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Jumanji 1995

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word jmnj1995 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"jmnj1995, A lone figure with long hair, clad in a green leafy vest and brown shorts, walks through a derelict industrial warehouse, their back to the camera as they move toward the light. The space is cluttered with debris, overturned machinery, and scattered crates, framed by tall, multi-paned windows that cast shafts of warm, late-afternoon sunlight across the dusty floor. The dominant colors are earthy browns, muted greens, and the golden glow of the sun filtering through the haze, creating a stark contrast between shadow and illuminated areas. The camera is positioned at a medium distance, capturing the figure’s movement within the vast, abandoned space, emphasizing the scale and desolation of the environment."

"jmnj1995, A young person sits alone at a long, polished wooden dining table, eating from a plate while gazing toward the far end of a grand, arched hallway. The room is richly appointed with deep green walls, white wainscoting, ornate dark wood chairs, and warm, ambient lighting from wall-mounted sconces and a distant chandelier, suggesting an evening or late afternoon setting. The dominant colors are deep green, cream, and dark wood, with golden highlights from the lamps casting soft glows. The camera is positioned at table level, looking down the length of the table toward the receding hallway, emphasizing the scale and solitude of the space."

"jmnj1995, A small, green, reptilian creature with a fluffy white crest and a long tail is curled up on a dusty stone floor, its head turned toward a cluster of purple, candy-like objects that appear to be floating or falling near it. The setting is a dim, cluttered room with stacks of old newspapers piled against the walls and a brass candlestick stand visible in the background, suggesting neglect or abandonment. The lighting is low and moody, casting deep shadows and highlighting the creature’s textured skin and the muted tones of the environment, which is dominated by earthy browns, faded grays, and the vibrant green of the creature. The camera is positioned at a low angle, close to the ground, emphasizing the creature’s small size and the gritty, textured surface beneath it."

"jmnj1995, A weathered bronze equestrian statue stands atop a graffiti-covered pedestal, its muscular horse captured mid-stride with one foreleg lifted, as if in motion. Bare-branched trees frame the scene against a clear, bright blue sky, with the silhouette of a distant building and a flagpole visible behind. The sunlight casts sharp shadows, indicating a crisp, clear day, and the dominant colors are the muted green patina of the bronze, the deep blue of the sky, and the earthy tones of the pedestal’s graffiti. The camera is positioned low, looking up at the statue’s legs and torso, emphasizing its imposing scale and creating a dynamic, slightly tilted perspective."

"jmnj1995, A blue and white police sedan, marked with “POLICE” and “EMERGENCY 911,” is captured mid-turn on a wet, leaf-strewn residential street, kicking up a spray of water and debris from its rear tires. The scene is framed by bare, gnarled trees and a chain-link fence in the background, under a pale, overcast sky tinged with the soft hues of dusk or dawn. The dominant colors are muted blues, grays, and browns, with the car’s bright blue stripe standing out against the somber surroundings. The camera is positioned low and slightly angled, emphasizing the motion and the gritty texture of the road."

"jmnj1995, A young boy with tousled brown hair gazes upward with wide, curious eyes, his mouth slightly parted as if in awe or wonder. He stands framed between dark wooden door panels, with soft, diffused light filtering in from a window behind him, casting gentle highlights on his face and shoulders. The scene is bathed in warm, muted tones—rich browns, deep grays, and soft cream—creating an intimate, indoor atmosphere. The camera captures him in a tight close-up, angled slightly upward to emphasize his upward gaze and the emotional weight of the moment."

"jmnj1995, A dark, glossy object—possibly a pen or stylus—rests atop an ornate mosaic surface featuring swirling patterns of cream, green, and brown tiles, while a carved wooden case with a white-tipped implement lies open in the foreground. The scene is dimly lit with warm, directional light that casts soft shadows, suggesting an indoor setting during late afternoon or evening. Dominant colors are earthy browns, muted greens, and creamy off-whites, with the deep black of the object providing contrast. The camera is positioned at a low, angled perspective, emphasizing the textures and craftsmanship of the mosaic and wooden case."

"jmnj1995, A child in a dark jacket runs down a narrow, leaf-strewn stone path framed by a weathered brick archway overgrown with bare vines. The setting is a quiet, slightly neglected garden with patches of green grass and scattered fallen leaves, leading toward a white-painted wooden fence and house in the background. Soft, diffused daylight suggests late afternoon, casting gentle shadows and highlighting muted earth tones—browns, grays, and faded greens—with a touch of white from the fence. The camera is positioned at eye level, looking straight through the archway, creating a sense of depth and framing the child’s motion as they move toward the viewer."

"jmnj1995, A man in a dark coat and brown trousers walks along a paved country road, his posture suggesting a casual or contemplative stride. To his left, a blue vehicle is partially visible, parked near a weathered wooden fence and overgrown brush, while tall evergreen trees line the roadside under a clear, pale blue sky. The scene is bathed in bright, direct sunlight, casting a sharp shadow of the man onto the asphalt, indicating midday. Dominant colors include the deep green of the trees, the muted browns of the roadside vegetation, the gray of the road, and the vivid blue of the car. The camera is positioned at a low, slightly angled perspective, capturing the man’s movement toward the viewer while emphasizing the rural, open setting."

"jmnj1995, A woman in a light blue shirt and light-colored pants stands on a staircase, leaning against the railing with her gaze directed upward, while a child in the background walks away through a dimly lit hallway. The setting is an elegant, spacious interior with tall columns, wooden floors, and vintage wall sconces casting warm, focused light; a suitcase rests near the railing, and boxes and draped fabric suggest recent moving or unpacking. The lighting is subdued and atmospheric, with shadows deepening the sense of quiet solitude, and the dominant colors are muted earth tones, cream, and soft blue. The camera is positioned at a low angle, looking up along the curve of the banister, emphasizing the woman’s upward gaze and the architectural grandeur of the space."

