V67 Stylized digital vector illustration

V67 Stylized digital vector illustration – A Cinematic LoRA for Krea 2 and Z Image Turbo.

V67 Stylized digital vector illustration is a cinematic LoRA trained on Krea 2, designed to transform standard imagery into sophisticated, poster‑ready vector artwork. This model excels at flat geometric shading, bold outlines, screen‑print aesthetics, and paper‑cut layering – perfect for editorial illustrations, book covers, concept art, fashion plates, and graphic posters.

If you use my model and your image is chosen for the CIVITAI cover (even in combination with other models), you will receive 500 Yellow Buzz.
R+ images will be hidden from the gallery. Model LoRA trained with Krea 2 and Z Image Turbo.

Liking V67 models means more to me than Buzz (yellow/green).

Trigger Words (Activation String)

To activate the LoRA, place the following string at the beginning of your prompt:

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes

Breakdown & Best Use Cases

Trigger WordPurpose(Stylized digital vector illustration:1.2)Primary trigger – place at the very start for strongest style adherence with higher weightflat geometric shadingDefines the core rendering style – flat planes of color with minimal gradients, hard shadow edgesbold outline styleActivates thick, consistent vector strokes that define shapes and create graphic impacthalftone dot textureAdds vintage print texture – subtle dot patterns in shadow areas for risograph/screen‑print feelscreen-print aestheticEmphasizes poster‑like quality with limited color palettes and graphic contrastpaper-cut layersCreates depth through stacked, overlapping planes – suggests layered construction like cut paperisometric vector designTriggers pseudo‑3D technical precision with parallel projection and geometric compositionposterized color bandsReduces gradients to distinct stepped color blocks – classic vector illustration techniquenegative space framingUses empty space as a compositional tool – bold silhouettes against minimalist backgroundscinematic flat lightingApplies dramatic lighting within a flat rendering framework – rim lights, chiaroscuro, split lightinggrainy vector overlayAdds subtle noise texture across the entire image – prevents overly clean digital lookcalligraphic lineworkActivates expressive, variable‑width vector strokes – organic feel within rigid vector structureoverlapping parallax planesCreates depth through multiple stacked foreground/midground/background layers moving at different speeds

Why Krea 2 + V67 Stylized digital vector illustration?

Krea 2 excels at clean geometric rendering, precise edge definition, and consistent texture application – exactly what stylized vector illustration demands. The combination produces images with:

CapabilityWhy Krea 2 ExcelsFlat color applicationRenders solid, even color fields without banding artifacts – pure, unbroken planesSharp edge definitionMaintains crisp boundaries between colors – essential for vector aestheticsGeometric precisionHandles complex isometric and architectural structures with perfect alignmentHalftone dot renderingProduces consistent, scalable dot patterns that mimic screen‑printingLine weight consistencyMaintains uniform stroke thickness across the entire imageTexture layeringBlends grain, dots, and paper textures without muddying the underlying shapesPosterizationReduces smooth gradients to stepped color bands naturally and cleanlyParallax depthCreates convincing depth through layered planes with distinct visual separation

Signature Style Elements

Flat Geometric Shading

Not simply "flat" – this is sophisticated, intentional planar rendering:

• Hard shadow edges – shadows cast as solid geometric shapes

• Chiaroscuro within flatness – dramatic light/dark contrast using posterized bands

• Minimal gradients – only where absolutely necessary (skies, large backgrounds)

• Color blocking – each element reduced to 2–4 flat tones

Bold Outline Philosophy

Outlines are not afterthoughts – they are integral to the composition:

• Consistent thickness – uniform weight across all elements

• Strategic variation – thicker outlines for foreground, thinner for background

• Complete enclosure – every shape fully outlined for graphic readability

• Black or colored – adaptable to any palette requirement

Halftone & Texture Integration

Texture exists within the vector framework:

• Subtle dot patterns – applied to shadow areas like a risograph print

• Grainy overlays – uniform noise that adds tactile quality

• Paper texture – subtle tooth that suggests physical printing

• Screen‑print register – slight off‑register effects for authenticity

Layered Depth Construction

Depth achieved through composition, not shading:

