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Memories 1995

A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.

Usage

Include the trigger word mmrs in your prompt.

Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.

Prompt Examples

Here are some prompt examples:

"mmrs, A person in a teal uniform rides a green motorcycle along a highway, carrying a large, boxy apparatus mounted on a tripod-like frame behind them. The setting is a mountainous roadside with snow-capped peaks in the distance, flanked by lush greenery and a weathered guardrail in the foreground; overhead, two helicopters fly against a bright blue sky with scattered clouds. The lighting is strong and natural, suggesting midday, casting crisp shadows and highlighting the vivid teal of the uniform, the green of the motorcycle and foliage, and the white of the snow and guardrail. The camera is positioned at a low, rear-facing angle, emphasizing the rider’s journey along the road and the expansive, rugged landscape beyond."

"mmrs, inside a cramped, industrial spaceship interior, several figures in minimal clothing are suspended or moving amid complex machinery, suggesting a moment of urgency or disorientation. The setting is dominated by metallic surfaces, exposed pipes, and a large central mechanical apparatus, with one person seated in a circular control station. The lighting is dim and artificial, casting muted shadows and highlighting the greys, greens, and browns of the environment, implying a confined, possibly malfunctioning space. The camera adopts a wide, slightly tilted angle that emphasizes the claustrophobic scale and the chaotic arrangement of equipment and people."

"mmrs, A figure in a dark, flowing dress holds a limp, pale child in their arms, the child’s head lolling back and their limbs limp, suggesting unconsciousness or death. The scene is set in a rustic wooden doorway, flanked by potted plants—one with red flowers and another with white blossoms—while a bundle of dried herbs hangs on the wall to the left. Soft, diffused daylight filters through the doorway, casting gentle shadows and creating a muted, somber atmosphere. The dominant colors are earthy browns, faded greens, and muted whites, with subtle accents of red and green from the flora. The camera frames the scene from a slightly low angle, focusing on the figure’s torso and the child, emphasizing the weight and gravity of the moment."

"mmrs, A man in a green uniform runs down a long, narrow corridor, clutching a small object in his hand, while another figure in a brown suit looms large in the foreground, viewed from behind. The hallway is lined with pale green walls, a red carpet, and fluorescent lights casting a cool, artificial glow, suggesting an indoor, institutional setting during the day. Dominant colors are muted greens, reds, and browns, with the camera positioned low and close to the foreground figure, creating a sense of urgency and perspective as the runner approaches."

"mmrs, A man in a bulky, yellow-trimmed spacesuit stands centered in a grand, ornate hall, his expression solemn and his gaze fixed forward. Behind him, rich red drapes and gilded architectural details frame a large window revealing a bright, sunlit garden outside. The lighting is soft and even, suggesting midday, casting gentle shadows across the polished wooden floor with geometric inlays. Dominant colors are deep reds, golds, and muted grays of the suit, contrasted by the crisp blue and green of the outdoor scene. The camera is positioned at eye level, creating a direct, immersive perspective that emphasizes the subject’s stillness against the opulent backdrop."

"mmrs, A grand, empty interior hall framed by two massive, dark red marble columns, with a large arched window at the center letting in soft, diffused daylight. Through the window, a balcony overlooks a hazy, green landscape under a pale sky, while small floral arrangements sit on the window’s flanking ledges. The lighting is gentle and even, suggesting late morning or early afternoon, casting subtle shadows across the polished wooden floor. Dominant colors are deep maroon, cream, and muted greens, with the camera positioned low and centered to emphasize the architectural symmetry and scale of the space."

"mmrs, A lone elevator car is captured from a high-angle, downward-looking perspective, revealing its empty interior and the dark, shadowed space beyond the open doors. The walls are clad in pale, mint-green panels with metallic trim, and the control panel displays illuminated buttons, while the floor is a deep, matte black. The lighting is artificial and cool, casting sharp reflections on the surfaces and creating a stark contrast between the bright walls and the abyss-like void below. The camera’s tilted angle emphasizes the depth and isolation of the space, with the frame tightly cropped to focus on the elevator’s threshold and the surrounding cabin."

