A stylized cinematic movie-poster photograph of nivdoyle woman in her uniform, the office manager of a small-town sheriff's station, a woman of twenty-seven, sitting behind a long reception counter of dark polished oak and leaning forward on her forearms toward the camera, framed from the countertop to just above her head. She holds a pen on a small brass chain between two red-nailed fingers, its tip resting on an open sign-in book, and looks straight into the lens with warm, teasing interest, one trimmed brow raised and her lips parted in a playful half-smile, as if the viewer had finally said something worth her time. Her crisp tan uniform shirt with azure epaulets, sleeve patches and an azure necktie with a small gold tie bar is pressed and immaculate. Behind her rises the narthex of an old deconsecrated limestone church: smooth ashlar walls, a brass key cabinet, a corkboard of pinned notices and a tall arched stained-glass window glowing deep red and blue. A warm brass desk lamp on the left sculpts her face in amber key light, while cool blue light from the stained glass rims her hair and shoulders. Across the dark oak counter front in the lower third of the poster, large bold metallic gold serif lettering with a subtle glow is stacked in two centred lines: the word "NIAMH" on the top line and the word "DOYLE" on the line directly below it. Eye-level 50 mm lens, rich amber-and-teal colour grade, fine film grain.