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Resident Evil Afterlife 2010

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word rsdntevlaf2010 in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"rsdntevlaf2010, A digital interface displays a ship’s log and lifeboat deployment status, with a schematic of a vessel and real-time passenger count, suggesting an emergency or operational scenario aboard a large ship. The screen is dominated by glowing blue and white text and graphics against a dark background, with a futuristic, high-tech aesthetic. The camera is positioned as if viewing the display from a control station, with a wide, slightly angled shot that emphasizes the dense information layout and the urgency conveyed by the “LIFEBOAT DEPLOYMENT” banner."

"rsdntevlaf2010, A person in tactical gear stands inside a transparent cylindrical chamber, aiming a firearm with focused intensity. The setting is a sterile, high-tech facility with multiple identical chambers lined up, featuring geometric metallic frameworks and glowing overhead lighting. The scene is bathed in bright, cool white light, suggesting an artificial, controlled environment during daytime hours. Dominant colors are white, gray, and metallic silver, with the chamber’s surface reflecting faint digital markings. The camera is positioned at a low angle, looking up through the transparent wall, emphasizing the subject’s imposing presence and the clinical, futuristic architecture surrounding them."

"rsdntevlaf2010, A silver HD camcorder with a Carl Zeiss lens rests on a weathered, textured rock, angled toward a blurred expanse of water, suggesting it’s set up to record a coastal scene. The background is softly out of focus, with gentle bokeh highlights indicating bright, diffused daylight, likely late afternoon. Dominant tones are muted grays and earthy browns, with the metallic sheen of the camcorder catching the ambient light. Shot from a low, close-up angle, the frame emphasizes the camcorder’s details and its solitary placement against the natural backdrop."

"rsdntevlaf2010, A figure in tactical gear crouches near a concrete building as a powerful, blinding explosion erupts from a makeshift structure draped in tarpaulin, sending debris and smoke into the air. The setting is an urban alleyway cluttered with industrial barrels, metal scaffolding, and a satellite dish atop the building, under a gray, overcast sky. The lighting is harsh and diffused, with the explosion casting a stark white glow against the muted grays and browns of the environment. The camera is positioned low and angled upward, emphasizing the scale of the blast and the chaotic aftermath."

"rsdntevlaf2010, A person with long, dark, wind-tousled hair is hunched forward, their face obscured as if in distress or exhaustion, wearing a dark, textured jacket. The background is a flat, overcast sky in pale white and gray tones, suggesting a bleak or desolate outdoor setting. The lighting is diffused and even, with no harsh shadows, indicating an overcast day. Dominant colors are muted grays and blacks, creating a somber mood. The camera is positioned at a low angle, capturing the subject from the side and slightly below, emphasizing their downward posture and the chaotic movement of their hair."

"rsdntevlaf2010, A chaotic scene unfolds as a large group of figures, some standing and others lying motionless, are scattered across a gritty, snow-dusted courtyard. Small fires burn sporadically on the ground, casting flickering light on the figures and surrounding industrial debris like stacked wooden pallets, oil drums, and discarded tires. The lighting is dim and cold, suggesting a late afternoon or overcast winter day, with the dominant colors being muted grays, browns, and the stark white of the snow, punctuated by the orange glow of the flames. The camera captures the scene from a high, wide-angle perspective, emphasizing the scale of the disarray and the sense of disorder."

"rsdntevlaf2010, A large, rugged armored vehicle with massive Michelin tires dominates the right side of the frame, its metallic body gleaming under stark, high-contrast lighting. In the background, silhouetted against a blindingly bright doorway, two or three figures walk forward through a misty, wet garage floor that reflects the intense light. The scene is set at night or in a dimly lit industrial space, with the overwhelming brightness of the exit creating a dramatic backlighting effect. The dominant colors are deep blacks and grays, punctuated by the stark white glow from the doorway and the metallic sheen of the vehicle. The camera is positioned low and close to the ground, emphasizing the scale of the vehicle and creating a sense of looming presence as the figures approach."

