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Blade 1998

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word bld1998 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"bld1998, two figures stand side by side in a dusty, industrial construction zone, one in a black leather jacket and the other in a tactical vest with a prominent gold insignia, both looking off into the distance as if surveying the area. Behind them, a large, rusted crane arm looms over the scene, while tangled hoses and a wooden shelter with a warning sign are visible nearby. The warm, golden light of late afternoon bathes the setting, casting long shadows and highlighting the earthy tones of the dirt ground and weathered metal. The dominant colors are muted browns, grays, and ochres, punctuated by the dark clothing of the figures and the rust-red of the crane. The camera frames them from a medium distance, slightly low, emphasizing the scale of the industrial environment"

"bld1998, A pair of weathered hands, clad in a textured teal sweater, carefully holds and examines a fragile, yellowed parchment fragment with faint, ancient script. The setting is dim and shadowy, suggesting a confined, possibly underground space with rough, earthy textures in the background. The lighting is low and focused, casting deep shadows and highlighting the tactile details of the hands and the brittle edges of the parchment, evoking a late evening or nighttime atmosphere. Dominant colors are muted teal, brown, and sepia tones, with the parchment’s aged yellow standing out against the dark backdrop. The camera is tightly framed in a close-up, angled slightly from above, emphasizing the intimate, reverent handling of the artifact."

"bld1998, A pair of weathered hands carefully cleans or repairs a dark, worn leather strap with a small, frayed blue cloth, while a metal tool with a silver buckle rests nearby. The scene is set in a dimly lit, shadowy space, with the only illumination focused tightly on the hands and the object, suggesting an intimate, focused task. Dominated by deep blacks and muted browns, the lighting casts strong contrasts and highlights the texture of the skin and leather. The camera is tightly framed in a close-up, angled slightly from above, emphasizing the meticulous, tactile nature of the work."

"bld1998, A group of people are moving through a sleek, modern rooftop lounge area, with one person in light-colored pants walking briskly while another in dark attire follows closely behind. The space features a large, reflective pool in the foreground, a central ornate sculpture, and glass walls revealing a city skyline at night. The scene is bathed in cool blue and black tones, with ambient lighting from candles and recessed fixtures casting soft glows on wet surfaces. The camera captures a wide, slightly elevated angle, emphasizing the contrast between the intimate gathering and the expansive urban backdrop."

"bld1998, A woman with dark, wavy hair sits in a chair, her expression somber and contemplative as she gazes downward, her shoulders slightly hunched. Behind her, a worn green table and a gray metal cabinet with a small white sticker and a blue tag are visible, suggesting a utilitarian or cluttered interior space. The lighting is dim and focused, casting soft shadows and creating a moody, intimate atmosphere, likely indoors during evening or night. Dominant colors are muted—dark blacks, deep greens, and grays—with a touch of beige from the chair’s fabric. The camera frames her in a medium close-up, angled slightly from the side, emphasizing her emotional state and the quiet tension of the moment."

"bld1998, A hand grips the hilt of a metallic blade, its edge catching light as it’s held at an upward angle, suggesting readiness or tension. The background is a soft, out-of-focus blend of dark greens and blacks, hinting at an outdoor, possibly wooded or shadowed environment. The lighting is dim and directional, casting sharp highlights on the blade’s surface while leaving the hand and surroundings in muted tones, evoking a late afternoon or twilight mood. Dominant colors are metallic silver, skin tones, and deep earthy greens, framed tightly in a close-up that emphasizes the weapon’s detail and the firmness of the grip."

"bld1998, A person with a visible tattoo on their neck and a tactical arm brace holding multiple cylindrical devices stands in profile, gazing toward a minimalist, sterile room. The environment features a large, metallic console with circular panels and a clean white floor and walls, suggesting a high-tech or institutional space. Bright, even lighting illuminates the scene, casting soft shadows and emphasizing the cool, monochromatic palette of whites, grays, and metallic tones. The camera is positioned at a medium distance, capturing the subject from behind and slightly to the side, focusing on their posture and the surrounding architecture."

"bld1998, A woman with dark, curly hair, wearing a black sleeveless top, stands in a cluttered, dimly lit industrial or laboratory space, holding a small object in her hands while looking intently toward the right. The background is filled with machinery, covered equipment, and tables draped in white cloths, with various electronic devices and glass containers scattered around. The lighting is cool and artificial, casting sharp shadows and highlighting the metallic and plastic surfaces, suggesting an indoor setting during evening or night. Dominant colors are muted greens, grays, and blacks, punctuated by the white of the cloths and the woman’s dark attire. The camera frames her in a medium shot from a slightly low angle, emphasizing her focused expression and the surrounding industrial environment."

"bld1998, from inside a moving vehicle, a person is seen in silhouette, holding a phone to their ear, their profile faintly illuminated by the glow of the screen. The scene unfolds on a wet, nighttime city street, lined with storefronts and glowing neon signs, including a red “OPEN” sign, while headlights from oncoming traffic streak toward the viewer. The lighting is dim and moody, dominated by cool blues and deep blacks, punctuated by the warm whites of streetlights and the vibrant reds of signage. The camera is positioned over the passenger’s shoulder, creating an immersive, slightly shaky perspective that emphasizes motion and isolation."

"bld1998, A bloodied, older man with long gray hair is being held by another person wearing a black leather glove, who grips his throat as he screams in agony; his face and shirt are smeared with crimson blood. The scene takes place in a dim, industrial-looking room with metallic surfaces and a large cylindrical tank visible in the background, suggesting a cold, sterile environment. The lighting is low and cool-toned, casting deep shadows and emphasizing the stark contrast between the dark surroundings and the vivid red of the blood. The camera is positioned close and at a low angle, focusing tightly on the man’s contorted face and the gloved hand, creating an intense, claustrophobic perspective."

