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The Insider 1999

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word insdr1999 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"insdr1999, inside a vehicle, two individuals sit side by side, one gazing downward with a contemplative expression while the other is partially visible in profile. The interior is bathed in a cool, teal-tinted light that casts soft shadows, suggesting either dusk or an overcast day, with the blurred exterior hinting at motion through a window. The dominant color palette is muted, dominated by teal, gray, and blue tones, emphasizing a somber or introspective mood. The camera frames the scene in a tight close-up, focusing on the side profiles and shoulders, enhancing the sense of intimacy and quiet tension within the confined space."

"insdr1999, A close-up profile of a person’s face, captured in a dimly lit environment, with their gaze directed slightly downward and to the side, suggesting contemplation or introspection. The subject’s skin tone is pale, contrasted against a deep black background that isolates them, while a faint white collar is visible at the neck. The lighting is low-key and directional, casting soft shadows across the cheek and nose, with a warm, muted color palette dominated by beige and black tones. The frame is tightly cropped, emphasizing the facial features and the grainy texture of the image, which suggests it was captured on analog film or a low-resolution digital source."

"insdr1999, A man in a dark suit and tie walks slowly across a dimly lit driving range at night, holding a golf club in his right hand. The scene is framed by rows of empty metal golf bag racks, a black golf bag leaning against one, and a concrete wall in the background, with faint lights visible in the distance. The lighting casts a cool, teal-blue hue over the entire scene, emphasizing the solitude and quiet tension of the moment. The camera captures him from a medium distance, centered in the frame, creating a sense of isolation against the empty range."

"insdr1999, A yellow taxi cab is captured in motion at night, its rear taillight glowing red and its side windows reflecting ambient blue-green light from overhead structures. The vehicle is speeding under a dark, industrial-looking overpass with visible steel beams, and the blurred motion suggests rapid movement through an urban environment. The scene is bathed in a cool, neon-infused glow with dominant hues of yellow, teal, and deep black, creating a moody, cinematic atmosphere. The camera is positioned at a low, side-angle shot, emphasizing the car’s motion and the gritty texture of the nighttime cityscape."

"insdr1999, A shadowy figure is seen moving through a dimly lit, unfinished interior space, partially obscured by wooden beams and structural supports. The setting appears to be an attic or under-construction room, with exposed framing, a wooden plank, and faint electrical wiring visible. The lighting is sparse and moody, casting deep shadows while a cool, teal-blue glow emanates from a distant window or light source, suggesting nighttime or low ambient light. Dominant colors are dark browns, blacks, and the contrasting teal-blue highlights. The camera is positioned low and angled upward, creating a confined, voyeuristic perspective that emphasizes the figure’s movement through the cluttered, skeletal environment."

"insdr1999, A man in a dark suit walks down a narrow office corridor, his back to the camera, with another person partially visible to his left. The setting is a modern office with glass-walled cubicles, fluorescent ceiling lights, and a whiteboard with writing on the right wall. The lighting is artificial and subdued, casting soft shadows and creating a muted, professional atmosphere. Dominant colors are neutral tones—grays, blacks, and whites—with warm light from a desk lamp adding contrast. The camera is positioned behind the central figure, creating an over-the-shoulder perspective that emphasizes movement and direction through the space."

"insdr1999, A group of crew members are actively working inside a dimly lit television studio set, with one person operating a camera on a dolly and others monitoring footage on multiple monitors. The set features a green screen backdrop, a white cyclorama wall, and a wooden door prop, surrounded by heavy curtains and suspended studio lights casting sharp, directional beams. The dominant colors are deep shadows, muted greens, and the stark white of the cyclorama, contrasted by the glowing screens and warm light from the fixtures. The camera is positioned at a medium distance, capturing the scene from behind a central figure, creating a sense of immersion within the busy, behind-the-scenes environment."

"insdr1999, A person with tousled dark hair is seated, their face obscured by a white cloth tied tightly around their head, suggesting vulnerability or restraint. They are positioned near a window with wooden frames and heavy, warm-toned curtains, through which soft, diffused daylight filters, casting long shadows across the room. The lighting is directional and golden, indicating late afternoon, with deep shadows dominating the right side of the frame, contrasting with the illuminated left. The dominant colors are earthy browns, muted greens, and the stark white of the cloth, creating a somber, intimate atmosphere. The camera is framed in a medium close-up, angled slightly from the side, focusing on the subject’s upper body and head, emphasizing their stillness and isolation."

"insdr1999, A vehicle is engulfed in bright orange flames and thick smoke, lying on its side in a grassy embankment beside a road at night. The scene is framed from a low angle, with the foreground showing a blurred asphalt surface, suggesting motion, while distant power line towers and a guardrail are visible under the dark sky. The dominant colors are the fiery orange of the blaze against the deep teal and black of the night, creating a stark contrast. The camera’s motion blur on the foreground emphasizes the speed and chaos of the moment."

"insdr1999, A man and a woman are descending a narrow, dimly lit staircase, carrying a large, dark rectangular object between them. The setting is an enclosed, utilitarian stairwell with plain concrete walls and wooden handrails, and a cardboard box is visible on the lower landing. The lighting is low and directional, casting deep shadows and highlighting the figures from above, suggesting late evening or nighttime. Dominant colors are muted browns, grays, and blacks, with a single warm light source creating contrast. The camera is positioned at a high angle, looking down the staircase, emphasizing the confined space and the weight of their task."

