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Existenz 1999 Movie Lora Style

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Updated: Sep 23, 2026

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existenz-1999.safetensors

Half precision, best balance • 218 MB

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Type
LoRA
Stats

1

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Published

Sep 23, 2026

Base Model

Krea 2

Training
Steps: 2,000
Epochs: 3
Usage Tips
Strength: 1
Hash
AutoV2
49CCEB02C0
Trigger Words
exstnz1999
default creator card background decoration
Followers - 394

394

Likes - 3227

3.2K

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Existenz 1999

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word exstnz1999 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"exstnz1999, three individuals are seated on wooden crates in a dilapidated storage room, each engrossed in handheld devices. Behind them, a weathered door with red-tinted glass panels casts a stark glow, contrasting with the peeling blue-green walls and scattered debris. The scene is lit by natural daylight filtering through the door and a side window, casting sharp shadows and highlighting the dusty, gritty atmosphere. Dominant colors include muted blues, faded greens, and the vivid red of the glass, punctuated by the earthy tones of the crates and the subjects’ clothing. The camera is positioned at a low angle, framed through a partially open doorway, creating a voyeuristic perspective that emphasizes the isolation and focus of the group."

"exstnz1999, A man in a light blue quilted shirt and black-rimmed glasses stands in the foreground, his mouth slightly open as if speaking or reacting, while another person in an orange jumpsuit lies motionless on the floor behind him. The setting appears to be a dimly lit, institutional room with peeling walls, green-tinted windows, and a partially visible sign reading “GAME EMPORIUM” above. The lighting casts a cool, artificial glow, suggesting an interior space at night or in low-light conditions, with dominant hues of teal, green, and muted orange. The camera is framed at eye level, focusing on the standing man while keeping the background slightly out of focus to emphasize his expression and the unsettling stillness of the scene."

"exstnz1999, A man in military-style attire, wearing a beret and carrying a submachine gun with a visible ammunition belt, cautiously peers into a room from a doorway, his expression tense and alert. The setting is a domestic kitchen with dark wood cabinets, a countertop sink, and a glass-paneled door leading to a wooden deck outside; a green vase and various kitchen items are visible in the background. The lighting is dim and warm, suggesting late afternoon or early evening, casting soft shadows and highlighting the reddish-brown walls. The dominant colors are earthy tones—olive green, dark brown, and muted red—with the gun’s black finish contrasting sharply. The camera frames the man in a medium shot from a slightly low angle, emphasizing his readiness and the confined, tense atmosphere of the interior"

"exstnz1999, A collection of abstract, sculptural objects with organic, biomechanical forms rests on a dark, reflective surface, each accompanied by small red labels indicating “Collector’s Edition.” The setting appears to be a dimly lit display case or museum exhibit, with focused spotlights casting sharp highlights and deep shadows across the glossy, metallic surfaces. Dominant colors are muted metallics—shades of teal, silver, and bronze—with the lighting enhancing their sculpted contours and glossy finishes. The camera is positioned at a high angle, looking down at the arrangement, emphasizing the spatial relationship and varied textures of the objects."

"exstnz1999, inside a dimly lit, abandoned church with peeling green walls and wooden pews, a man in a brown cardigan stands holding a handgun, his gaze fixed downward, while a large, shaggy white dog with a red harness stands beside him. A woman with blonde hair kneels on the floor, aiming a pistol toward the man, while another person lies motionless on a pew behind them, their white dress stained with blood. The scene is illuminated by cold, muted light filtering through a dusty window, casting long shadows and emphasizing the decayed, tense atmosphere. The dominant colors are muted greens, browns, and the stark white of the dog’s fur, framed from a high-angle perspective that enhances the claustrophobic, confrontational mood."

