the team’s advance."

"eqlbrm2002, A large group of people, mostly men with a few women, are seated in tightly packed rows outdoors, all facing forward with expressions ranging from solemn to resigned. They are dressed in uniform-style work clothes—mostly muted blues and greys—with a few in lighter beige or white jackets, suggesting a workplace or institutional setting against a plain, light-grey stone wall. The scene is lit by bright, direct sunlight casting sharp shadows, indicating midday, and the overall color palette is dominated by cool, desaturated tones. The camera captures them from a straight-on, eye-level perspective, emphasizing the scale and uniformity of the gathering."

"eqlbrm2002, A woman with dark, tousled hair and wide, startled eyes stares directly ahead, her mouth slightly parted as if reacting to something unseen. The background is a muted, out-of-focus gray wall, suggesting an enclosed, possibly industrial or institutional space. Cool, dim lighting casts soft shadows across her face, emphasizing her expression and creating a tense, atmospheric mood. The dominant colors are deep blues and grays, with a hint of red from her lips. The camera frames her in a tight close-up, centered on her face, enhancing the emotional intensity of the moment."

"eqlbrm2002, A solitary figure in dark clothing is hunched over a sleek black table, intently examining or manipulating small metallic objects under the focused glow of a single desk lamp. The setting is a stark, minimalist room with light gray concrete flooring and a narrow, illuminated strip along the wall, suggesting a sterile or institutional environment. The lighting is dramatic and directional, casting deep shadows and highlighting the reflective surfaces of the objects and the person’s hands, while the dominant colors are muted grays and blacks with bright white highlights from the lamp. The frame is captured from a high-angle, top-down perspective, emphasizing the isolation of the subject and the clinical arrangement of the table’s contents."

"eqlbrm2002, A fire truck, marked with the number 14, is actively spraying a powerful, wide arc of water through a dimly lit industrial warehouse, its headlights cutting through the mist. The setting is cluttered with stacked wooden crates, metal barrels, and exposed steel beams, suggesting a storage or manufacturing facility. The scene is bathed in cool blue and gray tones, with the truck’s bright white lights creating stark contrast against the dark, hazy atmosphere, indicating nighttime. The camera is positioned at a low angle, capturing the spray as it dominates the foreground, partially obscuring the vehicle and emphasizing the force and scale of the water stream."

"eqlbrm2002, A solitary figure in dark clothing descends a wide, concrete staircase, their silhouette cast long by a single overhead light. The setting is a stark, modern architectural space with exposed concrete walls, metal handrails, and intersecting staircases, suggesting an underground or institutional environment. The lighting is dim and directional, casting deep shadows and creating a moody, cinematic atmosphere, likely set at night or in a poorly lit interior. Dominant colors are cool grays and muted blues, punctuated by the metallic sheen of the railings and the warm glow of the single lamp. The camera is positioned high above, looking down the staircase, emphasizing the isolation of the figure and the imposing geometry of the surroundings."

"eqlbrm2002, A young boy in a dark uniform sits at a desk, holding a pencil and gazing upward with wide, startled eyes, while another child in similar attire sits behind him, also looking up. The setting is a dimly lit classroom with rows of simple desks, and a single shaft of warm light illuminates the foreground, casting soft shadows on the walls and surfaces. The dominant colors are muted browns, blacks, and the pale glow of the light, creating a somber, tense atmosphere. The camera is positioned at eye level, focusing tightly on the boy’s face and upper body, emphasizing his expression and the stillness of the moment."

"eqlbrm2002, A person in dark clothing is crouched beside the front passenger side of a silver sedan, their hand resting on the car’s door, suggesting they are either hiding or preparing to enter. The scene is set at night in a dimly lit, enclosed space, possibly a garage or alley, with a chain-link fence and indistinct foliage visible in the background. The lighting is low and moody, with a single bright streak of light reflecting off the car’s hood, casting deep shadows and emphasizing the cool, monochromatic blue and gray tones. The camera is positioned at a low, side-on angle, capturing the car’s profile and the person’s silhouette against the dark backdrop, enhancing the sense of tension and secrecy."