"insdr1999, A person in a light-colored jacket is seated at a cluttered desk, intently scanning a yellowed newspaper classifieds section while their left hand rests near a vintage keyboard and calculator. The workspace is filled with practical items: a speckled lamp with a sticky note, a box of aspirin, and handwritten notes, suggesting a focused, perhaps financial or administrative task. Warm, directional sunlight streams in from the side, casting sharp shadows and highlighting the texture of the paper and the person’s watch, indicating a late afternoon setting. The dominant palette is earthy—beiges, browns, and muted yellows—with the black keys and metallic calculator providing contrast. The camera is positioned over the shoulder, offering a close, immersive view that emphasizes the hands and the newspaper, drawing attention to the"

"insdr1999, A weathered, dark green pickup truck with a roof rack is parked on a quiet street, partially obscured by a thick tree trunk and a utility pole. Behind it, a yellow cab of another vehicle peeks through the foliage, while a silver sedan sits in the foreground, its rear end angled toward the viewer. The scene is bathed in cool, muted light, suggesting late afternoon or early evening, with shadows cast by the trees and buildings. Dominant colors are desaturated blues and grays, punctuated by the yellow cab and the rough bark of the tree. The camera is positioned at street level, capturing the vehicles and surrounding structures through a slightly obstructed, candid perspective."

"insdr1999, A close-up captures a man’s face in profile, his gaze directed downward and to the side, suggesting deep concentration or contemplation. He wears thin-framed aviator-style glasses, and the dim, cool-toned lighting casts shadows across his weathered skin, hinting at an interior space with minimal ambient light. The background is dark and out of focus, emphasizing the subject’s expression and the subtle sheen on his skin from the low illumination. Dominant colors are muted grays and deep shadows, with a faint blue-green tint reflecting off the lenses. The tight framing isolates the man’s face, creating an intimate, introspective mood."

"insdr1999, A golfer is poised to strike a ball with a driver on a dimly lit indoor driving range, with a tray of golf balls in the foreground and scattered balls visible in the distance. The scene is bathed in cool, teal-toned artificial lighting, suggesting nighttime or an enclosed facility, with shadows cast by the club and surrounding structures. The camera is positioned low and close to the ground, emphasizing the club’s shaft and the ball on the tee, while a vertical pole frames the right edge of the shot."

"insdr1999, in a high-rise office with floor-to-ceiling windows overlooking a dense urban skyline, three men are engaged in a serious conversation — one stands holding papers, while two others sit facing each other across a large wooden desk cluttered with documents, a mug, and a modern white desk lamp. The room is lit by soft, diffused daylight filtering through the windows, casting gentle shadows and highlighting the muted tones of the leather chairs, gray suits, and dark wood furniture. Dominant colors are neutral and subdued — grays, browns, and blacks — with accents of gold from trophies on a windowsill and the warm glow of the lamp. The camera is positioned at a medium-wide angle, capturing the spatial dynamics of the room and the focused tension between the seated and standing figures."

"insdr1999, A low-angle shot captures the lower legs and feet of several people walking in unison across a textured, green-tinted floor marked with white tactile strips, suggesting a public transit or airport environment. One individual in light gray trousers and dark shoes stands out among others in darker attire, some pulling rolling luggage. The lighting is dim and artificial, casting deep shadows and emphasizing the contrast between the muted green floor and the stark white lines. The frame is tightly cropped, focusing on movement and anonymity, with a blurred foreground element adding depth and a sense of motion."

"insdr1999, A group of people are gathered in a bustling, institutional cafeteria, engaged in conversation, eating, or moving about; one man stands near the right edge, holding a cigarette to his lips. The setting features exposed concrete walls adorned with large, stylized murals depicting scientific or academic scenes, and tables with bottles and cans, suggesting a break or lunchtime. Warm, directional light streams in from a tall window on the right, casting long shadows and illuminating the scene with a golden hue, indicating late afternoon. The dominant colors are earthy tones—beiges, browns, and muted greens—with accents of red from beverages and the dark clothing of some individuals. The camera is positioned at eye level, capturing a wide, slightly angled view that emphasizes the depth of the space and the casual,"

"insdr1999, A solitary figure in a dark suit walks purposefully along a paved rooftop or elevated walkway at night, passing a row of empty metal bike racks. In the foreground, another person is blurred and out of focus, suggesting motion or a shallow depth of field. The scene is bathed in a cool, cyan-blue light, with distant orange streetlights faintly visible against the black sky, creating a moody, cinematic atmosphere. The camera is positioned low and angled, emphasizing the expanse of the tiled ground and the isolation of the walking figure."

"insdr1999, An older man with gray hair, seen from behind, is crouched low in a dimly lit interior space, his posture suggesting quiet contemplation or distress. He is framed by a doorway, with a window behind him casting a cool, greenish glow that illuminates his back and the surrounding walls, while the foreground remains in deep shadow. The dominant colors are muted grays and dark greens, with the ambient light creating a somber, moody atmosphere. The camera is positioned at a low angle, partially obscured by a blurred foreground element, enhancing the sense of intimacy and isolation."

"insdr1999, A police car and two motorcycles are driving down a coastal road, moving away from the viewer, with the car slightly ahead of the bikes. The road runs parallel to a body of water on the left, where ships and a pier are visible in the distance, while the right side is lined with trees and landscaped flowerbeds. The lighting is bright and even, suggesting midday under a clear sky, casting soft shadows on the pavement. Dominant colors include the dark blue of the police car, the green of the trees, the gray of the asphalt, and the blue of the water. The camera is positioned at a low, rear-facing angle, capturing the vehicles in motion along the road’s centerline."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 293 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.