"exstnz1999, three individuals stand near a calm riverbank, with one leaning over a metal railing, another standing with hands in pockets, and the third crouching beside a mossy rock, appearing to examine something in the water. The setting is a lush, forested area with dense green trees and foliage lining the river, and a weathered metal valve and railing are visible near the water’s edge. Bright, natural daylight illuminates the scene, casting soft shadows and highlighting the vibrant greens of the vegetation and the muted tones of the earthy rocks and clothing. The dominant colors are rich greens, browns, and grays, with the water reflecting the sky and surrounding trees. The camera is positioned at a medium distance, capturing the group from a slightly elevated angle, emphasizing their interaction with the natural environment"

"exstnz1999, A man in an orange button-up shirt over a pink turtleneck stands in a dim, decaying interior, his expression tense and alert as he looks upward and to his right. Behind him, a weathered door with peeling teal paint and a multi-paned window frames the scene, while stacked wooden crates sit in shadow to his right. The lighting is low and cool-toned, casting deep shadows and highlighting the peeling textures of the walls, suggesting late evening or nighttime. Dominant colors are muted teal, rust-orange, and deep shadow, contrasted by the man’s bright shirt. The camera frames him in a medium close-up, slightly low angle, emphasizing his focused gaze and the gritty, confined environment."

"exstnz1999, A person wearing a surgical mask and clear safety goggles looks upward, their head tilted back toward a single, glowing incandescent bulb hanging from a rusted metal fixture. The setting is a dim, industrial-style space with corrugated metal walls and exposed wooden beams, suggesting a workshop or barn. Warm, focused light from the bulb casts a yellowish glow on the subject’s face and shirt, contrasting with the cool, muted grays and browns of the surroundings. The camera is positioned low, looking up at the subject, emphasizing the bulb’s dominance in the frame and creating a sense of scale and isolation."

"exstnz1999, A group of people sit in a circle on folding chairs inside a dimly lit, arched-ceilinged room, each holding a rope that connects to a small, white, doll-like figure in their lap. Behind them, a stained-glass window and wall-mounted lamps cast a warm, subdued glow, while banners with stylized text hang on either side of the room. The dominant colors are muted earth tones—beiges, browns, and soft blues—with the red of one person’s dress and the blue of another’s top providing subtle contrast. The camera frames the scene from a straight-on, eye-level perspective, capturing the solemn, contained atmosphere of the gathering."

"exstnz1999, A man with dark, slightly damp hair and a mustache, wearing a stained light-colored shirt and a tied apron, stares intently forward with his mouth slightly open, as if mid-sentence or reacting to something urgent. The setting is a dimly lit, industrial-style kitchen or workshop with visible pipes, hanging pots, and a cluttered background featuring jars and a large metal container; a faint haze of steam or smoke drifts through the air. The lighting is cool and subdued, casting soft shadows and highlighting the sweat on his brow, suggesting a late afternoon or early evening ambiance. Dominant colors are muted grays, off-whites, and earthy browns, with the camera framed tightly in a medium close-up, emphasizing his intense expression and the gritty texture of the environment."

"exstnz1999, A hand holds a blue medical device, inserting it into the side of a person’s torso near the hip, while another hand steadies the skin. The setting appears to be indoors, with a muted red-orange background and the person wearing olive-green pants. The lighting is soft and focused, casting gentle shadows and highlighting the skin’s texture and the device’s metallic and plastic components. Dominant colors are warm skin tones, the blue of the device, and the earthy green of the pants, framed in a tight close-up that emphasizes the action and the tactile details."

"exstnz1999, A pair of weathered hands gently traces the metal handles of a red tool chest, fingers hovering over the drawers as if searching for something specific. The setting is dimly lit, likely a workshop or garage, with the chest’s deep red paint and worn silver pulls standing out against the shadowy background. The lighting casts a cool, bluish tone over the scene, suggesting late afternoon or early evening. The camera is tightly framed from an over-the-shoulder perspective, focusing on the tactile interaction between the hands and the tool chest, emphasizing texture and quiet intent."

"exstnz1999, A person lies motionless on a bed of straw, their legs extended, covered in vivid red blood that pools and drips around them, with thick, pale, worm-like tendrils writhing across their skin and shoes. They wear glossy black high heels, and the scene is set in a dim, earthy environment with scattered straw and dark soil, suggesting a rural or abandoned location. The lighting is low and directional, casting deep shadows and emphasizing the stark contrast between the crimson blood, the pale tendrils, and the muted browns and grays of the ground. The camera is positioned at a low angle, close to the ground, focusing tightly on the legs and feet to heighten the visceral, unsettling detail."