• Parallax separation – distinct foreground, midground, background planes

• Overlapping shapes – elements interlock to create spatial relationships

• Negative space – strategic emptiness that frames and highlights

• Scale contrast – dramatic size differences between planes

Posterized Color Palettes

Colors are deliberate, limited, and graphic:

• 2–6 color palettes – tight, intentional schemes

• Stepped gradients – color transitions in distinct bands

• High contrast – light against dark, warm against cool

• Desaturated base – with occasional vibrant accents

Optimised Settings for Krea 2

ParameterRecommended RangeLoRA Weight0.60 – 0.90CFG Scale4.0 – 6.0Steps25 – 40SamplerEuler, DPM++ 2M Karras, UniPCResolution1024×1024 (square) or 1536×1024 (landscape)

Starting Point Recommendations

GoalLoRA WeightCFGNotesSubtle enhancement0.604.0Style as background detail – keeps more original characterBalanced effect0.755.0Sweet spot for most prompts – clean vector look with flexibilityStrong aesthetic0.855.5Fully realized vector style – may reduce varietyMaximum stylization0.906.0Pure vector illustration – less photographic reference

Negative Prompt (Krea 2 compatible)

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nsfw, low quality, worst quality, ugly, blurry, photograph, photorealistic, modern, contemporary, plastic, digital, sleek, minimalist, happy, sunny, bright colors, saturated, crowded, noisy, cheerful, smiling, sharp edges, chaotic, dramatic, intense, 3D render, CGI, realistic, lifelike, oil painting, watercolor, impressionist, messy, rough sketch, unfinished, pixelated, jpeg artifacts

Prompt Examples

Example 1: Samurai Warrior in Isometric Storm

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, dramatic isometric portrait of a samurai warrior in full armor, geometric helmet with crescent moon crest, layered kusazuri skirt panels constructed as overlapping paper-cut planes, katana drawn in calligraphic silhouette, blade edge defined by a single elegant line, dramatic split lighting from a single stark light source casting a sharp diagonal shadow across his face, armor plates rendered as posterized bands of crimson lacquer and aged bronze, juxtaposed against a fragmented background of towering bamboo stalks reduced to geometric green rectangles, falling cherry blossom petals transformed into delicate vector stippling, screen-print halftone dots filling the shadow areas of the armor, warm limited palette of vermilion red, burnt orange, deep umber, olive green, and cream white, overlapping parallax layers pushing the bamboo forest far into the background, bold negative space framing the figure from the left, aggressive low angle composition creating monumental scale, subtle grainy vector overlay adding a tactile screen-print finish, reminiscent of traditional ukiyo-e woodblocks fused with modern poster design, strong graphic impact, editorial illustration style, 8k, cinematic vector art

Example 2: Mecha Pilot in Launch Bay

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, sci-fi mecha pilot in the cockpit of a giant robot, viewed from a low angle dramatic perspective, pilot silhouette framed against the vast glowing launch bay window, control panels rendered as dense isometric geometric grids, countless switches and holographic displays reduced to posterized rectangular blocks, dramatic high-contrast flat lighting casting the pilot's face half in deep shadow, intense expression defined by bold calligraphic linework, mechanical arm interfaces with overlapping parallax layers of cables and hydraulic tubes, screen-print dot texture applied to the shadows of the metal framework, brutalist architectural interior with paper-cut layered girders and crossbeams, outside the window a massive circular launch mechanism rendered in stepped posterized color bands of cobalt blue and burning orange, cold industrial blues contrasted with warm amber indicator lights, limited palette of steel grey, navy blue, burnt sienna, and electric cyan, halftone grain on all metallic surfaces suggesting vintage sci-fi book covers, intense cinematic composition with extreme foreground/background separation, wide aspect ratio, iconic retro-futuristic aesthetic, bold graphic poster design

