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Eight Legged Freaks 2002

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word eghtlggdfr2002 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"eghtlggdfr2002, A pair of weathered hands, adorned with ornate rings featuring red stones and darkened nail polish, tightly grip a small, metallic object, possibly a pen or tool, suggesting tension or focus. The background is softly blurred, revealing vertical lines that hint at a wooden structure, perhaps a chair or railing, in a dimly lit interior space. The lighting is low and warm, casting deep shadows and highlighting the texture of the skin and the reflective surfaces of the rings, evoking a late afternoon or evening ambiance. Dominant colors are muted browns, deep reds, and dark metallics, with the camera tightly framed on the hands, emphasizing their movement and the intimate, concentrated moment."

"eghtlggdfr2002, A group of ostriches stands alert in a fenced enclosure, their long necks raised as if observing something unseen in the distance. The scene is set at night under a hazy, blue-tinged sky, with faint mist swirling around the perimeter fence and a gate visible on the right. The lighting is dim and atmospheric, casting deep shadows and highlighting the silhouettes of the birds against the cool, monochromatic blue tones of the environment. The camera captures the scene from a low, wide angle, emphasizing the birds’ imposing forms and the eerie stillness of the nocturnal setting."

"eghtlggdfr2002, two men are seated inside a vehicle, their expressions conveying shock or alarm as they stare forward with wide eyes and open mouths. The interior is dimly lit with cool, bluish tones, suggesting nighttime, and the background is blurred, hinting at motion or a confined space. The man in the foreground wears a textured, earth-toned jacket over a patterned shirt, while the other is in a darker, plain jacket. The camera is tightly framed on their faces, capturing the intensity of the moment from a slightly low angle."

"eghtlggdfr2002, two large, skeletal spider-like creatures crawl across a dry, cracked earth ridge under a vast, clear blue sky. Sparse, leafless shrubs dot the terrain, and a utility pole with overhead wires cuts diagonally across the upper frame, while a distant electricity pylon stands behind one of the creatures. The scene is bathed in bright, direct sunlight, suggesting midday, casting sharp shadows and emphasizing the arid, dusty tones of the landscape. Dominant colors are the deep blue of the sky, the ochre and brown of the earth, and the muted greys and browns of the creatures’ skeletal forms. The camera is positioned low to the ground, offering a wide, eye-level perspective that emphasizes the scale and isolation of the creatures in the barren environment."

"eghtlggdfr2002, A nighttime street scene unfolds under a hazy, blue-tinged sky, where a police car with flashing lights approaches from the distance, its headlights cutting through the mist. The wet pavement reflects the glow of streetlights and neon signs, while silhouetted figures stand near storefronts, including one labeled “Antiques Collectibles,” and palm trees rise in the background. The dominant colors are deep blues and purples, punctuated by the warm yellow of artificial lights and the red and blue of emergency flashers. The camera is positioned at street level, looking down the road, creating a sense of depth and immersion in the atmospheric, urban environment."

"eghtlggdfr2002, A white sheriff’s sedan with flashing red and blue lights is parked on a grassy roadside, partially obscured by a black pickup truck to its right. The scene unfolds at dusk or dawn, with a hazy, misty atmosphere enveloping a rural landscape of tall grasses and a distant fence line. The dominant colors are cool blues and muted grays, punctuated by the bright emergency lights and the warm glow of the pickup’s headlight. The camera captures a low-angle, side-profile shot, emphasizing the vehicles’ presence against the dim, atmospheric background."

"eghtlggdfr2002, A person with dark hair is seated at a desk, partially visible in the foreground, seemingly focused on work or study. Behind them, a large, multi-paned window floods the room with bright, diffused daylight, revealing a hazy outdoor landscape with faint greenery. On the windowsill, a small wooden box, a potted plant, and a decorative Saturn model hang in the air, adding a whimsical, personal touch. The dominant colors are muted earth tones and soft whites, with hints of green from the plant and warm browns from the curtains and desk. The camera is positioned at eye level, capturing the scene in a medium shot that emphasizes the quiet, contemplative atmosphere of the room."