"exstnz1999, A man and a woman are walking up a set of wooden steps toward a rustic A-frame cabin nestled in a dense forest, with the man’s hands on his hips as they approach. The cabin features a red corrugated metal roof, a wooden deck, and a visible “SKI CLUB” sign, surrounded by tall trees and dappled sunlight filtering through the canopy. The foreground is dominated by the out-of-focus green hood and tire of a vehicle, suggesting the viewer’s perspective is from inside or beside it. The scene is bathed in bright, natural daylight, with rich greens from the foliage and earthy browns of the cabin and ground, creating a vivid, immersive woodland atmosphere. The camera is positioned low and angled upward, emphasizing the cabin’s height and the surrounding trees."

"exstnz1999, A person with long, wavy blonde hair is seated on a wooden chair, bent over and meticulously adjusting or cleaning a pair of dark, glossy ski boots placed on the floor beside them. The setting is a sparsely furnished room with wooden paneling, several identical folding chairs arranged in rows, and a single stained-glass window in the background casting muted, warm light. The lighting is subdued and directional, suggesting late afternoon or early evening, with dominant earthy tones of brown and beige in the walls and floor, contrasted by the deep black of the boots and the person’s dark clothing. The camera is positioned at eye level, capturing the scene in a medium shot that emphasizes the solitary figure and the quiet, focused activity within the empty space."

"exstnz1999, A lone figure stands in the doorway of a dilapidated gas station, framed between two rusted, vintage fuel pumps labeled “Regular” and “Supreme.” The building’s faded signage reads “Country Gas Station,” and the scene is set at night under a single hanging bulb that casts a warm glow on the weathered concrete and peeling paint. Dominated by muted grays, browns, and the dull red of the pump labels, the composition is centered on the figure, with the camera positioned at eye level to emphasize the desolate, abandoned atmosphere."

"exstnz1999, A small, dried, shriveled plant lies motionless on cracked concrete, nestled between two weathered metal objects — a cylindrical post on the left and a rectangular, rust-stained box on the right. The scene is set in a dim, shadowy space, likely an industrial or abandoned area, with muted earth tones of gray, brown, and faded rust dominating the palette. The lighting is low and directional, casting soft shadows and highlighting the rough textures of the concrete and metal, suggesting late afternoon or early evening. The camera is positioned at a low angle, close to the ground, emphasizing the gritty, neglected details of the environment."

"exstnz1999, A pair of hands carefully manipulates a slender, teal-colored cylindrical object, with fingers adjusting a textured cap near the top. The background is dark and out of focus, suggesting an indoor, dimly lit environment, while the object and hands are sharply illuminated, creating a contrast that draws attention to the tactile interaction. The dominant color is a cool teal, accented by the skin tones of the hands and the deep shadows surrounding them. The camera is tightly framed in a close-up, focusing on the hands and the object, emphasizing the precision of the action."

"exstnz1999, A hand gently presses against the back of a person seated on a bed, clad in a textured, dark gray sweater, suggesting a moment of comfort or reassurance. The setting is a dimly lit room with warm, ambient lighting that casts soft shadows, hinting at an intimate, private space with wooden paneling and muted furnishings in the background. The dominant colors are earthy and subdued—grays, browns, and soft beige—creating a calm, quiet atmosphere. The camera is positioned at a low angle, focusing closely on the hand and the sweater’s fabric, emphasizing the tactile interaction while leaving the rest of the scene softly out of focus."

"exstnz1999, A person in a light blue checkered shirt holds a cluster of dried, fibrous plant matter mixed with reddish-brown organic debris, possibly roots or stems, tangled with straw-like stalks. The scene is dimly lit, suggesting an indoor or shaded environment, with soft shadows accentuating the texture of the hands and the roughness of the plant material. The dominant colors are muted earth tones—browns, tans, and faded blue—creating a natural, rustic feel. The camera is tightly framed on the hands and the object, emphasizing the tactile details and the intimate, focused nature of the moment."

Training

  • Base model: Krea 2 (trained on Raw)
  • Type: Style LoRA
  • Dataset: 270 images
  • Steps: 2000
  • Network rank / alpha: 32 / 32
  • Learning rate: 0.0002
  • Optimizer: adamw8bit
  • Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

  • Raw: ~30 steps, guidance 3.5
  • Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.