"mmrs, A soldier with short, light-colored hair and a focused, tense expression holds a compact, futuristic-looking weapon with a scope, his mouth slightly open as if reacting to something urgent. He wears a camouflage-patterned jacket with yellow straps over his shoulders, and the background reveals a blurred natural landscape with green fields and a body of water under a soft, diffused sky. The lighting is even and muted, suggesting either early morning or late afternoon, with dominant earthy tones—browns, greens, and grays—accented by the yellow straps and the metallic sheen of the weapon. The camera frames him in a tight close-up, angled slightly from below, emphasizing his intense gaze and the immediacy of the moment."

"mmrs, A man with long dark hair and a yellow headband, wearing a gray and yellow outfit with a circular earpiece, gazes intently at a woman with short dark hair and red lips, who gently touches his cheek with her hand. They are positioned closely in an outdoor setting, with green foliage and a slanted roof visible in the background under a bright blue sky. The lighting is natural and soft, suggesting midday, casting gentle shadows and highlighting warm skin tones and rich earthy colors like brown, red, and muted green. The camera frames them in a tight close-up, angled slightly from the side to emphasize their intimate, focused interaction."

"mmrs, two men in matching green military uniforms occupy a command-style room; one stands rigidly at attention while the other reclines in a plush red chair, gesturing with a cigarette. The setting features a metal staircase in the background, scattered papers and folders on a desk in the foreground, and a partially visible third person seated at a console. The lighting is even and artificial, suggesting an indoor, possibly late afternoon or evening setting. Dominant colors are muted greens, deep reds, and metallic grays, with warm tones from the lighting. The camera is positioned at a medium shot, slightly angled to capture both figures and the surrounding environment, emphasizing the contrast between their postures."

"mmrs, A hand holds a capsule pill between thumb and forefinger, its red cap contrasting with the translucent, speckled yellowish body revealing internal granules. The background is a deep, shadowy black, emphasizing the pill as the sole focal point under dramatic, directional lighting that casts soft highlights on the hand’s skin and the pill’s surface. The dominant colors are rich red, muted beige, and deep black, creating a stark, clinical yet intimate atmosphere. The camera is tightly framed in a close-up, angled slightly from below to accentuate the pill’s form and the hand’s gentle grip."

"mmrs, An aerial view captures a bustling urban intersection where vehicles navigate around a large, multi-story building with cylindrical rooftop structures, adjacent to rows of smaller residential houses nestled among blooming trees and flowering shrubs. The scene is bathed in bright, natural daylight, casting sharp shadows that suggest midday, with dominant colors of green foliage, purple and pink blossoms, and the neutral tones of concrete and rooftops. The camera is positioned high above, looking down at a 45-degree angle, emphasizing the contrast between dense commercial architecture and the softer, more organic residential surroundings."

"mmrs, A person lies sprawled across a beige sofa, arms raised in a relaxed or exhausted pose, in a quiet, mid-century modern living room. The space is furnished with a curved brown leather sofa, a matching armchair, and a low wooden coffee table, flanked by tall potted plants and framed artwork on the walls. Soft, diffused daylight filters through vertical blinds, casting gentle shadows and suggesting late afternoon, while the dominant palette of beige, brown, and muted greens creates a calm, warm atmosphere. The camera is positioned at a slightly elevated angle, capturing the full room with a balanced composition that emphasizes the stillness of the scene."

"mmrs, in a dimly lit, high-tech command center, two men in military uniforms stand near a large glowing screen displaying alphanumeric data, while others work at consoles below. The setting is a multi-level control room with railings, suggesting a strategic or surveillance hub, and the lighting is stark, with cool blue and green hues from the screens contrasting against the muted browns and grays of the uniforms and surroundings. The camera is positioned at eye level, capturing the stern expressions of the foreground figures and the bustling activity behind them, emphasizing the gravity of the moment."

