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Suicide Squad 2016

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word scdsqd2016 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"scdsqd2016, A heavily damaged police cruiser, riddled with bullet holes and marked with “Midway City Police,” lies abandoned in a rain-slicked alleyway, its roof serving as a platform for a lone figure in tactical gear who stands poised and surveying the scene. The setting is a narrow urban alley flanked by brick buildings, with flickering flames and smoke rising from scattered debris and burning trash bins, casting an ominous glow. The lighting is dim and moody, dominated by the greenish glow of streetlights and the orange flicker of fire, suggesting a late-night or post-apocalyptic atmosphere. The dominant colors are dark grays, deep blacks, and muted browns, punctuated by the fiery orange and yellow of the flames. The camera is positioned at a low angle, emphasizing the"

"scdsqd2016, A group of armored figures stands in solemn formation on a tiered platform, facing a swirling, luminous blue vortex that erupts from the center of the scene, suggesting a ritual or summoning. The setting is a grand, ruined hall with towering stone columns and arched doorways, partially obscured by mist and debris, with glowing orbs embedded in the steps casting an eerie, ambient light. The lighting is dim and atmospheric, dominated by deep blues and blacks, with the vortex providing a stark, ethereal glow that contrasts with the shadowy silhouettes. The camera is positioned at a low angle, looking up slightly, emphasizing the scale of the architecture and the imposing presence of the figures and the supernatural phenomenon."

"scdsqd2016, A blurred figure in motion strides across a rooftop at night, their form streaked with motion blur against the backdrop of a city skyline. The setting is an urban rooftop with a concrete parapet, a cylindrical vent emitting faint smoke, and recessed square lights casting a cool glow. The lighting is dim and atmospheric, dominated by deep blues and blacks punctuated by the warm yellow glow of distant windows and the rooftop fixtures. The camera is positioned low and wide, capturing the figure’s movement across the frame while emphasizing the vastness of the city behind them."

"scdsqd2016, A hand holds a handheld device displaying a control interface titled “NANITE DETONATION CONTROL,” featuring six profile images with names beneath them and three action buttons labeled “ARM SINGLE,” “ARM ALL,” and “RELEASE.” The screen is illuminated with a cool blue-green glow against a dark, shadowy background, suggesting a clandestine or high-stakes environment. The lighting is low-key and focused, casting deep shadows around the device and hand, emphasizing the screen’s glow as the primary light source. The dominant colors are dark tones contrasted with the bright, sterile blue-green of the interface, and the camera is tightly framed from a first-person perspective, looking down at the device as a finger hovers near the “ARM ALL” button."

"scdsqd2016, A silhouetted figure with two sharp horns rises from a misty, ethereal landscape, their long hair flowing as if caught in a breeze or rain, with faint glowing particles drifting around them. The scene is bathed in a cool, diffused light that suggests either dawn or dusk, casting the background in soft, hazy tones of teal and pale cream. The camera frames the subject from behind and slightly below, emphasizing their imposing silhouette against the atmospheric backdrop, with shallow depth of field blurring the surroundings to focus attention on the figure’s mysterious presence."

"scdsqd2016, A person in a dark uniform with gold epaulets is seated at a desk, carefully turning the pages of a large, open binder filled with technical schematics and handwritten notes, including a diagram labeled “EFFECTS OF 500-KT SURFACE-BURST WEAPON.” Beside the binder lies a lined notebook with a pen and faint sketches, suggesting active study or analysis. The scene is dimly lit with cool, muted tones, casting soft shadows and emphasizing the seriousness of the work, likely taking place indoors during evening or night. The camera is positioned over the shoulder, focusing tightly on the hands and documents, creating an intimate, focused perspective that draws attention to the detailed content being examined."

"scdsqd2016, A gloved hand holds a handheld device displaying a “Nanite Detonation Control” interface, with five profile images and status indicators such as “Armed” and “Deceased,” suggesting a tactical or explosive management system. The setting is dimly lit, with shadows dominating the frame, emphasizing the device’s glowing screen as the primary light source, implying a tense, clandestine moment. The dominant colors are dark tones—black, charcoal, and muted greys—with the screen’s red and green highlights providing stark contrast. The camera is tightly framed on the device and hand, angled slightly from the side to focus on the interface details, creating an intimate, high-stakes perspective."

