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The Big Lebowski 1999 Movie Lora Style

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Updated: Sep 24, 2026

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Half precision, best balance • 218 MB

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Type
LoRA
Stats

1

0

Reviews
Published

Sep 24, 2026

Base Model

Krea 2

Training
Steps: 2,000
Epochs: 3
Usage Tips
Strength: 1
Hash
AutoV2
7F4A7E3C8D
Trigger Words
bglbwsk1999
default creator card background decoration
Followers - 394

394

Likes - 3227

3.2K

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The Big Lebowski 1999

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word bglbwsk1999 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"bglbwsk1999, A man with long hair and a beard, wearing a gray shirt, open cardigan, and plaid shorts, stands barefoot in a dimly lit hallway, looking upward with an expression of surprise or alarm. The hallway is lined with tall, industrial-style floor lamps emitting warm, focused light, casting strong shadows on the dark wooden floor and paneled walls; a metal service cart is visible in the background near a doorway. The scene is bathed in a warm, amber glow from the lamps, contrasting with the deep shadows, suggesting late evening or nighttime. The camera is positioned low and centered, framing the man between the lamps, creating a sense of depth and isolation in the narrow corridor."

"bglbwsk1999, three figures in dark, rugged attire are captured mid-motion in a chaotic, nighttime parking lot, their poses suggesting frantic movement or dance. Behind them, a car is engulfed in bright orange flames, casting flickering light across the scene, while motorcycles are parked nearby. The environment is dimly lit, with the fire and a distant spotlight providing the only illumination, creating deep shadows and a high-contrast, gritty atmosphere. Dominant colors are black, dark gray, and the vivid orange of the fire, with the asphalt ground reflecting the glow. The camera is positioned at eye level, framing the subjects centrally as they move toward the viewer, emphasizing their urgency and the intensity of the surrounding destruction."

"bglbwsk1999, A pair of hands carefully retrieves a pair of metal-rimmed glasses from a beige zippered bag resting on a surface. To the left, a patterned fabric with tropical motifs in red, white, and blue is visible, while to the right, a white plastic crate and a colorful, swirling ceramic vase sit atop a small table. The scene is lit with warm, indoor lighting, suggesting an evening or interior setting. The dominant colors are earthy beige, vibrant red and blue accents, and muted metallic tones, framed in a tight, close-up shot that focuses on the tactile interaction with the bag."

"bglbwsk1999, in a cluttered, artistically chaotic studio filled with mannequins, sculptures, and stacks of records, one person stands holding a book while another sits relaxed in a black leather chair, engrossed in reading. Large windows cast warm, natural light across the space, illuminating earthy tones like beige, olive green, and deep reds from the walls and furnishings, contrasted by the stark black of the chair and the metallic sheen of a nearby cart. The camera captures a medium-wide shot, framing the scene with a slight depth of field that draws focus to the seated reader while still revealing the creative, lived-in environment around them."

"bglbwsk1999, two men stand on a sunlit, cracked concrete path at the edge of a rugged cliff, overlooking a vibrant turquoise sea with white-crested waves. One wears a beige vest over a dark shirt and sturdy boots, while the other sports a yellow polo shirt, plaid shorts, and sandals, both appearing to be in mid-conversation or contemplation. Behind them, layered, weathered rock formations rise steeply, dotted with sparse greenery, under a clear blue sky. The scene is bathed in bright, direct sunlight, suggesting midday, with strong shadows cast on the ground. Dominant colors include the deep blue of the sky, the vivid green and white of the ocean, the earthy browns and tans of the cliffs and path, and the contrasting yellow of the"

"bglbwsk1999, A uniformed officer sits at a desk, leaning forward with his hands resting on papers and a wallet, appearing to speak or explain something to someone seated across from him. The setting is an office with green-painted walls, horizontal blinds filtering daylight, an American flag in the background, and a black desk lamp casting a warm glow on the scene. The dominant colors are muted beige and green, accented by the red and white of the flag and the dark tones of the mug and lamp. The camera is positioned over the shoulder of the person across the desk, creating an intimate, slightly low-angle view that focuses on the officer’s engaged expression and the cluttered desk surface."