Example 3: Surfing Cosmic Wave

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, surfboard slicing through a colossal curling wave transformed into overlapping parallax planes of teal and deep navy, each wave layer a distinct posterized color band creating extreme depth, surfboard itself a minimal flat geometric shape in warm coral pink against the cool ocean, surfer silhouette defined by expressive calligraphic linework, body contorted in an elegant pose, dramatic rim lighting from a low sun casting a sharp golden edge along the entire silhouette, screen-print halftone dots densely packed in the wave shadows beneath the board, spray and mist rendered as negative space – white voids carved out of the darker wave planes, bold negative space framing the wave at the top, split-complementary palette of teal, navy, coral pink, golden yellow, and crisp white, distant horizon reduced to a single crisp horizontal line, overhead perspective emphasizing the wave's power, grainy vector overlay over the entire image giving a screen-print quality, vintage surf poster aesthetic fused with modern minimalist vector design, high-contrast flat lighting emphasizing the dramatic silhouette, iconic composition, 8k, vector illustration

Example 4: Cyberpunk Street Market

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, isometric view of a bustling cyberpunk street market at twilight, all architecture and signage reduced to bold geometric posterized shapes, neon signs translated into crisp rectangular vectors with stepped color bands of hot pink and electric blue, stalls constructed from overlapping paper-cut layers with distinct depth separation, vendors and customers rendered as flat silhouettes with minimal facial detail, expressive calligraphic linework defining hands and gestures, halftone dot texture filling all shadow areas under stalls and awnings, dramatic flat lighting from a single neon sign casting geometric shadows across the entire scene, negative space framing achieved through a large overhead wire structure, screen-print aesthetic with limited palette of magenta, cyan, warm amber, and charcoal black, grainy vector overlay creating tactile print quality, dense composition with many small geometric details, warm golden light from lanterns posterized into distinct bands radiating outward, parallel parallax layers pushing the background buildings far into the distance, bold outlines defining every element for maximum graphic impact, retro cyberpunk illustration style, 8k, vector art

Example 5: Noir Detective in Rain

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, dramatic noir composition of a trench-coated detective standing in a rain-soaked alley, viewed from a worm's-eye perspective looking up, figure silhouetted against a stark rectangular sky opening, rain reduced to bold parallel vector lines and halftone dot patterns in the shadows, wet cobblestone pavement rendered as overlapping geometric planes with posterized reflections, dramatic split lighting with one side of the figure hit by stark cold light, the other side deep black shadow, bold outlines defining the sharp edges of the coat silhouette, calligraphic linework on the brim of the fedora hat, screen-print dot texture filling the shadow areas of the alley walls, negative space framing through the alley's upward convergence, limited palette of stark black, charcoal grey, bone white, and a single accent of amber from a distant streetlamp posterized into three distinct bands, overlapping parallax layers separating the foreground puddles, the detective figure, and the distant sky, extreme high-contrast chiaroscuro within flat shading, grainy vector overlay simulating newsprint, vintage film noir poster aesthetic, 8k, vector illustration

Example 6: Flamenco Dancer in Motion

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, flamenco dancer in mid-spin captured in extreme motion, voluminous red dress exploding outward into overlapping paper-cut layers of fabric, each layer a distinct posterized band of crimson, vermilion, and deep burgundy, dancer's body defined by elegant calligraphic linework tracing every curve, expressive arms arcing with bold stroke variation, dramatic three-point flat lighting with a stark rim light from behind creating sharp silhouette edges, cast shadows falling as large geometric shapes across the wooden stage floor, screen-print halftone dots in the deepest shadows of the dress folds, negative space framing achieved through the empty stage around her, fan shape of the skirt filling the lower frame, limited palette of three reds, black, and bone white, grainy vector overlay suggesting vintage poster print, overlapping parallax planes separating the dancer, the shadow, and the distant curtain, isometric perspective on the stage architecture, dynamic diagonal composition, Spanish poster aesthetic, 8k, vector illustration, iconic graphic design

