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2001 A Space Odyssey 1968

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word aspcodyssy1968 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"aspcodyssy1968, A group of dark-furred primates gathers around a shallow, muddy water pool in a rugged, arid landscape, some bending over to drink while others move across the uneven terrain. The setting is a vast desert valley framed by distant, layered mountains and scattered boulders, under a pale, overcast sky that suggests early morning or late afternoon. The lighting is soft and diffused, casting muted shadows and emphasizing earthy tones of ochre, brown, and gray, with the primates’ black fur creating stark contrast. The camera is positioned at a low, wide angle, capturing the expansive environment and the animals’ interaction with their surroundings."

"aspcodyssy1968, A long, sterile corridor lined with vibrant magenta, sculptural lounge chairs and small white tables, where a few individuals are seated or standing, appearing to relax or converse. The setting is a futuristic, minimalist interior with white walls, a glossy floor, and recessed ceiling lighting, featuring a glass-walled service area labeled “HILTON SPACE STATION 5” and a “COFFEE BAR” on the left. The lighting is bright and even, suggesting daytime, with the dominant colors being stark white and bold magenta, creating a high-contrast, clean aesthetic. The camera is positioned low and centered, looking down the corridor’s length, emphasizing the repeating pattern of furniture and the sense of depth and isolation."

"aspcodyssy1968, three large, dark-furred primates are silhouetted against a vast, arid landscape, with one gesturing upward while the others sit or crouch near a rocky outcrop. The setting is a sun-baked desert with undulating, tan-colored rock formations stretching to the horizon under a cloudy, overcast sky. The lighting is dramatic, casting deep shadows and highlighting the contours of the figures and terrain, suggesting late afternoon or early evening. Dominant colors are earthy browns, ochres, and muted grays, contrasted by the stark black silhouettes. The camera is positioned at a low angle, capturing the scene from within a shadowed cave entrance, framing the primates as they observe their surroundings."

"aspcodyssy1968, two astronauts in bulky, reflective suits stand on a barren, rocky surface, gazing down at a sprawling, illuminated cityscape nestled in the valley below. Above them, a large, pale moon hangs in the star-studded black sky, casting a cool, blue-toned glow over the scene. The lighting is dim and atmospheric, suggesting nighttime on an alien world, with the city’s lights providing the primary illumination against the dark terrain. The camera frames the scene from a low angle, emphasizing the vastness of the landscape and the smallness of the figures, while the dominant colors are deep blues, blacks, and metallic silver from the suits and structures."

"aspcodyssy1968, A group of apelike creatures gathers in a rugged, arid landscape, some standing or crouching near a shallow pool of water while others move across the rocky terrain, suggesting a moment of communal activity or alertness. The setting is a sun-drenched, rocky plain with large boulders and distant, rolling hills under a pale, hazy sky, evoking a prehistoric or alien world. Warm, golden light bathes the scene, casting long shadows and highlighting the earthy tones of the ground and rocks, contrasted by the dark, silhouetted forms of the creatures. The camera captures a wide, eye-level shot that encompasses the group and the expansive, barren environment, emphasizing both the scale of the landscape and the presence of the creatures within it."

"aspcodyssy1968, A group of apes rests on rocky terrain, some seated and others lying down, with one solitary figure perched atop a ridge in the distance, gazing toward the horizon. The scene unfolds at sunset, with warm golden and orange hues bleeding across a partly cloudy sky, casting long shadows and illuminating the rugged, earth-toned landscape. Scattered bones lie on the ground near the apes, and the entire view is framed from within a dark, shadowed cave entrance, creating a sense of observation from a hidden vantage point. The dominant colors are deep browns, muted grays, and the glowing amber of the fading light."

