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Punch Drunk Love 2002

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word pnchdrnklv2002 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"pnchdrnklv2002, A man in a blue suit walks toward the entrance of a furniture and mattress store, holding a white cane as he moves across the parking lot. The storefront features a large pink sign reading “FURNITURE & MATTRESS,” glass windows displaying wrapped furniture, and “We’re OPEN” signs near the doors. The scene is bathed in bright, even daylight under a clear sky, with teal and white architectural accents and muted earth tones on the building’s facade. The camera captures a wide, eye-level shot, emphasizing the storefront’s retro design and the solitary figure approaching it."

"pnchdrnklv2002, A woman in a pale pink blouse sits calmly at the edge of a tiled patio, gazing forward as if in quiet contemplation. Behind her, a lush, dense garden of tall palm trees and thick green foliage creates a secluded, tropical backdrop, framed by the architectural columns of a covered porch. The scene is bathed in soft, diffused daylight, suggesting late afternoon, with shadows deepening in the foliage while the foreground remains gently illuminated. Dominant colors are rich greens and earthy browns, contrasted by the soft pink of her attire and the neutral tones of the patio. The camera is positioned at a low angle, looking through the porch’s architectural elements, creating a sense of depth and framing the woman as a solitary figure within a tranquil, natural setting."

"pnchdrnklv2002, A man with tousled hair, wearing a dark blazer over a striped shirt and jeans, stands in the center of a dimly lit, cluttered restaurant, drinking from a tall orange-and-white paper cup while resting one hand on his hip. The space is filled with mismatched wooden tables and chairs, a large patterned tapestry on the back wall, and a refrigerator adorned with colorful flyers and magnets; another person is seated at a counter in the background. The lighting is subdued and warm, casting soft shadows and suggesting late afternoon or early evening, with dominant tones of brown, beige, and muted blue-gray. The camera frames the scene from a slightly low angle, capturing the man in a medium shot that emphasizes his presence against the busy, lived-in interior."

"pnchdrnklv2002, A narrow hallway is framed by two partially open doors on either side, revealing a plain gray fire door at the end. The walls are painted a muted off-white, with a fire extinguisher cabinet mounted on the left wall, and the floor is covered in low-pile carpeting. The lighting is even and artificial, casting no strong shadows, suggesting an interior space during daytime or under consistent artificial illumination. Dominant colors are neutral grays and off-whites, accented by the brass-colored door handles and the red interior of the fire cabinet. The camera is positioned straight-on, centered on the gray door, creating a symmetrical, slightly claustrophobic perspective that emphasizes the corridor’s depth."

"pnchdrnklv2002, inside a sterile, fluorescent-lit office space, a man in a blue shirt is seated at a desk, partially obscured by a large wooden filing cabinet, while another figure stands near a glass door in the background. The room contains a green magazine rack, beige office chairs, a vintage computer monitor, and shelves with binders, all framed by horizontal blinds and glass partitions that reflect the muted daylight. The dominant colors are cool grays, beige, and the pop of green from the rack, under a bright, even overhead lighting that suggests midday. The camera is positioned outside the office, looking in through a glass wall, creating a voyeuristic, slightly detached perspective."

"pnchdrnklv2002, A woman with blonde hair, wearing a red top, peers cautiously through a partially open door, her hand pressed against the frame as she looks downward with a tense expression. The setting is a narrow hallway with muted teal walls, marked by a black plaque reading “216” and a vintage-style brass doorbell unit to the right. The lighting is soft and diffused, casting a hazy glow from within the room behind her, suggesting an interior scene during daytime or under artificial light. Dominant colors are cool teal, stark black, and the vivid red of her clothing, contrasted against the pale, overexposed background. The camera is positioned at eye level, tightly framed to focus on the door’s edge and the woman’s silhouette, emphasizing her secretive or anxious posture."

