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Enemy At The Gates 2001

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word enmyatgts2001 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"enmyatgts2001, A close-up captures a man with weathered skin and striking blue eyes, his gaze fixed intently forward, mouth slightly parted as if mid-sentence or reacting to something unseen. He wears a textured olive-green cap and a thick, cream-colored fleece collar, suggesting a cold or rugged environment. The background is softly blurred, hinting at a muted brick wall and a pale sky, indicating an overcast day with diffused, even lighting. The dominant colors are earthy greens, creamy beiges, and cool grays, creating a somber, grounded mood. The tight framing focuses entirely on his face, emphasizing his expression and the subtle tension in his features."

"enmyatgts2001, wounded soldiers lie on makeshift beds in a crowded, dimly lit military hospital ward, while medical personnel move between them, tending to injuries and administering care. The space is cluttered with metal-framed cots, barrels, and industrial beams marked with numbers, suggesting a repurposed factory or warehouse. Faint daylight filters through high windows, casting long shadows and creating a somber, muted palette of browns, grays, and dull greens. The camera is positioned low and partially obscured by a large, weathered metal structure in the foreground, lending an immersive, gritty perspective to the scene."

"enmyatgts2001, A group of people, mostly in dark, worn coats, are frantically moving wounded individuals on makeshift stretchers across a crowded, muddy dock, while others tend to the injured or carry supplies. In the background, a large vessel with Cyrillic lettering and a red flag is docked, with more figures visible on its deck and in the hazy distance. The scene is bathed in the warm, low light of either dawn or dusk, casting long shadows and highlighting the grim, earthy tones of the environment — muted browns, greys, and dull greens — punctuated by the stark red of the flag. The camera is positioned at eye level, capturing the chaotic movement and emotional intensity of the scene from within the crowd, emphasizing the scale of the emergency."

"enmyatgts2001, A person in a dark, textured sweater is wiping a floral-patterned plate with a checkered cloth, while another individual, partially visible, holds a thick stack of papers in one hand and a smaller bundle in the other. The scene unfolds at a worn, reddish-brown wooden table scattered with crumbs, a salt shaker, a glass candle holder with a dark wick, and a used plate with a fork resting on it. The lighting is dim and warm, suggesting an indoor setting during evening or night, casting soft shadows and highlighting the textures of fabric, wood, and paper. The dominant colors are earthy browns, muted greens, and dark grays, with the white of the salt shaker and plate providing contrast. The camera is positioned at a low, slightly angled perspective"

"enmyatgts2001, A crowded, dimly lit military hospital ward filled with rows of patients lying on metal beds, some awake and moving about while others rest or appear unwell, with medical staff and visitors navigating the aisles. The setting is a vast, industrial-style hall with exposed steel beams, numbered pillars, hanging lamps, and arched windows letting in muted daylight, creating a contrast between shadowy corners and illuminated walkways. The dominant colors are muted browns, grays, and dark greens, punctuated by the occasional red of a barrel or sign. The camera captures a wide, slightly elevated angle, emphasizing the scale and density of the space, with depth created by the receding rows of beds and the distant light source."

"enmyatgts2001, A group of soldiers lies motionless on the ground amid rubble and debris, suggesting a battlefield aftermath. Behind them, a large mural of a woman is partially obscured by wreckage, while industrial buildings and a tilted utility pole stand in the background under a hazy, overcast sky. The scene is lit with muted, diffused light, casting a somber tone over the earthy browns, grays, and faded greens dominating the palette. The camera is positioned low and wide, capturing the devastation from a ground-level perspective that emphasizes the scale of destruction and the stillness of the fallen."

"enmyatgts2001, A mangled, overturned vehicle lies half-submerged in thick, gray mud, its undercarriage exposed and twisted, with debris and scattered papers fluttering around it. In the background, another wrecked vehicle and a motionless figure lie amid the wreckage, suggesting a violent crash or explosion. The scene is dimly lit with a hazy, overcast glow, casting muted tones of gray, brown, and dull metallics across the grim landscape. The camera is positioned low and close to the ground, emphasizing the scale of destruction and the chaotic aftermath."

"enmyatgts2001, A desolate battlefield littered with fallen soldiers in uniform, their bodies sprawled across rubble and debris, suggesting a recent, devastating conflict. In the background, industrial structures are partially destroyed, with one building ablaze and thick smoke rising into a bruised twilight sky; a faded propaganda poster with Cyrillic text is visible amidst the wreckage. The lighting is dim and atmospheric, dominated by the orange glow of fire and the deep blues and grays of dusk, casting long shadows and highlighting the grim textures of the scene. The camera is positioned low to the ground, offering a wide, immersive view that emphasizes the scale of devastation and the stillness of the fallen."

"enmyatgts2001, A figure in red and black is seen through a shattered glass pane, moving cautiously down a narrow, decaying corridor. The setting is an abandoned industrial interior, with rusted metal doors, peeling paint, and debris scattered along the floor, suggesting long-term neglect. The lighting is dim and atmospheric, with a cool blue-gray hue dominating the scene, casting deep shadows and creating a sense of isolation. The camera is positioned at eye level, framed through a foreground obstruction, enhancing the feeling of voyeurism and tension as the figure advances into the gloom."

"enmyatgts2001, A soldier lies motionless in a muddy trench, his head resting in a shallow pool of blood, with a rifle positioned across his chest. The setting is a grim, wet battlefield, with dark, churned earth and scattered debris surrounding him; his uniform and gear are soaked and caked in mud. The lighting is dim and cool, suggesting either dawn or dusk, casting deep shadows and highlighting the stark contrast between the muddy browns and the vivid crimson of the blood. The camera is positioned at a low angle, close to the ground, emphasizing the soldier’s vulnerability and the oppressive, muddy environment."