"aspcodyssy1968, A sleek, white spacecraft with articulated robotic arms extends from its sides, its surface dotted with glowing pink lights and circular ports, suggesting active systems or docking mechanisms. Set against the vast, star-speckled void of space, the vessel appears to be maneuvering or performing a delicate task, with a faint purple lens flare adding a touch of cosmic ambiance. The lighting is dramatic, with the ship’s own illumination casting sharp highlights and deep shadows, emphasizing its angular, futuristic design. Dominated by white and metallic tones accented by vibrant pink glows, the scene is framed in a medium close-up, angled slightly to reveal the vessel’s complex structure and the infinite darkness of space beyond."

"aspcodyssy1968, A leopard rests atop the carcass of a zebra, its spotted coat contrasting with the prey’s bold black-and-white stripes, as it appears to feed or survey its surroundings. The scene unfolds on a rugged, earthy ridge under a dramatic sky filled with heavy, textured clouds, with patches of pale sunlight breaking through. The lighting is moody and directional, casting deep shadows and highlighting the textures of fur and terrain, dominated by earthy browns, muted grays, and the stark black-and-white of the zebra’s hide. The camera is positioned low and close, capturing the subjects in a wide, slightly angled shot that emphasizes their scale against the vast, overcast sky."

"aspcodyssy1968, A group of chimpanzees moves across a rugged, rocky terrain, with one prominently crouched mid-stride in the foreground, while others follow or perch on boulders behind. The setting is an arid, open landscape with rolling hills and a distant, solitary mountain under a pale, hazy sky. The lighting is soft and diffused, suggesting early morning or late afternoon, casting muted shadows and giving the scene a slightly desaturated, vintage tone. Dominant colors are earthy browns and tans of the ground, contrasted with the dark fur of the apes and the pale greenish-blue of the sky. The camera is positioned at a low angle, capturing the apes’ movement across the slope and emphasizing the vastness of the surrounding terrain."

"aspcodyssy1968, A man in a dark brown suit stands at a podium, his body angled slightly as he appears to be speaking or addressing an audience. Behind him, a dark blue curtain frames an American flag on the left, while a bright, overexposed white wall occupies the right side of the frame. The lighting is high-contrast, casting strong shadows and highlighting the man’s profile against the stark background. Dominant colors are deep brown, navy blue, and the red, white, and blue of the flag, with the white wall creating a luminous backdrop. The camera is positioned at a medium close-up, capturing the man from the waist up and emphasizing his posture and the official-looking ID badge pinned to his lapel."

"aspcodyssy1968, A white, spherical spacecraft module with multiple circular ports and black paneling is suspended inside a large, curved, white interior chamber, possibly a docking bay or hangar. A robotic arm with articulated joints extends from the left, positioned near the module’s side, suggesting maintenance or connection activity. The scene is illuminated by bright, even artificial lighting, casting soft shadows and highlighting the clean, metallic surfaces, with a view of dark space visible through a window in the background. The dominant colors are white and black, accented by metallic grays, and the camera uses a wide-angle lens to capture the curved architecture and the module’s detailed structure from a low, immersive perspective."

"aspcodyssy1968, A massive, angular spacecraft with three hexagonal engine pods arranged in a row floats serenely through the void, its intricate surface revealing exposed machinery and circular thruster ports. The vessel is set against a star-studded blackness, with a smaller, spherical component trailing behind, suggesting a complex, multi-part design. The scene is illuminated by a single, directional light source casting sharp shadows and highlighting metallic textures, creating a stark contrast between the vessel’s gray tones and the infinite darkness of space. Shot from a high-angle, side-on perspective, the camera captures the full breadth of the ship’s industrial architecture, emphasizing its scale and mechanical complexity."

"aspcodyssy1968, A person in a red, high-collared spacesuit with a metallic neck ring sits inside a dimly lit cockpit, their face illuminated by ambient red and green glow from control panels. The background features blurred instrument panels with glowing buttons and dials, suggesting a high-tech, enclosed environment. The lighting casts dramatic shadows and highlights across the subject’s face, emphasizing a tense, focused expression under a predominantly red and dark ambiance. The camera is tightly framed in a close-up, angled slightly upward, drawing attention to the subject’s intense gaze."