"jmnj1995, A police vehicle is partially visible on the right side of a two-lane rural road, its blue and white markings and side mirror in focus as it appears to be stationary or moving slowly. The road stretches straight into the distance, flanked by utility poles, bare-branched trees, and evergreens under a pale, overcast sky, suggesting early morning or late afternoon. The scene is dominated by muted grays, greens, and browns, with the yellow centerline and white edge lines providing sharp contrast. The camera is positioned at a low angle, close to the road surface, emphasizing the perspective of travel along the quiet, tree-lined highway."

"jmnj1995, A muscular figure, clad in a tattered brown loincloth and rough, earthy boots, stands atop the hood of a blue police cruiser, arms slightly outstretched as if balancing or posing. The car, marked with “POLICE” and the number “004,” is parked on a residential street lined with bare trees and manicured hedges, its driver’s side door ajar. The scene is bathed in the soft, golden light of late afternoon or early evening, casting long shadows and highlighting the glossy blue paint of the vehicle and the textured skin of the figure. The camera is positioned at a low angle, looking up at the figure’s legs and feet, emphasizing their dominance over the car and creating a sense of scale and tension against the suburban backdrop."

"jmnj1995, A hand with visible hair and calloused skin rests over a weathered, rectangular box, fingers pressing down on a printed surface that reads “DO NOT BEGIN UNLESS YOU INTEND TO FINISH” and “THE EXCITING CONSEQUENCES.” The box, with ornate edges and faded typography, sits on a dark wooden surface, suggesting an old or rustic setting. The lighting is dim and warm, casting soft shadows and highlighting the texture of the hand and the worn paper, implying an indoor scene during evening or night. Dominant colors are earthy browns, muted reds, and dark wood tones, creating a moody, tactile atmosphere. The camera is tightly framed, angled slightly from above, focusing on the interaction between the hand and the box’s surface."

"jmnj1995, two individuals with short, reddish-brown hair are viewed from behind, intently watching a television screen displaying a blurry, action-filled scene with green foliage and flashes of pink and white light. The TV sits in a dimly lit room, with a white “SALE” sign in bold yellow letters hanging above it, and cardboard boxes visible to the left. The lighting is subdued, suggesting evening or indoor artificial illumination, casting soft shadows and emphasizing the contrast between the dark screen and the bright sign. The camera is positioned at eye level, framing the tops of the viewers’ heads and the television, creating an immersive perspective focused on their shared attention."

"jmnj1995, A maroon sedan is parked on the right side of a quiet residential street, its rear facing the viewer, while a second car is visible further down the road. The street is lined with bare, leafless trees whose branches arch overhead, casting shadows over the asphalt scattered with fallen leaves, and flanked by stone walls and mailboxes. The lighting is soft and diffused, suggesting late afternoon or early evening under an overcast sky, with muted tones of gray, brown, and faded red dominating the scene. The camera is positioned low and centered on the road, creating a long, slightly receding perspective that draws the eye toward the distant cars and the hazy horizon."

"jmnj1995, A circular, ornate mosaic inset embedded in a tiled floor displays a glowing, greenish message that reads “AT NIGHT THEY FLY, YOU BETTER RUN,” with the lower portion blurred or obscured. The surrounding tiles are light beige with dark green leaf motifs, arranged in a symmetrical, geometric pattern. The scene is dimly lit, casting a moody, atmospheric glow that suggests nighttime or a shadowed interior, with the text illuminated as if by an internal or supernatural source. The dominant colors are muted earth tones contrasted with the eerie green luminescence of the message. The camera is positioned at a low, close-up angle, focusing tightly on the mosaic and its unsettling inscription."

"jmnj1995, A large, shaggy lion with a thick mane is positioned in the foreground, its head turned slightly toward a man in the background who is extending a hand holding a small, dark object. The scene takes place in a dimly lit, sparsely furnished room with a simple wooden table and chairs visible behind the man, suggesting an indoor, possibly domestic or institutional setting. The lighting is low and warm, casting deep shadows and creating a moody, intimate atmosphere, with the dominant colors being muted browns, dark grays, and soft beige tones. The camera is framed from a low angle, emphasizing the lion’s imposing presence while keeping the man slightly out of focus in the background, enhancing the tension between the two subjects."

"jmnj1995, A torrent of muddy, churning water rushes forcefully through a narrow, overgrown passageway, splashing against weathered concrete walls and partially submerged wooden posts. Lush green vines and leaves cling to the left side, framing the scene as the water surges forward, creating white froth and turbulence. The dim, shadowy lighting suggests an overcast or nighttime setting, casting muted tones of brown, gray, and deep green across the frame. Shot from a low, angled perspective, the camera immerses the viewer in the chaotic flow, emphasizing the raw power of the water as it carves its path through the decaying urban undergrowth."

"jmnj1995, A red convertible, overloaded with bulky furniture including a mattress, speeds down a residential street, its motion blurred to convey urgency. Two individuals walk alongside, one carrying a box, as the car passes a brick wall and leaf-strewn sidewalk lined with bare trees. The overcast sky casts soft, diffused light, suggesting late afternoon or early evening, with muted tones of red, gray, and brown dominating the scene. The camera captures the action from a low, rear-side angle, emphasizing the car’s movement and the cluttered, autumnal environment."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.