"scdsqd2016, in a dimly lit, high-security command center, several personnel are gathered around a large central screen displaying grainy thermal footage of a moving aircraft, with overlayed coordinates and “RECORDING” text. The room is lined with multiple monitors showing maps and data, and a glowing “Mic OFF Top Secret/SCI” sign reinforces the classified nature of the space. The lighting is subdued, dominated by the glow of screens and a single red pendant lamp overhead, casting a cool, tense atmosphere. The camera is positioned over the shoulders of observers, creating an immersive, over-the-shoulder perspective that emphasizes the gravity of the situation."

"scdsqd2016, A central figure in a dark, cropped outfit with a white face mask and red accents strides confidently down the aisle of a dimly lit, narrow aircraft cabin, holding a weapon in one hand, while seated passengers on both sides watch intently. The interior is lined with red fabric curtains and utilitarian metal walls, illuminated by overhead fluorescent lights casting a warm, hazy glow from the rear exit, suggesting either dawn or dusk. The dominant colors are muted browns, grays, and deep reds, punctuated by the stark white of the mask and the bright red trim. The camera is positioned low and centered, capturing the figure’s approach head-on, creating a sense of tension and focus on their movement through the confined space."

"scdsqd2016, A group of individuals in military camouflage uniforms and one in a dark suit walk purposefully through a large, industrial warehouse space, surrounded by stacked crates, equipment, and pallets. The scene is bathed in warm, golden light filtering from an unseen source, casting long shadows and creating a hazy, dusty atmosphere that suggests late afternoon or early evening. Dominant colors are muted earth tones—browns, greens, and grays—with the dark suit providing contrast. The camera is positioned at eye level, slightly off-center, with a shallow depth of field that blurs the foreground and background, focusing attention on the central figures as they move forward."

"scdsqd2016, A collection of cash, firearms, and ammunition is scattered across a patterned tablecloth, suggesting a scene of illicit activity or aftermath. The setting is dimly lit with warm, low-key lighting that casts deep shadows, indicating an interior space at night or in a poorly lit room. Dominant colors are earthy browns, muted golds, and dark tones, with the green and black of the currency and weapons contrasting subtly. The camera is positioned at a low angle, offering a close-up, slightly tilted view that emphasizes the cluttered, tense atmosphere of the scene."

"scdsqd2016, A cracked, stylized mask with a red circular mark at its center serves as the focal point, bearing embossed text that reads “KAREN - KUHARA” and “DANY - ROU.” Jagged, metallic spikes radiate outward from both sides of the mask, set against a dark, smoky background speckled with glowing red particles. The lighting is dramatic and high-contrast, casting sharp highlights on the mask’s fractured surface and the metallic spikes, suggesting a nighttime or artificially lit scene. Dominant colors include stark white and gray of the mask, accented by deep reds and purples in the background, with metallic silver and green hues on the spikes. The camera frames the mask tightly, centered and slightly angled to emphasize its symmetrical yet broken form"

"scdsqd2016, A dark, military-style helicopter hovers low over a city river, its rotors spinning and casting a faint green glow, as it flies just above a bridge connecting two urban banks. The scene unfolds at twilight, with tall office buildings lining the riverbanks, their windows lit in warm yellow and cool white tones against the deepening blue-gray sky. The water below reflects the city lights and the helicopter’s silhouette, while streetlights along the bridge and sidewalks add scattered points of illumination. The camera captures the scene from a high vantage point, looking down at the helicopter as it moves across the frame, emphasizing the scale of the city and the quiet tension of the moment. Dominant colors are dark blues, blacks, and muted yellows, creating a moody, cinematic atmosphere."

