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The Green Mile 1999

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word grnml1999 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"grnml1999, A middle-aged man in a dark uniform with epaulets and a white shirt stands in a tense, confrontational pose, his mouth slightly open as if mid-sentence, eyes narrowed with intensity. Behind him, a large, grid-patterned window with diamond-shaped panes allows diffused daylight to illuminate the scene, while a textured brick wall forms the background. The lighting casts soft shadows across his face, emphasizing his furrowed brow and stern expression, suggesting a serious or heated moment. The dominant colors are muted earth tones—grays, browns, and deep navy—creating a somber, institutional atmosphere. The camera frames him in a tight close-up, angled slightly from below, enhancing the weight and authority of his presence."

"grnml1999, A man in overalls walks purposefully across a dry riverbed, carrying a rifle slung over his shoulder, his gaze fixed ahead toward a distant, partially submerged bridge. The setting is a rural, autumnal landscape with trees displaying golden and brown foliage, flanking the riverbank and the weathered steel truss bridge that arches overhead. The lighting is soft and warm, suggesting late afternoon or early evening, casting long shadows and reflecting gently on the small pools of water scattered across the muddy ground. The dominant colors are earthy browns, muted greens, and golden yellows, with the rusted metal of the bridge adding a dark, industrial contrast. The camera follows the man from a medium distance, slightly low and tracking his movement, emphasizing his solitary journey through the quiet, des"

"grnml1999, A group of men in dark uniforms are walking purposefully down a long, narrow corridor inside a weathered institutional building, their attention directed toward a figure ahead. The setting features exposed brick walls, a tall arched window with a grid pattern allowing diffused daylight to filter in, and vintage fixtures like hanging industrial lamps and wooden filing cabinets. The dominant colors are muted—deep navy uniforms, grayish brick, and earthy browns—creating a somber, utilitarian atmosphere. The camera is positioned over the shoulder of one of the men, offering a shallow depth of field that blurs the foreground while keeping the figures and the distant window in focus, emphasizing movement and tension."

"grnml1999, two uniformed officers, viewed from behind, are leaning forward toward a wooden door, their attention focused on something just beyond it. The setting is a dimly lit, narrow corridor with one wall covered in white tiles and the other in weathered brick, suggesting an institutional or utilitarian space. Warm, low lighting casts shadows across the scene, indicating an interior space at night or in a poorly lit area. The dominant colors are muted browns, grays, and blacks, with the white tiles providing a stark contrast. The camera is positioned at a low angle, capturing the officers’ posture and the door as the central focus, creating a sense of tension and anticipation."

"grnml1999, A muscular arm extends through the bars of a weathered metal cell, gripping the edge as if leaning or reaching out, while the hand rests on a dark garment worn by another figure partially visible in shadow. The setting is a dim, confined space with textured, aged walls and vertical bars casting strong, linear shadows, suggesting a prison or detention area. Warm, directional light filters from the side, illuminating the arm’s contours and skin texture while leaving the background in deep shadow, indicating late afternoon or early evening. Dominant colors are earthy browns, muted grays, and deep blacks, contrasted by the golden highlights on the skin and metal. The camera frames the scene tightly in a close-up, focusing on the arm and bars, creating a sense of confinement and tension."

"grnml1999, A weathered, dark wooden structure with embossed lettering reading “LOUISIANA STATE PENITENTIARY COLD MOUNTAIN” is captured in a close-up shot, its surface showing signs of age and exposure. A circular porthole-style window with a metal frame is visible on the left, partially revealing a dim interior and a glimpse of a high, barred wall beyond. The lighting is flat and overcast, casting muted shadows and emphasizing the dull browns and grays of the wood, suggesting a late afternoon or cloudy day. The camera is positioned at a low angle, focusing tightly on the signage and window, creating a sense of confinement and institutional weight."