"enmyatgts2001, A desolate urban landscape lies in ruins, with skeletal buildings and scattered debris dominating the scene; small, flickering fires burn sporadically across the rubble-strewn ground. The setting is a war-torn cityscape, where smoke billows from damaged structures and bare, leafless trees stand amid the devastation, while remnants of streetlights and broken infrastructure punctuate the foreground. The lighting is dim and somber, suggesting dusk or dawn under an overcast, smoky sky, casting long shadows and emphasizing the cold, ashen tones of the environment. Dominant colors are muted grays, browns, and blacks, punctuated by the orange glow of scattered flames. The camera captures a wide, elevated angle, offering a sweeping view of the devastation and reinforcing the scale of destruction."

"enmyatgts2001, A lone, cylindrical industrial tank stands amidst the skeletal remains of a collapsed factory floor, surrounded by twisted metal beams and scattered debris. Through the shattered windows in the background, a cold, blue daylight filters in, casting stark, fragmented light across the scene. The dominant palette is dark and desaturated, with deep grays, rusted browns, and the icy blue of the ambient light creating a haunting, abandoned atmosphere. The camera is positioned low and wide, capturing the scale of ruin and emphasizing the verticality of the broken structures against the sky."

"enmyatgts2001, A soldier in a helmet and uniform moves cautiously along the side of a large, rusted metal structure, stepping over rubble while scanning the war-torn environment. The setting is a devastated urban landscape, with collapsed buildings, skeletal trees, and burning debris in the distance under a smoky, overcast sky. The lighting is dim and muted, casting deep shadows and emphasizing the gloom of late afternoon or early evening, with dominant colors of gray, brown, and rusted orange. The camera is positioned low to the ground, capturing the soldier’s movement from a side angle while framing the desolation of the ruined cityscape in the background."

"enmyatgts2001, A hand is carefully marking a series of X’s across a Soviet-era calendar page dated September 29, 1942, with the name “ВАСИЛИЙ ЗАЙЦЕВ” printed prominently beneath a hammer and sickle emblem. The setting appears to be indoors, with a floral-patterned surface visible in the background, and the lighting is soft and diffused, suggesting an interior scene during daytime. The dominant colors are muted whites and grays of the paper and sleeve, contrasted by the black ink and the warm skin tone of the hand. The camera is tightly framed, angled slightly downward, focusing on the interaction between the hand and the calendar, emphasizing the deliberate act of marking."

"enmyatgts2001, A desolate urban landscape is engulfed in the aftermath of destruction, with collapsed brick buildings and piles of charred timber and debris blanketing the foreground. Smoke drifts lazily from damaged rooftops and chimneys, while a faded mural and a rusted star-shaped metal object remain defiantly attached to a partially standing wall. The scene is bathed in the cold, muted light of a winter day, casting long shadows and emphasizing the gray, ashen tones of the ruins against the dull reds of the brickwork. Shot from a low, wide angle, the camera immerses the viewer in the devastation, framing the wreckage to convey the scale of ruin and the lingering chill of the environment."

"enmyatgts2001, A young boy with a wide, joyful smile, wearing a textured green knit cap and a patterned scarf, looks slightly upward with bright, engaged eyes. He stands against a dimly lit, rough-textured stone wall, suggesting an old or rustic interior space. The lighting is soft and directional, casting gentle shadows and highlighting his face, indicating an indoor scene during evening or night. Dominant colors are muted earth tones—greens, grays, and browns—with a warm glow on his skin. The camera frames him in a tight close-up, angled slightly from below, emphasizing his expressive face and the texture of his clothing."

"enmyatgts2001, A cinematic credit sequence glides diagonally across a textured, dark brick wall, with white text listing production roles and names. The lighting is dim and moody, casting deep shadows that emphasize the rough, uneven surface of the bricks, suggesting a nighttime or low-light setting. The dominant colors are muted grays and blacks, punctuated by the stark white of the scrolling credits, creating a gritty, atmospheric tone. The camera is angled slightly upward, capturing the credits as they move across the frame, enhancing the sense of motion and depth against the static, weathered backdrop."

"enmyatgts2001, A soldier in dark uniform and cap, equipped with a bandolier of ammunition, stands on a ship’s deck, gazing toward a distant, smoke-filled harbor. The scene is enveloped in thick, gray fog, obscuring the background and revealing only faint silhouettes of ships and structures, with a small orange glow hinting at distant fire. The lighting is dim and overcast, suggesting early morning or late afternoon under heavy cloud cover, casting a muted palette of grays, blacks, and dull blues across the water and sky. The camera frames the soldier from behind and slightly to the side, with rigging and a metal pole in the foreground, creating a sense of depth and isolation."

"enmyatgts2001, soldiers move cautiously through a war-torn urban landscape, navigating around the wreckage of a downed aircraft embedded in rubble. The setting is a devastated cityscape with skeletal buildings, broken street lamps, and thick smoke rising from distant fires under a gloomy, overcast sky. The lighting is dim and diffused, casting a cold, desaturated palette of grays, browns, and muted blues across the scene, emphasizing the bleakness of the environment. The camera is positioned at a low angle, capturing the scale of destruction and the oppressive atmosphere as the soldiers advance through the debris."

"enmyatgts2001, A stylized credit sequence overlays a gritty, monochromatic background resembling fractured concrete or rubble, with bold yellow geometric shapes framing the left side. White text lists names and roles, connected by dotted lines, against a textured, desaturated gray and black backdrop that suggests a war-torn or industrial environment. The lighting is high-contrast and dramatic, casting deep shadows and highlighting the rough surface, evoking a somber, cinematic tone. The camera is static, presenting the credits in a diagonal composition that guides the viewer’s eye across the frame."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.