Example 7: Astronaut in Nebula

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, floating astronaut viewed from an extreme low angle against a cosmic nebula, spacesuit reduced to geometric planes of white and soft grey with bold black outlines, visor reflection a posterized band of electric blue and violet, nebula background constructed from overlapping parallax paper-cut layers in stepped posterized gradients of deep purple, magenta, and indigo, stars rendered as crisp white halftone dots scattered across the void, dramatic flat rim lighting from a distant star casting a sharp geometric edge on the spacesuit's shoulder, bold negative space framing achieved through the dark void surrounding the figure, calligraphic linework defining the folds and creases of the suit's joints, screen-print halftone texture applied to the shadowed areas of the suit and the nebula's densest regions, limited palette of white, charcoal, deep purple, magenta, and cobalt blue, overlapping transparent layers of nebula gas creating parallax depth, extreme contrast between the crisp suit and the soft nebula, iconic composition, classic sci-fi poster aesthetic, 8k, vector illustration, graphic novel style

Example 8: Art Deco Poster with Stylized Couple

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, dramatic Art Deco poster composition with an elegant couple in evening wear, posed in perfect symmetry, viewed from a slightly elevated isometric perspective, all elements reduced to bold geometric planes with sharp vector outlines, sleek Art Deco architecture in the background constructed from overlapping paper-cut layers of stepped geometric patterns, skyscraper windows rendered as uniform posterized blocks of warm gold against deep teal, dramatic flat lighting from a single ornate chandelier casting sharp diagonal shadows downward, dress fabric defined by expressive calligraphic linework with varying stroke widths, cast shadows reduced to large bold geometric shapes on the polished floor, screen-print halftone dots filling the shadow areas, negative space framing through the vast dark sky behind the couple, limited palette of teal, gold, cream, black, and silver, grainy vector overlay suggesting vintage lithograph print, overlapping parallax planes separating the couple, the architectural frame, and the distant skyline, symmetrical composition with subtle variations, 1920s elegance merged with modern vector design, 8k, vector illustration

Example 9: Retro Futurism Cityscape

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, isometric wide shot of a retro-futurist city on a distant planet, all architecture reduced to geometric planes and posterized color bands of warm terracotta, mustard yellow, and deep teal, bubble-shaped monorail cars gliding along overlapping elevated tracks constructed from paper-cut layers, dramatic flat lighting from the planet's binary suns casting two distinct sets of sharp shadows at opposing angles, massive domed structures with calligraphic linework defining their curved surfaces, screen-print halftone dots in all shadow areas suggesting atmospheric depth, bold negative space framing through the vast alien sky, retro vehicles as minimal flat shapes with bold outlines, grainy vector overlay uniting the entire composition, warm vintage palette with teal accents, overlapping parallax planes separating near, middle, and far architectural layers, classic sci-fi book cover aesthetic, 8k, vector illustration, iconic graphic style

Example 10: Kintsugi Portrait

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, striking portrait of a figure with porcelain skin cracked in the kintsugi tradition, golden veins of repair drawn as intricate calligraphic linework crisscrossing the face, dramatic split lighting with warm gold illuminating the repaired side, deep shadow on the other, face reduced to flat geometric planes with posterized shading, bold outlines defining every feature, floating fragments of porcelain rendered as paper-cut layers drifting away, screen-print halftone dots filling the shadow areas and the cracked texture, negative space framing through the dark background, all gold veins drawn as expressive calligraphic strokes, limited palette of porcelain white, deep indigo, gold, and warm amber, grainy vector overlay adding screen-print texture, isometric precision in the portrait geometry, overlapping layers separating the face, the floating fragments, and the deep background, meditative composition, 8k, vector illustration, contemporary graphic portrait

Example 11: Jazz Club Scene

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, smoky jazz club interior viewed from the stage looking out into the audience, piano and saxophone reduced to bold geometric shapes with posterized shadows, musician silhouettes defined by elegant calligraphic linework, dramatic flat spotlight beam rendered as posterized triangular planes of warm amber, audience faces reduced to negative space silhouettes, columns and arches constructed from overlapping paper-cut layers in deep burgundy and navy, screen-print halftone dots in all shadow areas creating smoke texture, negative space framing through the large dark proscenium arch, bold outlines on every instrument and figure, limited palette of amber, burgundy, navy, cream, and black, grainy vector overlay suggesting vintage concert poster, overlapping parallax layers separating the stage, the musicians, the audience, and the distant back wall, intimate warm lighting, 8k, vector illustration, jazz poster aesthetic

