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Star Trek The Voyage Home 1986

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word strtrkvygh1986 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"strtrkvygh1986, A sprawling urban landscape cascades down a steep hillside, densely packed with multi-story residential buildings in muted pastels and earth tones, nestled beside a lush green park and overlooking a vast bay. The scene is bathed in bright, clear daylight under a vivid blue sky streaked with wispy white clouds, suggesting a calm midday. The camera is positioned high above, angled steeply downward to emphasize the dramatic incline of the city and the expansive water beyond, creating a dynamic, immersive perspective."

"strtrkvygh1986, silhouetted reeds and grasses lean over a calm, rippling body of water, their dark forms mirrored and distorted across the surface. The scene is set in a quiet wetland, with the water’s gentle movement creating wavy, fragmented reflections of the vegetation. Soft, cool blue light bathes the entire frame, suggesting either early morning or late afternoon, casting the reeds in deep shadow against the luminous backdrop. The camera is positioned low and close to the water, looking upward through the reeds, creating an immersive, almost abstract composition dominated by shades of teal and black."

"strtrkvygh1986, A large whale glides gracefully through deep blue water, its silhouette outlined against a bright, sunlit surface where bubbles rise. The scene is bathed in cool, diffused blue tones, with sunlight filtering down from above, creating a serene underwater atmosphere. The camera is positioned low, looking upward toward the whale’s underside and the shimmering light, emphasizing the creature’s scale and the tranquil depth of the ocean."

"strtrkvygh1986, A bustling city street is captured mid-day under bright, natural sunlight, with pedestrians crossing and vintage cars navigating the intersection. Tall office buildings loom in the background, while storefronts like “Winchell’s Laundry” and a yellow sign add urban character, and a white sports car is prominently featured in the foreground. The scene is overlaid with white text crediting various contributors and organizations, contrasting sharply against the vivid blue sky and the warm tones of the pavement and vehicles."

"strtrkvygh1986, A group of four individuals stands at a city street corner, engaged in conversation, with one man gesturing toward a woman in a red jacket. The urban setting features a busy intersection with pedestrians crossing, vintage cars parked along the curb, and storefronts with visible signage, including a “Park” sign and a “San Francisco” newspaper stand. Bright, natural daylight illuminates the scene, suggesting midday, casting soft shadows on the pavement. Dominant colors include earthy browns and reds from the clothing, contrasted with the gray asphalt and muted tones of surrounding buildings. The camera is positioned at eye level, capturing the group in a medium shot framed by a traffic pole adorned with flyers and posters, grounding the scene in a bustling, lived-in environment."

"strtrkvygh1986, A person in a white uniform is seen through a heavy metal grid, appearing to be in motion, possibly climbing or maneuvering within an industrial or institutional space. The setting is a dimly lit interior with stark white walls, barred windows casting bright vertical streaks of light, and visible pipes and machinery in the background. The dominant colors are muted grays and whites, punctuated by the red of a circular object and the stark contrast of the illuminated window slats. The camera is positioned low and angled upward, emphasizing the imposing structure of the grid and creating a sense of confinement or surveillance."

"strtrkvygh1986, two men walk along a seaside promenade, one in a white robe with a headband and the other in a maroon suit with black trim, both viewed from behind as they move toward a group of casually dressed people further ahead. The setting is a wide, paved walkway bordered by a rusted chain-link railing, overlooking calm blue water with distant hills and a pier extending into the horizon. The lighting is bright and even, suggesting a clear daytime scene with soft shadows, and the dominant colors are the deep maroon of the suit, the stark white of the robe, and the blue-gray tones of the sea and sky. The camera is positioned at a medium distance, capturing the subjects in a wide shot that emphasizes the open space and the linear perspective of the walkway receding into the"

"strtrkvygh1986, A black helicopter flies low over a choppy expanse of water, its rotors spinning as it moves from right to left across the frame. In the background, a dense urban skyline rises from hilly terrain, featuring a mix of modern high-rises and lower residential buildings, with a long pier or dock stretching along the waterfront. The scene is bathed in bright, clear daylight under a pale blue sky with wispy clouds, casting sharp, natural illumination across the water and cityscape. Dominant colors are the deep teal of the water, the gray and beige tones of the buildings, and the stark black of the helicopter, all framed in a wide, horizontal shot that emphasizes the scale of the city against the water."

"strtrkvygh1986, A man in a light-colored uniform is bent over, inspecting the nose of a green military-style helicopter parked inside a large hangar, while another man in a brown jacket stands nearby observing. The hangar floor is concrete, with a red toolbox near the helicopter’s skid and large white cylindrical objects stacked in the background behind a chain-link fence. Bright sunlight streams in from an open hangar door, casting strong shadows and illuminating the scene with high contrast, suggesting midday. The dominant colors are muted greens and grays of the helicopter and hangar, punctuated by the bright red toolbox and the white objects. The camera is positioned at a low, wide angle, capturing the helicopter’s full profile and the surrounding industrial space."

"strtrkvygh1986, A close-up shot captures the curved, metallic hull of a starship, with the text “U.S.S. ENTERPRISE” and “NCC-1701-A” prominently displayed in bold, black lettering with red outlines. The surface is segmented by faint grid lines and shows subtle wear, illuminated by a focused, cool-toned light that casts soft shadows and highlights the texture. The camera is angled slightly upward, emphasizing the curvature of the hull, while the background fades into deep blue darkness, suggesting a space or high-tech interior setting. Dominant colors are metallic gray, black, and red, contrasted against the ambient blue lighting."

