A photograph, photorealistic, an architecture magazine photograph taken at blue hour, with real timber, glass, stone and snow. The palette is deep blue dusk, charcoal timber and warm gold interior light. A modern house of dark charred timber and floor-to-ceiling glass cantilevers out over the edge of a steep cliff above a fjord. Half its long body rests on the rock and the other half hangs out in the air, held by nothing that shows. A pine forest stands dark behind it, thin snow lies on the rock and the flat roof, and far below the fjord is a still band of dark blue water between mountains. Framing: A view from slightly below and to one side, on the snowy rock a little way down the slope. The cantilever crosses the frame from the left edge toward the right, and its end hangs in the air over the drop in the right third of the picture. The dusk sky fills the top of the frame. Light: Warm gold light from inside the house pours out through the glass walls onto the snow and the rock beneath the cantilever, the only warm light in the picture. The sky is a deep even blue just after sunset, with one faint star. There are no people anywhere in the picture. Nothing in this picture carries any writing, lettering or numbers. Gentle depth of field.