"mmrs, A man in a light-colored suit stands behind a cluttered desk, raising one hand as if gesturing or adjusting something near a window with horizontal blinds. The room is dimly lit, with the primary illumination coming from the window, casting strong horizontal shadows across the scene and highlighting stacks of files, cardboard boxes, and office furniture. The dominant colors are muted blues and grays, contrasted by the bright, almost overexposed white of the blinds and the man’s shirt. The camera is positioned at a low angle, looking up slightly, framing the man centrally against the window, emphasizing the stark, confined space."

"mmrs, inside a cramped, industrial control chamber, a bearded man sits in a chair, gazing upward as another figure leans over machinery above him, adjusting a panel. The space is cluttered with pipes, conduits, and metallic panels, bathed in a dim, greenish glow from overhead lights that cast sharp shadows, suggesting an enclosed, mechanical environment. Dominated by muted greens, grays, and metallic tones, the scene is framed from a low angle, emphasizing the towering machinery and the confined, high-tech atmosphere."

"mmrs, An elderly man sits on the edge of a wooden bed, leaning forward with his hands clasped, while a young girl in a pink dress stands before him, holding a doll and looking up with an earnest expression. The room is a cozy, lived-in bedroom with green-painted walls, a window with patterned curtains letting in soft daylight, shelves filled with books and trinkets, a potted plant, and a small television set. Warm, diffused light suggests late afternoon, casting gentle shadows and highlighting the earthy tones of the room — greens, browns, and muted reds — with the girl’s pink dress providing a soft contrast. The camera is positioned at eye level, capturing the intimate space between the two figures, with a slightly wide angle that includes the cluttered floor"

"mmrs, inside a cockpit, an elderly woman with white hair, wearing a red scarf and a headset, leans forward with an alarmed expression, gesturing urgently toward the pilot beside her. The pilot, clad in a green flight suit and helmet with a gas mask, is focused ahead, their face partially obscured by the gear. Outside the cockpit, a vast blue sky with scattered clouds and distant mountain ranges suggests high-altitude flight. The lighting is natural and bright, indicating midday, casting sharp shadows within the cockpit. Dominant colors include muted greens, grays, and the pop of red from the scarf, contrasted against the blue sky. The camera is positioned over the pilot’s shoulder, offering a close, immersive view that emphasizes the tension between the two figures."

"mmrs, A person in a full astronaut suit with a yellow-trimmed helmet gazes upward with wide eyes, their gloved hand slightly extended as if reaching for or observing something. Two white butterflies flutter near their face against a vast, clear blue sky with a few wispy clouds, suggesting a surreal or dreamlike moment. The lighting is bright and even, indicating midday, casting soft shadows within the helmet’s interior. Dominant colors are the deep blue of the sky, the yellow accents of the suit, and the neutral tones of the astronaut’s gear. The camera frames the subject in a medium close-up, centered and slightly low-angled, emphasizing their expression and the floating insects."

"mmrs, A chaotic street scene unfolds with several figures sprawled motionless on the pavement, while one person in a green jacket runs toward the right, seemingly fleeing or reacting to the commotion. A toppled red motorcycle lies in the foreground, and a dark sedan is parked nearby, its rear end visible. In the background, a stone monument topped with a statue stands amid flowering bushes, flanked by traffic signs and bare trees under a pale, hazy sky. The lighting suggests late afternoon or early evening, casting a muted, yellowish glow over the scene, with the dominant colors being earthy greens, grays, and the stark red of the motorcycle. The camera is positioned at a low, wide angle, capturing the full breadth of the street and the surrounding environment, emphasizing the scale of the"

Training

• Base model: Krea 2 (trained on Raw)
• Type: Style LoRA
• Dataset: 305 images
• Steps: 2000
• Network rank / alpha: 32 / 32
• Learning rate: 0.0002
• Optimizer: adamw8bit
• Resolutions: 512 / 1024

Generation settings

Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.

• Raw: ~30 steps, guidance 3.5
• Turbo: ~8 steps, guidance 1.0

The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.