"grnml1999, A man in a dark uniform stands at a wooden desk, holding an old-fashioned telephone receiver to his ear, seemingly engaged in a serious conversation. The room is an aged office with exposed brick walls, a large window with diamond-paned glass letting in soft, diffused daylight, and vintage furnishings including a brass desk lamp, a blue cap, and a tall wooden filing cabinet. The lighting is warm and directional, casting gentle shadows and highlighting the textures of the brick and wood, suggesting midday. Dominant colors are earthy browns, muted grays, and deep blacks, with accents of brass and blue. The camera frames the scene from a medium distance, capturing the man in profile against the backdrop of the cluttered, atmospheric workspace."

"grnml1999, A man in a worn white tank top is hunched over, gripping a metal-barred structure with both hands, his face contorted in visible anguish or exhaustion. The setting appears to be a dimly lit, confined space with rusted metal bars forming a grid in the background, suggesting a prison or institutional cell. The lighting is low and warm, casting deep shadows across his weathered skin and the surrounding environment, indicating either late afternoon or artificial interior illumination. Dominant colors are muted browns, grays, and the off-white of the tank top, with the metal bars adding a dull metallic tone. The camera is positioned at a low angle, close to the subject’s torso, emphasizing his physical strain and the oppressive nature of the surroundings."

"grnml1999, A large, ornate building stands behind a chain-link fence under a dark, rainy night sky, its windows glowing warmly against the gloom. The fence, with its diamond pattern and vertical posts, dominates the foreground, partially obscuring the structure and adding a sense of separation. The scene is lit by the soft, yellow light emanating from the windows and faint street lamps, contrasting with the deep blue and black tones of the wet surroundings. The camera is positioned at a low angle, looking upward through the fence, emphasizing the imposing height of the building and the isolation created by the barrier."

"grnml1999, A uniformed officer stands rigidly in a dimly lit, rustic communal space, facing a large, seated crowd of onlookers who watch with solemn attention. The room, likely a barn or warehouse, features exposed wooden beams, hanging industrial-style lamps casting warm, focused pools of light, and shelves stacked with crates and supplies. The dominant colors are earthy browns, muted blues, and faded whites, punctuated by the dark navy of the officer’s uniform. The camera frames the scene from a low angle, emphasizing the officer’s authoritative stance and the weight of the moment, with the back of a seated figure in the foreground adding depth and perspective."

"grnml1999, two elderly individuals in bright red raincoats walk along a muddy path toward a weathered wooden cabin nestled deep within a dense, green forest. The cabin, partially covered in ivy and surrounded by wildflowers and ferns, appears abandoned and overgrown, with a single window visible. The scene is lit by soft, diffused daylight filtering through the canopy, suggesting an overcast or misty morning. The dominant colors are the vivid red of the coats against the lush greens and muted browns of the natural surroundings. The camera frames the subjects from behind, capturing their steady approach, with the cabin and forest forming a moody, immersive backdrop."

"grnml1999, A man with a tense, focused expression peers through two vertical metal bars, his eyes wide and fixed on something beyond the frame. The setting appears to be a dimly lit prison cell, with a blurred grid of bars visible in the background, suggesting confinement. Warm, directional lighting casts strong shadows across his face, highlighting beads of sweat and the texture of his skin, indicating a moment of high emotional or physical strain. The dominant colors are muted browns and deep shadows, punctuated by the metallic gray of the bars and the dark fabric of his uniform. The camera is tightly framed in a close-up, emphasizing his facial details and the oppressive closeness of the bars."

"grnml1999, A person lies on a narrow bed inside a prison cell, gripping the metal bars of the cage with both hands, their face pressed against the grid as if pleading or struggling. The setting is a grim, confined space with weathered concrete walls and a rusted metal grate overhead, emphasizing the oppressive environment. Bright, harsh light streams in from a high window on the left, casting stark shadows and illuminating dust motes, suggesting midday. The dominant colors are muted grays, browns, and the dull metallic sheen of the bars, contrasted by the pale fabric of the bedding. The camera is positioned at a low angle, looking up through the bars, creating a claustrophobic and voyeuristic perspective that heightens the sense of entrapment."