Example 12: Surreal Floating Islands

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, surreal isometric landscape with multiple floating islands suspended in a pastel sky, each island constructed as a paper-cut layer with geometric undersides, cascading waterfalls rendered as posterized bands of pale blue, dramatic flat lighting from an unseen sun casting sharp shadows across all floating landmasses, winding bridges connecting the islands drawn with precise calligraphic linework, tiny figures reduced to minimal geometric silhouettes, screen-print halftone dots in the shadow areas beneath each island, negative space framing through the vast empty sky between islands, overlapping parallax planes separating near, mid, and far floating islands, limited palette of soft lavender, mint green, pale peach, sky blue, and warm cream, grainy vector overlay adding tactile print quality, Ghibli-inspired surrealism merged with modern vector design, 8k, vector illustration, dreamlike composition

Prompting Tips for Best Results

✅ DO THIS:

• Start with the full trigger string for strongest style adherence

• Specify viewing angle and perspective – isometric view, bird's-eye, worm's-eye, low angle

• Describe shading explicitly – split lighting, dramatic rim light, flat shadows, posterized bands

• Define the palette – limited palette of X, Y, Z or desaturated tones with warm accents

• Use layer language – foreground, midground, background, overlapping planes, paper-cut layers

• Mention texture – halftone dots, grainy overlay, screen-print texture

• Include linework descriptions – bold outlines, calligraphic strokes, precise vector lines

• Reference composition – negative space framing, centered symmetry, dynamic diagonal

• Add genre cues – retro-futurist, noir, Art Deco, cyberpunk, surrealist

• Specify poster aesthetic – vintage poster, book cover, editorial illustration, graphic design

❌ AVOID:

• Photorealistic language – photograph, realistic, lifelike, 3D render

• Soft, painterly effects – watercolor, oil, impressionist, messy

• Excessive gradients – smooth transitions work against the posterized band aesthetic

• Complex crowds – vector style works best with 1–3 key figures

• Vague color descriptions – be specific about palette limitations

• Forgetting to mention outlines – bold outlines are essential to the style

• Modern, sleek, plastic finishes – these contradict the screen-print aesthetic

What This LoRA Excels At

✅ Flat geometric shading – clean, intentional planes of color with hard edges
✅ Bold, consistent outlines – graphic definition for every element
✅ Halftone dot textures – risograph and screen-print effects in shadow areas
✅ Screen-print aesthetic – limited palettes, posterized colors, graphic contrast
✅ Paper-cut layered depth – overlapping parallax planes creating spatial separation
✅ Posterized color bands – stepped gradients instead of smooth transitions
✅ Negative space composition – strategic emptiness framing the subject
✅ Cinematic flat lighting – dramatic chiaroscuro within a flat rendering framework
✅ Grainy vector overlays – tactile screen-print finish across the entire image
✅ Calligraphic linework – expressive, variable-width strokes within vector structure
✅ Isometric and geometric precision – technical accuracy in perspective and architecture
✅ Retro and vintage aesthetics – Art Deco, mid-century, retro-futurist, noir
✅ Editorial and poster composition – designed for reproduction and graphic impact
✅ Surreal and fantastical subjects – floating islands, cosmic scenes, magical realism
✅ Pop culture and genre fusion – samurai, mecha, cyberpunk, sci-fi, flamenco
✅ Limited, intentional palettes – 2–6 colors per image, high contrast

What This LoRA Does NOT Excel At

❌ Photorealistic rendering – this is vector illustration, not photography
❌ Smooth, continuous gradients – posterization and banding are intentional
❌ Soft, painterly edges – all edges are sharp and defined
❌ Complex crowd scenes – vector style favors 1–3 focal figures
❌ Messy or loose sketches – precision and clarity are key
❌ Bright, saturated, cheerful palettes – desaturated and limited palettes work best
❌ Naturalistic lighting – lighting is always stylized and graphic
❌ Fine, detailed textures – textures are simplified and graphic (dots, grain, bands)
❌ 3D CGI or digital render look – avoid smooth plastic surfaces
❌ Modern, minimalist, sleek design – this leans retro, bold, and expressive

Limitations & Notes for Krea 2

⚠️ Facial expressions can become simplified – use portrait, close-up, expressive, intense gaze for better detail, or keep figures silhouetted for maximum graphic impact.

