A black-and-white film noir movie still with dramatic high-contrast lighting, deep black shadows, venetian blind light stripes, soft film grain and a 1940s cinematic look. A smoky jazz club at night, with a piano and a microphone stand on a small stage behind. On the left, leaning against the piano, is Shinobuninin, a young woman with long glossy black hair with bold white highlight streaks, blunt bangs, two long side locks framing her face, large dark eyes, a big bow on the back of her head, and a white cloth headband tied around her forehead with a tiny smiley emoji printed on the middle of it; her very long low ponytail ends in a big glossy ball hair ornament. Instead of her usual outfit she wears an elegant floor-length black satin evening gown with long sleeves, long black opera gloves and a pearl necklace. She looks over her shoulder at the viewer with a cool, mysterious half-lidded gaze and a faint knowing smile. On the right, sitting at a small round table with a glass of champagne, is Shiranui Kaede, a young woman with chin-length light blonde hair in a soft bob with flipped sidelocks, side-swept bangs and a broad white shine across the top, and large round eyes. She wears a pale silver satin gown, short white gloves, a white fur stole and a small hat with a black net veil over her eyes, and she watches the room with a cold, calculating stare, one gloved finger tracing the rim of her glass. In the shadowy background, half hidden behind a pillar, stands a ninja, a man whose whole head is wrapped in a dark cloth hood and face mask knotted at the back, with one horizontal black eye slit showing two round glowing white eyes; he wears a dark ninja uniform and watches the two women nervously, a sweat drop on his hood. Cigarette smoke drifts through the stripes of light.