"aspcodyssy1968, A group of primates moves across a rugged, arid landscape, some walking on all fours while others crouch or stand alert, suggesting cautious movement or exploration. The terrain is composed of reddish-brown earth and scattered boulders, with distant, rounded hills under a pale, hazy sky. The lighting is soft and diffused, casting long shadows and indicating either early morning or late afternoon, with warm tones dominating the scene. The camera is positioned low and close to the ground, framing the primates in the foreground as silhouettes against the sunlit background, creating a sense of depth and immersion in the environment."

"aspcodyssy1968, A pair of hands rests on a futuristic control panel, fingers poised above glowing buttons and illuminated screens displaying graphs, data, and a central radar-like grid. The setting is a dimly lit, high-tech cockpit or command center, surrounded by arrays of glowing blue, green, and yellow indicator lights and multiple monitors showing technical readouts. The lighting is low and atmospheric, dominated by cool blues and vibrant reds from the panel’s illumination, suggesting a tense or critical moment during nighttime or in a dark environment. The camera is positioned overhead, looking down at the hands and controls, creating an immersive, first-person perspective that emphasizes the operator’s focus on the interface."

"aspcodyssy1968, A group of five people are seated in a sleek, futuristic lounge, engaged in conversation around a small white table with glasses, while one man gestures toward another. The setting is a long, brightly lit corridor with white walls and ceiling panels, lined with vibrant pink molded chairs and service kiosks labeled “Hilton Space Station 5,” “Gifts,” “Drugs,” and “Cameras.” The lighting is even and artificial, suggesting an interior space during daytime or under controlled illumination. Dominant colors are stark white and bold magenta, creating a high-contrast, minimalist aesthetic. The camera is positioned at a medium-wide angle, capturing the group and the receding hallway to emphasize the futuristic, sterile environment."

"aspcodyssy1968, A lone astronaut in a bright orange spacesuit floats weightlessly against the inky blackness of space, limbs splayed in a dynamic, uncontrolled posture, suggesting a moment of disorientation or emergency. The suit’s textured fabric and visible joints contrast with the smooth, reflective visor, while faint stars dot the background, emphasizing the vast emptiness. The scene is lit by a single, harsh directional source, casting sharp highlights on the suit’s surface and deep shadows that accentuate its contours, evoking a stark, isolated moment in the void. The camera frames the astronaut centrally, capturing the full body in a medium shot that emphasizes both the scale of the cosmos and the vulnerability of the solitary figure."

"aspcodyssy1968, An elderly person sits alone in a wheelchair, facing away from the viewer, positioned before a small table draped in a green cloth in a grand, pale blue-toned room. The walls are adorned with ornate molding and a large, framed pastoral painting depicting figures in a sunlit landscape, while the floor is tiled in bright white squares. The scene is bathed in soft, even daylight, suggesting midday, with the cool blue and green hues dominating the palette. The camera is framed through a partially open doorway, with vertical blue panels in the foreground creating a sense of voyeuristic observation."

"aspcodyssy1968, A person in a white uniform and head covering walks forward through a circular, tunnel-like corridor, holding a tray. The walls are lined with yellow padded panels and white shelving units, while the corridor’s architecture features concentric black and white rings. Bright, even lighting illuminates the scene, suggesting an interior space during daytime. Dominant colors are white, yellow, and black, creating a clean, futuristic aesthetic. The camera is positioned low and centered, looking straight down the corridor’s axis, emphasizing the symmetry and depth of the passage."

"aspcodyssy1968, A group of large, dark-furred primates is gathered on a rocky, arid hillside, some crouching or standing alert while others appear to be in motion, suggesting a moment of tension or communication. The backdrop features a vast, barren landscape with rolling dunes and distant, muted mountains under a pale, overcast sky, hinting at either dawn or dusk. The lighting is soft and diffused, casting long, subtle shadows and emphasizing the earthy tones of the terrain—browns, tans, and grays—contrasted with the deep black of the primates’ fur. The camera is positioned at a low angle, capturing the scene from within the group, creating an immersive, ground-level perspective that enhances the sense of immediacy and rawness."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.