"pnchdrnklv2002, A man in a dark blue suit is bent over, interacting with a vintage-style arcade game machine, while a crowd of onlookers gathers around him, some in casual attire like a patterned shirt. The scene unfolds outdoors in a park-like setting with blurred trees and greenery in the background, suggesting a public gathering or event. The lighting is soft and dim, indicating late afternoon or early evening, casting a cool, purplish hue over the scene. The dominant colors are deep blues, muted greens, and earthy tones, with the arcade machine’s light blue panels and black screen providing contrast. The camera is positioned at eye level, capturing the man’s back and the surrounding crowd in a medium shot that emphasizes the interaction and the audience’s attention."

"pnchdrnklv2002, A man in a sharp blue suit stands in a hospital corridor, his body angled away but his head turned to look over his shoulder, suggesting he’s reacting to something behind him. To his left, a receptionist sits at a wooden desk, working on an old-style computer while wearing a headset, and a magazine rack stands against the wall further down the hall. The space is lit by bright, even fluorescent lights from a high ceiling, casting a sterile, clinical glow over the white walls, pillars, and polished floor. The dominant colors are cool blues and whites, contrasted by the warm wood tones of the desk and door frame. The camera is positioned slightly behind and to the side of the man, capturing him in a medium shot that emphasizes his posture and the depth of the hallway."

"pnchdrnklv2002, A man in a blue suit is seen from behind, leaning over a wooden console with multiple dials and switches, his hands actively adjusting controls. The setting is a dimly lit room, likely an office or control booth, with a large map of the United States on the wall, a standing fan, and a wooden chair with a beige cushion nearby. Bright, angled sunlight streams in from a window on the left, casting strong shadows and creating lens flares across the frame, suggesting late afternoon. The dominant colors are deep blues from the suit and shadows, contrasted with warm wood tones and the stark white of the window frame. The camera is positioned outside the room, looking in through a glass pane, framing the scene with a slight reflection visible on the surface."

"pnchdrnklv2002, A couple is seen embracing in the middle of a brightly lit supermarket aisle, surrounded by shelves stocked with snacks like Saltines, Moon Pies, and Ry-Krisp. The setting is a wide, fluorescent-lit grocery store with overhead signs indicating aisle numbers and promotional pricing, and the floor features a striped pattern. The dominant colors are the white of the walls and ceiling, contrasted with the colorful packaging of the products and the blue and pink hues of the signage. The camera is positioned at eye level, capturing the couple from behind as they stand amidst the aisles, with the perspective stretching into the distance to emphasize the store’s depth."

"pnchdrnklv2002, two uniformed attendants in vibrant red jackets stand with their backs to the camera, gazing out a long row of windows at an airport tarmac, while a group of formally dressed men in suits walks purposefully toward them down a sunlit corridor. The setting is a modern, enclosed jet bridge or terminal walkway, with a blue patterned carpet, white paneled walls, and large glass windows revealing bright daylight and distant airport infrastructure. Strong sunlight streams in from the right, casting sharp shadows across the floor and illuminating the scene with a crisp, clear quality, suggesting midday. The dominant colors are the bold red of the uniforms, the deep blue of the carpet, and the neutral whites and grays of the architecture, contrasted by the bright outdoor sky. The camera is positioned"

"pnchdrnklv2002, An empty, dimly lit room features a dark wooden dining table with two chairs, one of which has a patterned cushion, and a stack of papers and a glass on the table. To the left, a filing cabinet holds a fax machine, and a closed white door with a light switch is visible in the background. The lighting is low and cool-toned, casting deep shadows and suggesting late evening or night. The dominant colors are muted grays, blacks, and dark wood tones, with a faint white glow from the door. The camera is positioned at a medium distance, angled slightly to capture the room’s depth and stillness."

"pnchdrnklv2002, in a cluttered, wood-paneled basement or garage, a group of young men are gathered around a red leather couch, with one standing and gesturing toward another whose back is to the camera, while a third leans against the couch looking on. Behind them, vintage arcade games, Marshall amplifiers, and a wooden barrel suggest a retro music or gaming space, with scattered papers and a coffee mug on a low table. The lighting is warm and uneven, casting soft shadows and highlighting the earthy tones of the room — browns, reds, and muted blues — with a bright spot near the right edge. The camera is positioned at eye level, capturing the scene in a medium-wide shot that emphasizes the casual, tense atmosphere of the group interaction."