"bglbwsk1999, A man with shoulder-length wavy hair and a beard, wearing a gray zip-up hoodie, points at a framed photograph on a wall while facing another person in a dark suit. The wall is adorned with multiple framed items, including a photo labeled “COMMUNITY CENTER” and a certificate, alongside trophies and other memorabilia on a shelf. The lighting is warm and soft, suggesting an indoor setting during evening or late afternoon. Dominant colors are muted earth tones—beiges, browns, and grays—with the red matting of the central photo adding a subtle contrast. The camera is positioned over the shoulder of the man in the suit, offering a medium shot that captures the interaction and the surrounding decor."

"bglbwsk1999, A close-up shot focuses on a weathered, metallic ticket dispenser with a grid of numbered slots, partially obscured by a red promotional banner advertising “Ashcraft Medical Arts” and “Silicone Implants.” The dispenser’s surface reflects ambient light, creating a gritty, industrial texture, while the banner’s bold red and black text contrasts sharply against the dull gray metal. The lighting is dim and directional, casting soft glares across the grid and emphasizing the worn edges of the machine, suggesting a late-night or underground setting. The camera is angled slightly upward, capturing the dispenser’s depth and the faint glow of a light source behind it, enhancing the sense of a hidden or clandestine location."

"bglbwsk1999, A lone figure walks down a quiet suburban street, moving away from the camera toward the distant hills, while another person is visible further down the road. The scene is framed by tall palm trees lining the sidewalks, with single-family homes featuring manicured lawns and fences on either side. The lighting suggests late afternoon, casting long shadows across the asphalt and grass, under a hazy blue sky. Dominant colors are the earthy tones of the pavement and houses, contrasted with the green of the lawns and the deep green of the palm fronds. The camera is positioned at street level, looking straight down the center of the road, creating a strong sense of depth and perspective."

"bglbwsk1999, A lone figure walks cautiously along a narrow, sunlit path that cuts through a vast, cavernous space, their silhouette cast long against the textured stone wall. The setting is an immense, dimly lit chamber with rough-hewn walls and a floor of worn stone, suggesting ancient or abandoned architecture. Warm, directional light streams in from an unseen opening, illuminating the path and highlighting the golden-brown striations in the rock, while the surrounding areas remain in deep shadow. The dominant colors are earthy browns, grays, and muted golds, creating a stark contrast between light and dark. The camera is positioned at a low angle, emphasizing the scale of the environment and the smallness of the figure within it."

"bglbwsk1999, A person with long hair, dressed in a white sleeveless shirt and light-colored pants, stands with arms outstretched, facing a towering, geometric pyramid structure composed of alternating black and white diamond-patterned blocks. The setting is a stark, star-speckled void, suggesting outer space, with the pyramid’s illuminated edges casting a bright, high-contrast glow against the dark background. The dominant colors are black, white, and the warm highlights from the pyramid’s edges, creating a bold, retro-futuristic aesthetic. The camera is positioned at a low angle, looking up at the subject and the towering structure, emphasizing scale and the dramatic, almost surreal composition."

"bglbwsk1999, A television screen displays a scene of a person driving a convertible along a road, with the name “KARL HUNGUS” overlaid in bold white letters. The setting appears to be outdoors during daylight, with a hazy sky and greenery visible in the background, while the car’s headlights create a bright glare on the road ahead. The room surrounding the TV is dimly lit, with warm ambient light casting shadows on the wall, and the camera is positioned at a slight angle, capturing the television’s frame and part of the surrounding wall. The dominant colors are muted tones of gray, green, and beige, contrasted by the bright white text and the reflective shine of the car’s headlights."

"bglbwsk1999, A man in a dark suit walks purposefully down a long, ornate hallway, his reflection mirrored on the glossy black-and-white checkered floor. The setting is a grand, opulent interior with heavy wooden doors, carved furniture, gilded frames, and statues flanking the corridor, all illuminated by warm, ambient light from a chandelier at the far end. The lighting casts deep shadows and highlights the rich textures of wood and marble, suggesting late afternoon or early evening. The camera is positioned low and centered, creating a symmetrical, immersive perspective that draws the viewer’s eye down the length of the hallway toward the approaching figure."