"rsdntevlaf2010, A red and white geometric emblem, composed of alternating triangular segments radiating from a central point, is embedded within a recessed hexagonal frame. The setting appears to be a sterile, minimalist interior with smooth white walls surrounding the emblem, suggesting a controlled or institutional environment. Bright, even lighting illuminates the scene, casting soft shadows along the hexagon’s edges and highlighting the glossy texture of the emblem’s surface. Dominated by bold red and crisp white, the composition is tightly framed from a direct frontal angle, emphasizing symmetry and the emblem’s striking visual contrast."

"rsdntevlaf2010, A group of heavily armored tactical units, each wearing dark helmets and face coverings, are positioned behind a low metal barrier, aiming their weapons forward with bright, focused flashlight beams cutting through the gloom. The setting appears to be an industrial or urban interior, with concrete structures and dim ambient lighting suggesting a confined, possibly underground space. The dominant colors are muted grays and blacks, punctuated by the stark white glare of the weapon-mounted lights, creating high contrast and a tense, nocturnal atmosphere. The camera is framed at eye level, capturing the figures in a tight, slightly low-angle shot that emphasizes their readiness and the oppressive, shadowy environment."

"rsdntevlaf2010, A group of individuals is seated at a circular control station, intently operating complex consoles with glowing screens and dials, while one person in a red garment appears to be falling or suspended mid-air near the center. The setting is a high-tech, industrial command center with exposed ductwork, metallic walls, and a large, illuminated octagonal emblem at the heart of the chamber. The lighting is stark and artificial, casting sharp shadows and emphasizing the cool, metallic tones of the environment, with the red garment providing a vivid contrast. The camera is positioned overhead, looking down at a wide, curved angle that captures the full circular layout and the dramatic spatial relationship between the operators and the central figure."

"rsdntevlaf2010, A man with dark, curly hair and a mustache, dressed in a dark suit over a black shirt, stands in a dimly lit, rustic interior, his gaze directed upward with a contemplative or startled expression. Behind him, a weathered wooden structure with bullet-riddled glass panels is visible, flanked by flickering torches that cast warm, dancing light across the scene. The environment is shadowy and atmospheric, suggesting nighttime, with the dominant colors being deep blacks, muted browns, and the golden-orange glow of the flames. The camera frames him in a medium close-up, slightly low angle, emphasizing his facial expression and the dramatic interplay of light and shadow."

"rsdntevlaf2010, in a high-tech, dimly lit control room, two figures are engaged in a chaotic gunfight, firing handguns with bright muzzle flashes illuminating the scene. The environment is cluttered with sleek, modern consoles, overturned chairs, and shattered glass, suggesting a recent or ongoing violent confrontation. Cool, artificial lighting from overhead panels casts sharp shadows, contrasting with the warm, explosive bursts of gunfire, while the dominant palette is dark gray, black, and muted metallic tones punctuated by the stark white of the gunshots. The camera captures the action from a medium-wide angle, emphasizing the spatial disarray and the intensity of the moment."

"rsdntevlaf2010, four individuals stand in the foreground on a weathered, reddish-brown deck, their expressions tense as they face forward, seemingly confronting an unseen threat. Behind them, a large group of people in white uniforms stands in formation on a higher platform, creating a stark contrast against the muted, overcast sky. The lighting is flat and diffused, suggesting an early morning or late afternoon under heavy cloud cover, casting soft shadows and emphasizing the somber, industrial tones of the scene. Dominant colors are muted grays, browns, and stark white, with the characters’ dark, practical clothing standing out against the background. The camera is positioned at eye level, capturing the group in a medium shot that emphasizes their readiness and the scale of the surrounding environment."