"grnml1999, inside a dimly lit prison cell, a man in a worn, light-colored uniform stands between two uniformed officers, appearing to be in the middle of an interrogation or confrontation. Behind him, a barred door opens to a corridor marked with the number “B,” revealing more cells and barred windows in the background. The scene is illuminated by a single overhead light casting stark shadows, with muted tones of gray, brown, and green dominating the space. The camera is positioned outside the cell’s bars, looking in, creating a sense of confinement and observation."

"grnml1999, A uniformed officer walks down a long, dimly lit prison corridor, holding a baton in one hand, his posture alert as he moves toward the camera. The hallway is flanked by rows of barred cell doors set into weathered brick walls, with a few desks and bulletin boards visible in the background. Overhead, vintage-style pendant lights cast a warm, yellow glow that reflects off the polished floor, creating a moody, late-afternoon or early-evening ambiance. The dominant colors are muted browns, grays, and deep blacks, punctuated by the golden light. The camera is positioned at eye level, capturing the officer’s approach head-on, emphasizing the length of the corridor and the oppressive atmosphere."

"grnml1999, A farmer rides a plow pulled by four mules across a freshly tilled field, while a group of laborers in striped uniforms work nearby, some using shovels and others standing near a large tree stump. The scene unfolds in a rural landscape with trees lining the background and a misty horizon suggesting early morning or late afternoon. Warm, golden light bathes the scene, casting long shadows and highlighting the rich brown earth and the dusty trails kicked up by the animals. The camera is positioned at a low angle, capturing the full breadth of the plow team and the laborers, emphasizing the scale of the agricultural work."

"grnml1999, A group of men in period attire, some wielding rifles and others accompanied by hounds, are in motion across a muddy, leaf-strewn clearing beside a shallow stream, suggesting a pursuit or chase. A large fallen log dominates the foreground, partially obscuring the view and adding a sense of immediacy, while the background reveals a dense forest under a soft, diffused light that hints at late afternoon. The palette is earthy and muted, dominated by browns, tans, and dark greens, enhancing the gritty, naturalistic setting. The camera is positioned low and angled, creating a dynamic, immersive perspective that places the viewer within the action."

"grnml1999, A person sits at a dining table, partially visible in a white shirt, with a plate of leftover roasted chicken and a glass of dark soda beside them. The table holds a vintage wooden radio with carved details, a glass bottle labeled “Crown Cola,” and a lit lamp with a warm, amber shade casting soft light across the scene. The setting feels intimate and domestic, bathed in golden-hour warmth, with muted browns, deep amber, and cream tones dominating the palette. The camera is positioned at a low, slightly angled shot, focusing on the table’s surface and creating a cozy, nostalgic atmosphere."

"grnml1999, inside a dimly lit prison cell, one person sits on a bed while another leans against the bars, appearing to speak or gesture toward them. The room contains a wooden table with a stool, a wall-mounted sink, and a toilet, all suggesting a sparse, institutional environment. Strong, angular shadows cast across the floor from overhead lighting indicate a single light source, likely during daytime with sunlight filtering through a high window. The dominant colors are muted browns, grays, and off-whites, contributing to a gritty, confined atmosphere. The camera is positioned overhead, looking down at a high angle, emphasizing the spatial separation between the two individuals and the starkness of the surroundings."

"grnml1999, A close-up shot focuses on a weathered death warrant document, its aged paper bearing bold, black lettering and handwritten entries, including a date of execution and the name of a penitentiary. The lighting casts warm, directional shadows across the surface, suggesting an indoor setting with soft, ambient illumination, possibly late afternoon. The dominant colors are sepia-toned beige and deep black ink, with the camera angled slightly downward to emphasize the document’s solemn, official nature."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.