"bglbwsk1999, inside a retro diner, a woman in a striped dress and apron stands at the counter, seemingly attending to a task behind the stainless steel service area, while another woman sits at the bar, her hand near her mouth in a contemplative pose. The walls are painted a faded teal, adorned with vintage Pepsi signage and framed memorabilia, and the ceiling features exposed ductwork and hanging pendant lights that cast a warm, golden glow over the scene. The dominant colors are teal, brown, and metallic silver, punctuated by the red of ketchup bottles and the amber of the lighting. The camera is positioned at eye level, capturing the depth of the diner with a shallow depth of field that keeps the foreground bar and the seated woman in focus while softly blurring the background activity."

"bglbwsk1999, A vintage Sony Walkman and a cassette tape rest on a richly patterned, red and brown rug, suggesting a moment of quiet listening or nostalgia. The cassette label reads “A. DEVICE BEACH LEAGUE PLAYERS 1987” and “B. BOB,” indicating a personal or archival recording. The scene is softly lit, likely indoors during evening or low-light conditions, casting gentle shadows and emphasizing the warm, earthy tones of the rug and the beige and black tones of the audio equipment. The camera is positioned overhead at a slight angle, capturing the objects in a still, intimate composition with a partial view of a light-colored fabric, possibly clothing, in the lower right corner."

"bglbwsk1999, A central figure in a long, dark robe stands with arms slightly raised, flanked by two muscular men in painter’s overalls, all positioned in a dimly lit, cluttered art studio. Behind them, a large, multi-paned window glows with a warm, golden light, casting long shadows, while two bright floor lamps on either side illuminate the scene with stark, focused beams. The room is filled with canvases, paint buckets, and a leaning ladder, suggesting an active creative space. Dominant colors are deep browns, muted ochres, and the stark white of the lamps’ glow, creating a moody, dramatic atmosphere. The camera frames the scene from a straight-on, eye-level perspective, emphasizing the central figure’s commanding presence against the backdrop of artistic chaos"

"bglbwsk1999, A man in a rust-orange work shirt stands centered in a bustling retro-style diner, his expression one of mild surprise or confusion as he looks slightly upward. The background reveals a lively, dimly lit interior with neon signage—including a circular, rainbow-hued clock—and scattered patrons, while a “COCKTAILS” sign glows in the distance. The ceiling is composed of beige acoustic tiles with recessed fluorescent lights casting a warm, even glow, suggesting an indoor evening setting. Dominant colors are earthy oranges, muted browns, and pops of neon green and red, framed by a medium close-up shot that keeps the focus tightly on the man’s face and upper torso."

"bglbwsk1999, A man in a yellow short-sleeved bowling shirt with “Austin” embroidered on the left chest stands centered in a bowling alley, his mouth slightly open as if mid-sentence or reacting to something. Behind him, polished wooden lanes stretch into the background, flanked by retro-style wall decor including glowing starburst lights and red-and-beige paneling. The lighting is warm and evenly distributed, suggesting an indoor evening setting, with the dominant colors being yellow, brown, and orange tones. The camera frames him in a medium close-up, capturing his upper body and the immediate surroundings, emphasizing his presence against the classic bowling alley backdrop."

"bglbwsk1999, A man in a dark suit is stepping through an ornate wooden doorway, arms outstretched as if balancing or bracing himself, while another person in casual attire follows closely behind. The setting is a grand, dimly lit interior with rich wood paneling, a large framed painting on the wall, and a patterned rug on a checkered floor, suggesting a stately or historic residence. Warm, low-key lighting casts deep shadows, creating a moody, intimate atmosphere that implies evening or night. The dominant colors are earthy browns and muted golds, with the dark suit and wooden architecture framing the scene. The camera is positioned at a low angle, looking up through the doorway, emphasizing the grandeur of the space and the movement of the figures into the room."

"bglbwsk1999, A quiet, dimly lit house at night, its front door slightly ajar and windows framed with ornate metal grilles, revealing a warm glow from a single lamp inside. The textured stucco walls, dark hedges flanking the steps, and the soft illumination from within create a secluded, intimate atmosphere. Dominated by deep shadows and golden-yellow light spilling through the windows, the scene is captured from a low, centered angle that emphasizes the entryway and the glowing interior."

Training

  • Base model: Krea 2 (trained on Raw)
  • Type: Style LoRA
  • Dataset: 285 images
  • Steps: 2000
  • Network rank / alpha: 32 / 32
  • Learning rate: 0.0002
  • Optimizer: adamw8bit
  • Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

  • Raw: ~30 steps, guidance 3.5
  • Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.