"rsdntevlaf2010, A grotesque, quadrupedal creature with a fused, spiky, reddish-brown upper torso and two grotesque, fanged heads strides forward across a sterile, white-tiled floor, kicking up shards of broken glass. The setting is a minimalist, futuristic interior with clean white walls, geometric vents, and red-and-white striped hazard markings along the base, suggesting a high-tech or industrial facility. Bright, even lighting illuminates the scene, casting sharp shadows and emphasizing the contrast between the creature’s organic, decaying texture and the cold, clinical environment. The camera is positioned at a low, wide angle, capturing the creature’s full form as it moves toward the viewer, with debris suspended in mid-air to convey motion and chaos. Dominant colors are stark white and gray"

"rsdntevlaf2010, A massive, multi-tiered concrete building stands defiantly at the center of a sprawling, war-torn cityscape, surrounded by dense crowds of people and billowing black smoke rising from nearby fires. In the sky, a single red-and-white aircraft flies low over the ruins, while the surrounding urban environment is a mix of collapsed structures, scorched rooftops, and scattered debris. The scene is bathed in the dim, hazy light of late afternoon or early evening, casting long shadows and emphasizing the desaturated palette of grays, browns, and muted ochres. Shot from a high aerial perspective, the camera captures the scale of the devastation and the overwhelming presence of the central structure, creating a sense of both isolation and collective gathering."

"rsdntevlaf2010, three individuals are pushing a vintage red airplane across a desolate, smoke-filled airfield, their expressions tense with urgency. In the background, a ruined cityscape with towering smokestacks and crumbling buildings looms under a gray, overcast sky, suggesting recent devastation. The lighting is dim and diffused, casting muted shadows and emphasizing the rusted metal and faded red paint of the aircraft. The camera is positioned low, looking up through the fuselage of another plane, creating a sense of immediacy and confinement as the subjects strain forward."

"rsdntevlaf2010, A person in dark clothing is running through a flooded, industrial space, kicking up water as they move with urgency. The setting features tiled walls, metal railings, and large cylindrical pillars, with water spraying from unseen sources above, creating a dynamic, misty atmosphere. The lighting is harsh and directional, casting strong highlights on the water droplets and creating deep shadows, suggesting a late afternoon or early evening scene. Dominant colors are muted grays, blacks, and the bright white of the illuminated water spray. The camera is positioned at a low angle, capturing the motion and scale of the environment, with a foreground pillar partially framing the shot."

"rsdntevlaf2010, A person in dark, practical clothing is running across a wide, sandy beach toward a stationary helicopter marked with a red cross emblem, suggesting a medical or rescue mission. The beach stretches toward a calm, grayish sea under an overcast sky, with bare trees and low shrubs lining the dunes in the foreground and background. The lighting is flat and diffused, indicating either early morning or late afternoon in a cool, muted palette dominated by beige sand, gray water, and desaturated greens and grays. The camera is positioned low and wide, capturing the expansive beach and the motion of the runner approaching the helicopter from the right side of the frame."

"rsdntevlaf2010, A squad of heavily armed tactical operators advances cautiously through a sterile, industrial interior, weapons raised and bodies low to the ground, suggesting a high-stakes infiltration or assault. The environment features concrete pillars, metallic machinery, and glowing fluorescent strips along a distant doorway, creating a cold, utilitarian atmosphere. The lighting is dim and cool-toned, casting deep shadows and emphasizing the greenish-blue hue of the ambient glow, implying either nighttime or an artificially lit facility. Framed from a low, wide angle, the camera captures the tension and formation of the group as they move forward in unison, with foreground elements partially obscuring the view to enhance immersion."

"rsdntevlaf2010, A pair of hands holds a rugged, metallic handheld device with a glowing translucent screen displaying a digital profile, including a photo, biometric data, and a DNA sequence graphic. The screen is branded with “UMBRELLA CORPORATION” and features a green-tinted interface with Japanese characters on the left side, while a finger hovers near a circular blue-lit button on the right. The scene is brightly lit with neutral, even lighting against a plain white background, emphasizing the device’s sleek, futuristic design. The dominant colors are metallic gray, glowing teal-green, and soft white, framed in a close-up shot that centers on the device and the user’s interaction with it."

Training

Base model: Krea 2 (trained on Raw)

Type: Style LoRA

Dataset: 300 images

Steps: 2000

Network rank / alpha: 32 / 32

Learning rate: 0.0002

Optimizer: adamw8bit

Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster

generation.

Raw: ~30 steps, guidance 3.5

Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.