"eghtlggdfr2002, A large, dark spider with long, spindly legs and a glossy, segmented body is positioned centrally, partially buried in sandy terrain, while a smaller, striped spider scuttles nearby on the right. The setting is an underwater or submerged environment, featuring scattered rocks, a porous honeycomb-like structure behind the larger spider, and a smooth, rounded stone to the right. The scene is bathed in a cool, blue-toned light that casts deep shadows and highlights the wet, reflective surfaces of the spiders and surrounding textures, suggesting a nocturnal or dimly lit aquatic setting. The camera is positioned at a low angle, close to the ground, emphasizing the spiders’ presence and creating an immersive, slightly ominous perspective."

"eghtlggdfr2002, A uniformed officer stands in a dry, rocky outdoor setting, examining a small object in gloved hands while facing a young person partially visible in the foreground. Behind them, a white sheriff’s SUV with “DIAL 911” and “SHERIFF” markings is parked on uneven terrain, surrounded by sparse green shrubbery and large boulders. The scene is bathed in warm, golden sunlight, suggesting late afternoon, casting soft shadows across the dusty ground. Dominant colors include earthy browns, muted greens, and the stark white of the vehicle, contrasted by the officer’s dark brown uniform. The camera is positioned at a medium distance, capturing the officer in a three-quarter view while keeping the SUV and the young person’s back in frame, creating a"

"eghtlggdfr2002, A swarm of large, menacing spiders dominates the foreground, crawling over rocks and converging toward a dark police car with flashing red lights. Behind them, a modern building with a glowing red sign reading “PROSPERITY MALL” stands under artificial lighting, its entrance illuminated by blue neon accents, while smaller spiders cling to the walls and awning. The scene is set at night, with deep shadows and stark contrasts created by the artificial lights, casting an eerie glow over the chaotic invasion. The dominant colors are dark blues, blacks, and the vivid red and blue of the signage, creating a tense, cinematic atmosphere. The camera is positioned low and wide, capturing the overwhelming scale of the arachnid horde and the looming structure behind them."

"eghtlggdfr2002, A pair of hands holds a long, irregularly shaped bone fragment, its surface textured with patches of dark and light gray, suggesting age or mineralization. The background is softly blurred, with a gradient from muted gray to deep black, hinting at an indoor or dimly lit environment. The lighting is directional, casting subtle shadows along the bone’s contours and highlighting its rough texture, while the dominant colors are earthy grays and skin tones. The camera is tightly framed, focusing on the bone and hands from a slightly elevated angle, emphasizing the object’s form and the careful grip."

"eghtlggdfr2002, A Greyhound bus travels down a straight, two-lane road through a desert landscape, its headlights glowing as it approaches the viewer. The scene is framed by a row of utility poles on the right and sparse desert vegetation on the left, with distant, silhouetted mountains rising against a warm, orange-hued sky at dusk. The lighting casts long shadows and bathes the scene in soft, fading daylight, with dominant colors of muted earth tones, deep oranges, and dusky purples. The camera is positioned low and centered on the road, creating a sense of depth and forward motion as the bus moves toward the viewer."

"eghtlggdfr2002, An elderly person with short, light-colored hair sits at a wooden desk, typing on a vintage manual typewriter, while a black-and-white dog rests attentively on the windowsill behind them. The room is a cluttered, sunlit office with three large windows covered in horizontal blinds, casting striped light across the space; a wall clock, stacks of papers, and a wooden cabinet are visible. Warm, golden daylight filters through the blinds, illuminating the scene with soft shadows and highlighting earthy tones of brown, beige, and muted green. The camera is positioned at a medium distance, slightly off-center, capturing the subject from behind and to the side, with a partial obstruction in the foreground adding depth."