"strtrkvygh1986, A man with short, dark hair, wearing a maroon blazer over a light-colored shirt, is seated and sipping from a glass of amber-colored beer with a white head. The setting appears to be a dimly lit, bustling restaurant or bar, with blurred figures and warm ambient lighting in the background, including a soft glow from a candle or lamp. The dominant colors are deep reds, muted browns, and warm yellows, creating a cozy, intimate atmosphere. The camera frames him in a close-up, slightly angled shot that focuses on his face and the glass, emphasizing his contemplative expression."

"strtrkvygh1986, A group of armed individuals in tactical gear are positioned behind a low concrete barrier, aiming their weapons forward with focused intensity. The scene unfolds at night under a dim, hazy sky, with distant, blurred yellow lights from streetlamps creating a bokeh effect in the background. The dominant colors are dark, muted tones of black and gray, punctuated by the faint glow of weapon sights and ambient light. The camera is positioned at a low angle, capturing the figures from behind the barrier, emphasizing their readiness and the tense atmosphere of the moment."

"strtrkvygh1986, A sleek, dark whale glides gracefully through a calm, enclosed pool, drawing the attention of onlookers gathered along the surrounding concrete walkways and railings. The setting is a modern waterfront facility with angular, light-gray buildings featuring large glass windows and open-air terraces, set against a shimmering body of water under a bright, partly cloudy sky. The scene is bathed in strong daylight, casting sharp shadows and highlighting the sparkling reflections on the water’s surface, with a distant city skyline visible across the bay. Dominant colors are cool grays, blues, and whites, punctuated by the earthy tones of wooden benches and the varied hues of visitors’ clothing. The camera captures a high-angle, wide shot that encompasses the entire pool area, the architecture, and the distant horizon"

"strtrkvygh1986, A group of people cling to the side of a large, green, partially submerged vessel as it tilts precariously in turbulent, dark water. The scene unfolds under a gloomy, overcast sky, with the vessel’s curved hull and visible ladders contrasting against the churning sea. The lighting is dim and moody, casting a cool, bluish-gray tone over the entire frame, suggesting either dawn or dusk. The camera is positioned low, looking up at the vessel and its occupants, emphasizing the scale of the storm and the perilous situation."

"strtrkvygh1986, A person in a white robe and headband stands at a bus stop, looking down at a map posted on a pole, seemingly trying to orient themselves. The bus beside them has a yellow and white exterior with a visible window reflection showing the person’s profile, and a partial sign reading “a Whale.” The scene is set on a city street with cars in the background, under bright, natural daylight that suggests midday. Dominant colors are white from the robe and map, blue from the water on the map, and yellow from the bus. The camera frames the subject from behind and slightly to the side, capturing the interaction between the person and the map while including the bus and street context."

"strtrkvygh1986, A woman with curly dark hair and a red jacket leans forward, her gaze fixed intently on a man in a brown leather jacket who holds a futuristic-looking device with glowing red indicators. They are positioned close together in a narrow, industrial-style corridor marked by bold red and white diagonal stripes on the wall behind them. The lighting is dim and focused, casting shadows that emphasize the tension in their expressions and the metallic sheen of the device. Dominant colors are muted browns, reds, and grays, with the red stripes and device lights providing sharp contrast. The camera frames them in a tight medium shot, angled slightly from the side to capture their intense interaction and the details of the device."

"strtrkvygh1986, A dark pickup truck glides through a thick, misty night, its headlights cutting through the fog and illuminating the wet road ahead. Inside, two occupants sit alert, their faces partially lit by the vehicle’s interior glow and the ambient glow of the headlights. The scene is enveloped in cool, muted tones of gray and black, punctuated by the warm yellow of the headlights and the faint red of the taillight. Shot from a low, side-angle perspective, the camera captures the truck’s silhouette as it moves forward, emphasizing the isolation and tension of the nocturnal drive."

"strtrkvygh1986, A group of men in period-style uniforms and a striking red suit are gathered near a large, green-painted industrial vessel marked with bold red lettering. The setting appears to be a gritty, utilitarian hangar or workshop, filled with pipes, metal crates, and mechanical components, with steam or smoke rising from machinery in the foreground. The lighting is warm and directional, casting strong shadows and suggesting late afternoon or early evening. Dominant colors are muted greens, browns, and the vivid red of the suit and lettering, contrasted by the metallic sheen of equipment. The camera is positioned at a low angle, partially obscured by a large green mechanical structure, creating a sense of depth and immersion in the industrial environment."

"strtrkvygh1986, in a high-tech command center, several individuals in red uniforms are engaged with glowing control panels and large holographic displays, one person is on a communication headset while others stand or sit, focused on data streams. The room is dominated by massive screens showing star charts, orbital trajectories, and digital readouts, all set against dark walls and sleek, minimalist furniture. The lighting is dim and artificial, casting a cool blue and green glow from the screens, with warm highlights from the console surfaces, suggesting a nighttime or enclosed operational environment. The dominant colors are deep reds of the uniforms, contrasting with the cool blues and greens of the displays, and the dark grays of the surroundings. The camera is positioned at a medium distance, slightly angled to capture the depth of the room and the activity at the"

"strtrkvygh1986, A solemn figure in a draped, muted grey robe stands facing another person whose back is to the camera, suggesting a moment of confrontation or dialogue. The setting is a dim, stone-walled chamber with warm, directional lighting casting long shadows and illuminating a crescent-shaped symbol on the far wall. The dominant colors are earthy browns, deep greys, and soft amber tones, creating a somber, ancient atmosphere. The camera is positioned over the shoulder of the unseen person, framing the scene in a medium shot that emphasizes the tension between the two figures."

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 280 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.