⚠️ Complex scenes with multiple subjects may dilute the effect – stick to 1–3 key elements for best results.

⚠️ Color guidance is essential – always specify limited palette, posterized colors, desaturated, muted tones to prevent overly vibrant results.

⚠️ Linework control – use bold outlines, calligraphic linework, precise vector strokes to define the graphic style.

⚠️ Layer description matters – be specific about foreground, midground, background, parallax planes, paper-cut layers for depth.

⚠️ Texture specification helps – use halftone dots, screen-print grain, grainy overlay, risograph texture to activate the print aesthetic.

⚠️ Negative prompt is essential – always exclude photorealistic, 3D render, lifelike, painterly, messy to maintain vector purity.

Troubleshooting Common Issues

ProblemSolutionStyle not visible enoughIncrease LoRA weight to 0.85–0.90, ensure full trigger string at prompt startToo photorealisticAdd vector art, flat shading, bold outline, screen-print to positive; reinforce negative promptColors too vibrant/saturatedAdd desaturated, muted tones, limited palette, posterized colorsOutlines too thin or absentAdd bold outline style, thick vector strokes, graphic linework to promptFaces look wrong/uncannyUse silhouette, figure from behind, masked figure, or geometric portrait, stylized faceLack of textureAdd halftone dot texture, grainy vector overlay, screen-print aestheticNo depth/layeringAdd overlapping parallax planes, paper-cut layers, foreground/midground/background separationNot enough shadingAdd cinematic flat lighting, dramatic rim light, split lighting, posterized shadowsToo busy/crowdedReduce subjects to 1–2, add minimal composition, negative space framingLooks too digital/cleanAdd grainy vector overlay, screen-print texture, vintage print aestheticNo geometric precisionAdd isometric vector design, geometric shading, precise vector geometryLacks graphic impactAdd poster design, editorial illustration, bold composition, high contrast

Credits & Philosophy

V67 Stylized digital vector illustration celebrates the intersection of print aesthetics and digital precision – where flat planes create depth, outlines define form, and texture tells a story.

Inspired by:

• Poster art and graphic design – Art Deco, Bauhaus, Russian Constructivism

• Screen-printing and risograph – limited palettes, halftone dots, register effects

• Mid-century illustration – graphic simplicity with bold color

• Japanese ukiyo-e woodblock prints – flat planes, bold outlines, posterization

• Modern vector illustration – geometric precision with expressive linework

• Editorial and book cover art – designed for reproduction and maximum impact

• Isometric and technical illustration – pseudo-3D clarity and precision

• Retro-futurism and sci-fi book covers – vintage genre aesthetics

• Pop art and graphic novels – bold lines, pop colors, iconic compositions

"In vector illustration, every line is intentional, every color is chosen, every shadow is a statement. There is no accident – only design."

Versions

VersionNotesV1Initial release – trained on Krea 2V2Optimised for Flux & Ernie compatibilityV3Enhanced halftone dot quality, improved calligraphic lineworkV67Current release – full Synthography integration with refined trigger words

Ready to Download?

Find the LoRA on Civitai: [V67 Stylized digital vector illustration]

Disclaimer

If you decide to use my model, I will give you 500 Yellow Buzz if your image is chosen for the CIVITAI cover – even if used in combination with other models.

R+ images will be hidden from the gallery.
Model LoRA trained with Krea 2.

Liking V67 models means more to me than Buzz (yellow/green).

Final Notes

Feedback and generated images are always welcome. If you encounter any issues with Krea 2, please let me know – I am actively testing and updating.

Let the geometry speak. Let the outlines define. Let the color tell the story. 📐✨🎨