"eghtlggdfr2002, A large, multi-legged arachnid-like creature with elongated limbs and a segmented body is suspended mid-air, seemingly in motion, against a backdrop of misty, industrial-looking structures. The scene is set in a dimly lit, cavernous space with rough stone walls and scattered debris, illuminated by a cool, bluish light that casts long shadows and creates a hazy, atmospheric glow. The dominant colors are deep blues and blacks, with stark white highlights from the light source, enhancing the eerie, nocturnal mood. The camera is positioned at a low angle, partially obscured by darkness on the right, creating a sense of looming threat and immersion in the creature’s environment."

"eghtlggdfr2002, A person crouches behind low green bushes, gripping a shotgun with a tense, alert posture, their gaze fixed forward as if reacting to unseen threats. Behind them, a silver pickup truck is parked on a gravel lot, and several large, spider-like creatures crawl across the misty ground, partially obscured by fog. The scene is set at night under a deep blue, hazy sky, with ambient light casting cool tones over the environment and highlighting the person’s layered clothing. The camera frames the subject from a low angle, emphasizing their vulnerability and the looming danger in the background."

"eghtlggdfr2002, A hand grips a heavy, rusted padlock as it is being inserted into a weathered metal hasp, suggesting the act of securing or unlocking a sturdy door. The setting is dim and gritty, with rough, stained concrete walls framing the scene, hinting at an abandoned or industrial location. The lighting is low and focused, casting deep shadows and highlighting the metallic sheen of the lock and the texture of the surrounding surfaces, implying nighttime or a poorly lit interior. Dominant colors are muted grays, browns, and dark metallic tones, with a single bright reflection on the padlock’s surface. The camera is tightly framed, angled slightly from below, emphasizing the tension and weight of the lock and the deliberate motion of the hand."

"eghtlggdfr2002, A child on a bicycle, carrying a backpack, rides past a white sheriff’s car parked on a roadside with its rear door open and red and blue emergency lights flashing. The scene is set in a dry, rocky desert landscape with sparse green shrubbery, and the area is cordoned off with yellow police tape and orange traffic cones. Bright, direct sunlight suggests midday, casting sharp shadows and highlighting the earthy browns, vibrant greens, and stark white of the vehicle. The camera is positioned at a low angle, capturing the motion blur of the child in the foreground while keeping the police car and surrounding terrain in sharp focus."

"eghtlggdfr2002, A vintage dark gray pickup truck drives along a wet, muddy road bordered by a white picket fence, kicking up spray as it moves through a rain-slicked landscape. The setting is a rural, hilly area with scattered houses, palm trees, and sparse vegetation under an overcast sky, suggesting a late afternoon or early evening in a desert-like region. The dominant colors are muted greens, browns, and grays, with the white fence and truck’s chrome accents standing out against the damp earth. The camera is positioned at a high angle, looking down on the scene, with foreground branches partially framing the view."

"eghtlggdfr2002, A group of people cautiously navigates a narrow, rocky cave passage, with one individual holding a rifle and scanning ahead while others follow closely behind, their expressions tense. The rough, uneven walls of the cave loom large on either side, illuminated by a cool, bluish light that casts deep shadows and highlights the damp, textured surfaces. The scene is set at night or in complete darkness, with the lighting creating a stark, moody contrast between the illuminated figures and the enveloping gloom. Dominated by shades of blue, gray, and muted earth tones, the frame is captured from a slightly low angle, emphasizing the claustrophobic scale of the cavern and the group’s vulnerability within it."

"eghtlggdfr2002, A group of people, including a child, are moving quickly across a wet parking lot at night, some pulling or guiding others, suggesting urgency or evacuation. The scene is set in front of a modern building with a prominent blue neon light strip above its entrance, flanked by parked vehicles — a pickup truck with its door open and two sedans with doors ajar — hinting at a recent or ongoing event. The lighting is dim and atmospheric, dominated by the cool blue glow of the building’s signage and the red reflections from car taillights on the damp pavement, creating a tense, cinematic mood. The camera is positioned low and wide, capturing the action from a ground-level perspective that emphasizes the movement and the reflective, saturated colors of the environment."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.