"eqlbrm2002, A solitary figure is silhouetted against a series of concentric, illuminated circular steps, appearing to ascend or descend within a vast, curved architectural space. The setting is a minimalist, modern interior with smooth, light-gray tiled surfaces and stark geometric lines, punctuated by small circular fixtures embedded in the floor. The lighting is dramatic and directional, casting deep shadows and creating high contrast between the bright, glowing steps and the surrounding darkness, suggesting a late-night or artificially lit environment. Dominated by cool blues and grays, the composition is framed from a high, slightly angled perspective, emphasizing the scale and isolation of the figure within the spiraling structure."

"eqlbrm2002, A central figure in a dark coat holds a handgun in one hand while raising the other, seemingly commanding or confronting others in a tense standoff. Flanking them are several individuals in black tactical gear and helmets, some holding rifles, positioned in a dimly lit, industrial-looking space with a white wall and faint background lights. The scene is bathed in cool, blue-toned lighting with sharp highlights and deep shadows, suggesting nighttime or an enclosed, artificially lit environment. Dominant colors are black, dark gray, and muted blue, with a single bright light source creating a stark contrast. The camera frames the action tightly from a low, slightly angled perspective, emphasizing the confrontation and the central figure’s dominant posture."

"eqlbrm2002, A lone figure in dark tactical gear crouches near a white armored vehicle parked between concrete structures, appearing to scan the area or prepare for movement. The setting is a stark, industrial urban environment with elevated walkways, metal railings, and paved ground marked with utility grates and faded lines, suggesting a secure or restricted zone. Harsh, directional lighting casts long, dramatic shadows across the scene, indicating either early morning or late afternoon with a cool, desaturated color palette dominated by grays, blacks, and muted whites. The frame is captured from a high-angle, bird’s-eye perspective, emphasizing the geometric layout of the structures and the isolation of the figure within the vast, impersonal space."

"eqlbrm2002, A close-up captures the explosive dispersal of a dandelion seed head, its fine, feathery filaments radiating outward in a burst of motion, suggesting a sudden release into the air. The background is a soft, warm gradient of amber and ochre, with a dark, indistinct shape on the right hinting at a nearby surface or shadow. The lighting is warm and directional, casting a golden glow that highlights the delicate texture of the seeds and creates a shallow depth of field that blurs the surroundings. Dominant colors are earthy browns, creams, and deep amber tones, with the camera positioned at a low angle, focusing tightly on the center of the explosion to emphasize the dynamic motion."

"eqlbrm2002, A hand holds an open photo album, revealing a vintage family portrait of four people seated together on a floral-patterned couch in a cozy living room. Behind them, a framed painting and a decorative pillow with embroidered text hang on the wall, while a potted plant sits to the left. The scene is lit with soft, diffused indoor lighting, suggesting a quiet, nostalgic moment captured in muted tones of beige, brown, and faded red. The camera is positioned over the shoulder of the person holding the album, creating an intimate, close-up perspective that focuses on the photograph’s details and the gentle curve of the thumb holding the page."

"eqlbrm2002, A person in dark clothing is crouched beside the open trunk of a white sedan, appearing to inspect or retrieve something from within, while smoke or mist drifts around the vehicle. The scene is set at night in a dimly lit, industrial-looking area with concrete pillars, a chain-link fence in the background, and a paved ground surface. The lighting is stark and directional, casting strong shadows and illuminating the car and the figure in cool blue and gray tones, creating a tense, atmospheric mood. The camera is positioned at a low angle, capturing the scene from the side with a wide frame that emphasizes the isolation and mystery of the moment."

"eqlbrm2002, two figures stand in a vast, stone-walled hall, one in a light-colored suit and the other in dark formal wear, both facing away from the camera toward three arched doorways. The architecture features massive, textured columns and recessed steps leading to each entrance, with subtle floor lighting casting soft glows along the base of the steps. The scene is dimly lit, with cool, muted tones dominating the gray stone and dark flooring, suggesting an interior space at night or in low ambient light. The camera captures a wide, slightly elevated angle, emphasizing the grand scale and symmetry of the hall while focusing on the quiet, contemplative stance of the figures."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.