"pnchdrnklv2002, A man in a white shirt stands near a window with vertical blinds, reaching up as if adjusting or interacting with something above. The room is dimly lit, primarily by a glowing table lamp in the foreground and the faint light from a television screen displaying a black-and-white scene. The setting is a lived-in living room with a fireplace mantel holding a box, a leather armchair piled with newspapers, and a dark wooden TV stand. The dominant colors are muted grays, browns, and the warm yellow glow of the lamp, suggesting nighttime. The camera is positioned at a low angle, capturing the scene from across the room with a wide shot that emphasizes the quiet, solitary atmosphere."

"pnchdrnklv2002, A man in a sharp blue suit walks into an office, his back to the camera, as he approaches a seated person behind a light-colored desk. The setting is a narrow hallway with textured gray walls, flanked by a glass-paneled door on the left and a door marked “OFFICE” on the right, which also bears a warning sign about surveillance cameras. The lighting is cool and subdued, suggesting an indoor, possibly late afternoon or early evening scene, casting soft shadows and giving the space a muted, institutional tone. Dominant colors are the deep blue of the suit, the gray of the walls, and the pale white of the desk and door trim, framed by a slightly off-center, eye-level shot that emphasizes the man’s movement into the room."

"pnchdrnklv2002, A brightly lit furniture and mattress store is visible at night, its large glass windows revealing an interior filled with assorted furniture, lamps, and decorative items. The store’s bold red-and-white sign hangs above the entrance, while fluorescent lights illuminate the space inside, casting a stark, commercial glow. The dominant colors are the red of the signage, the white of the walls and ceiling, and the neutral tones of the furniture, contrasted against the dark night sky. The camera is positioned straight-on at eye level, capturing the full facade and offering a clear view of the store’s offerings and signage."

"pnchdrnklv2002, A woman with long dark hair, seen from behind, walks away from the camera toward a child peeking out from behind a white tarp-covered structure in an industrial alley. The setting includes a concrete wall to the left, a blue dumpster, and wooden pallets stacked nearby, under bright, direct sunlight that casts sharp shadows, suggesting midday. The dominant colors are muted grays and blues of the urban environment, contrasted with the woman’s dark coat and the child’s lighter hair. The camera is positioned at eye level, framing the woman’s back and the child’s curious face in the distance, creating a sense of quiet observation."

"pnchdrnklv2002, A man in a sharp blue suit and yellow tie stands in a modestly furnished room, holding a black briefcase in one hand and a cordless phone to his ear with the other, appearing focused on the conversation. The setting includes a wooden bookshelf filled with books, a stereo system, and a small table with a bottle and cup, while a white countertop and a partially visible doorway frame the scene. Soft, natural light streams in from a window, casting gentle shadows and suggesting late afternoon. The dominant colors are the deep blue of the suit, the warm wood tones of the furniture, and the neutral whites and grays of the walls and fixtures. The camera is positioned slightly off-center, looking through a doorway, creating a candid, observational perspective."

"pnchdrnklv2002, A woman in a green tank top and dark pants stands with hands on her hips in the center of a cluttered furniture store, surrounded by bunk beds, dressers, and lamps, some wrapped in plastic or marked with sale tags. The space is dimly lit with cool, artificial light, casting soft shadows and giving the scene a slightly muted, indoor atmosphere. Dominant colors are neutral—whites, grays, and dark wood tones—with pops of red from sale signs. The camera is positioned at eye level, framed by furniture on either side, creating a sense of being immersed within the store’s narrow aisle."

"pnchdrnklv2002, A man in a dark blue suit and red tie walks purposefully down a narrow, utilitarian hallway, his gaze directed forward. The setting is an apartment building’s common corridor, lined with gray metal mailboxes on the left, a framed directory labeled “Lombardi Apartments,” and directional signs pointing to unit numbers and the manager’s office. Fluorescent ceiling lights cast a stark, even glow, suggesting an indoor, daytime scene with no natural light visible. The dominant colors are muted grays and whites of the walls and ceiling, contrasted by the man’s vibrant suit and the red accents of fire alarms and a door panel. The camera is positioned at eye level, capturing the man mid-stride as he moves toward the viewer, framed by the corridor’s architecture."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 254 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.