Dramatic charcoal drawing on grey-toned paper with white chalk highlights, deep blacks and smudged gradients. Velvety compressed charcoal shadows, sharp expressive lines, eraser lifts for light, fingerprints and smudges at the paper edges, monochrome greys with only white chalk for the brightest points. Seynmar is a tall human man in his thirties with a relaxed, slightly tired expression. He has shoulder-length brown hair swept back from his forehead with a center part, loose strands at the sides and a small low tail at the nape, a small goatee and light stubble. He wears a dark navy priest coat with gold trim along the edges, a high gold-trimmed collar, gold buttons and wide gold-banded cuffs, over a white high-necked undershirt; the chest shows a navy panel with gold chevron stripes and a gold emblem. A woven cream-and-gold sash is tied at the waist with one long end hanging down, a long white robe falls in panels to his shins over navy trousers, and he wears black boots. Seynmar kneels on a dark battlefield with golden healing light flowing from his palms, rendered in brilliant white chalk against deep charcoal shadows. His relaxed, slightly tired smile is warm, his small goatee and stubble give him an easygoing look, and the gold chevrons on his chest glint in the light. Deep shadows swallow the edges of the paper, white chalk picks out only the most important highlights, and fine charcoal dust drifts across the grey surface. Seynmar is human with normal rounded ears hidden under the hair and no pointed elf ears. Strong chiaroscuro drawing, single light source, no text, no lettering and no signature anywhere in the image. Only one person in the image, Seynmar, clearly recognizable. Highly detailed.