"bld1998, A solemn, stylized stone statue of a figure with elongated features and arms crossed over its chest stands in a dimly lit, cavernous chamber. The walls are adorned with geometric carvings and recessed panels, and vertical cables hang from above, suggesting a mechanical or ritualistic space. The lighting casts deep shadows, emphasizing the texture of the stone and the somber mood, with warm, muted tones of beige, gray, and ochre dominating the scene. The camera frames the statue in a medium shot, slightly angled to capture both its form and the surrounding architectural details."

"bld1998, two uniformed officers are in motion inside a cluttered commercial kitchen, one extending an arm as if gesturing or aiming, while the other raises a hand near their face, possibly shielding or reacting to something. The setting is a cramped, utilitarian space with stainless steel shelving, stacked crates, and a large glass-door refrigerator on the left, its interior lit by a bright vertical fluorescent strip; a handwritten sign on the fridge reads “PLEASE DO NOT OPEN THE REFRIG.” The lighting is dim and cool-toned, with a single overhead bulb casting a harsh glow, suggesting late evening or nighttime. Dominant colors are muted blues, grays, and blacks, punctuated by the stark white of the fridge light and the metallic sheen of kitchen equipment. The camera is positioned at eye"

"bld1998, A close-up of a person’s face, partially obscured and blurred, appears on a blue-tinted screen, suggesting a video call or recording interface. Overlayed text indicates a connection to “Erebus Archives (Pearl)” with a phone number and a duration timer reading “11:04,” while a red arrow icon and the word “outgoing…” imply an active transmission. The scene is bathed in cool, monochromatic blue light, creating a digital, surveillance-like atmosphere, framed tightly to emphasize the screen’s content and the eerie, static quality of the image."

"bld1998, A man with blood streaked across his face and wide, startled eyes stares intently off-camera, his mouth slightly open as if reacting to a sudden threat. The background is a blurred urban nightscape, with glowing blue lights from windows or streetlamps creating a moody, atmospheric backdrop. The scene is bathed in cool, dim blue lighting, suggesting a late-night or nighttime setting, with the man’s skin and clothing catching the ambient glow. The camera frames him in a tight close-up, angled slightly from the side, emphasizing his expression and the tension in the moment."

"bld1998, A shirtless man with tousled hair sits at a glass desk, leaning forward with his right arm resting on the back of his chair while his left hand hovers near a laptop. The minimalist room features a sleek, metallic cabinet with circular handles against a white wall, a mirrored coat stand with a dark jacket, and a black-framed door with glass panes in the background. The space is bathed in cool, diffused blue-toned light, suggesting an overcast day or artificial illumination, casting soft reflections on the glossy tiled floor. Dominated by shades of white, silver, and cool blue, the scene is captured from a slightly elevated, wide-angle perspective that emphasizes the emptiness and sterile geometry of the environment."

"bld1998, A pair of weathered hands gently cradles a brittle, stained fragment of parchment, fingers tracing its edges as if deciphering ancient text. The setting is dim and shadowy, with indistinct, rough-hewn shapes in the background suggesting a cavernous or ruinous interior. Cool, muted lighting casts deep shadows, emphasizing the texture of the hands and the aged paper, while the dominant colors are earthy browns, grays, and the dull teal of a ribbed sleeve. The camera is tightly framed on the hands and object, angled slightly from above to focus on the tactile interaction and the fragile artifact."

"bld1998, A cluster of blue-tinted cylindrical objects, possibly tools or components, rests against a cracked, beige marble wall beside rough, weathered stone. The scene is dimly lit, casting deep shadows and highlighting the textures of the fractured marble and coarse stone, suggesting an abandoned or industrial setting. Dominant colors are muted earth tones contrasted with the cool, electric blue of the objects. The camera is positioned at a low angle, emphasizing the verticality of the wall and the precarious placement of the items at the junction of stone and marble."

"bld1998, in a dimly lit, unfinished concrete basement with exposed pipes and scattered debris, a person in a dark suit stands still while another figure in motion appears to be falling or leaping into a deep, shadowed pit. A third individual, seen from behind in a dark coat, watches the action unfold. The scene is illuminated by harsh, directional work lights casting stark highlights and deep shadows, suggesting an artificial, nighttime setting. Dominated by muted grays, blacks, and the warm glow of the lights, the high-angle shot emphasizes the precariousness of the pit and the isolation of the figures within the industrial space."

"bld1998, A person lies motionless on their back, their neck and collarbone area heavily stained with fresh blood, suggesting a violent injury. They wear a maroon button-up shirt with a white undershirt, both splattered with crimson, and a large hoop earring glints near their ear. The scene is set against a dark, textured teal surface, possibly a floor or wall, under dim, cool-toned lighting that casts deep shadows and emphasizes the gory details. The camera is positioned at a low, close-up angle, focusing tightly on the neck and upper torso, enhancing the visceral impact of the blood and the stillness of the figure."

"bld1998, A lone figure in dark, fitted clothing walks purposefully through a cavernous, industrial chamber, their silhouette illuminated by a single overhead light source. The space is dominated by massive, angular machinery with vented panels and metallic surfaces, set against rough-hewn stone walls and a concrete floor marked with faint lines. Cool blue tones dominate the scene, casting deep shadows and highlighting the stark, utilitarian architecture, suggesting a late-night or subterranean environment. The camera frames the subject from a low, wide angle, emphasizing the scale of the machinery and the isolation of the figure within the vast, dimly lit space."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 300 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.