"scdsqd2016, A humanoid figure, partially consumed by golden, molten energy, is locked in a dynamic struggle with a second, similarly glowing entity, their forms crackling with sparks and heat as they clash mid-air. The scene unfolds in a dimly lit, grand architectural space with stone columns, wide staircases lined with small glowing orbs, and a wooden bench in the background, suggesting a public or institutional building at night. The lighting is dramatic and low-key, with the intense golden-orange glow of the figures casting sharp highlights against the cool, shadowy stone surroundings. The camera captures the action from a low, wide angle, emphasizing the scale of the confrontation and the chaotic energy radiating from the figures."

"scdsqd2016, A central figure in ornate, glowing attire stands atop a stone platform, arms outstretched, surrounded by shadowy, armored figures in a cavernous, ruinous hall. Behind them, swirling mist and jagged, lightning-etched structures rise against towering, weathered columns, while embedded lights along the steps cast a cool, ambient glow. The scene is bathed in a moody, blue-tinged twilight, with stark contrasts between the luminous energy around the central figure and the deep, inky blacks of the surrounding environment. The camera frames the composition from a low angle, emphasizing the grandeur and isolation of the central figure against the imposing, decaying architecture."

"scdsqd2016, A man in a dark, water-slicked rain poncho and cap sits beside a weathered, utilitarian vehicle, gazing forward with a somber expression as rain streaks the scene. Behind him, a high concrete wall and a partially collapsed, skeletal building loom under a gray, overcast sky, suggesting a desolate, possibly post-apocalyptic environment. The lighting is flat and diffused, casting muted tones of gray, black, and dull green across the frame, emphasizing the gloom. The camera frames him in a medium close-up, slightly angled, with the vehicle’s antenna and rusted metal surfaces in the foreground, grounding the shot in a gritty, immersive realism."

"scdsqd2016, A large, multi-panel surveillance screen dominates a dimly lit control room, displaying a catastrophic explosion at an outdoor facility, with bright white and orange fireballs illuminating the dark, stormy sky. Surrounding the central footage are smaller monitors showing maps, data readouts, and “NO SIGNAL” alerts, while a single overhead lamp casts a soft, warm glow on the ceiling grid. The scene is bathed in the stark contrast of the explosion’s intense light against the room’s cool, shadowy tones, suggesting nighttime or a heavily overcast environment. The camera frames the screen from a slightly low, centered perspective, emphasizing the scale of the disaster and the sterile, high-tech monitoring environment."

"scdsqd2016, A glowing, geometric metal grate dominates the frame, its intersecting bars forming a diamond pattern that recedes into the distance, suggesting a tunnel or corridor. The scene is bathed in vibrant neon hues—electric green along the edges and deep magenta-purple streaks within the grate’s structure—casting an otherworldly glow against a dark, textured background. The camera is positioned low, looking upward through the grate, creating a sense of depth and immersion, while the lighting suggests a futuristic or cyberpunk environment under artificial illumination at night."

"scdsqd2016, A bald man in a dark vest stands beside a sleek black car, facing another figure in a leather jacket adorned with a golden dragon emblem, suggesting a tense or confrontational moment. The scene unfolds at night in a rain-slicked urban street, with blurred figures and distant glowing lights in the background, hinting at a bustling or chaotic environment. The lighting is dim and moody, dominated by cool blues and deep blacks, punctuated by the warm glows of streetlights and vehicle headlights. The camera frames the subjects from a medium shot, slightly angled to emphasize the standoff between the two men and the reflective surface of the wet car."

"scdsqd2016, A person with light-colored hair tied in pigtails gazes out a circular window at a sprawling, rain-slicked cityscape under a stormy sky, their silhouette softly blurred in the foreground. The urban environment is dense with towering skyscrapers, their windows glowing faintly against the gloom, while a vivid bolt of lightning illuminates the clouds above. The scene is bathed in cool, muted tones of gray and teal, punctuated by the electric white of the lightning and the warm amber of distant streetlights, suggesting late evening or night. The camera frames the view from behind the observer, creating an intimate, voyeuristic perspective that centers the window’s circular edge and the subject’s shoulder-length hair."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.