Wet-on-Wet Watercolor Ink Painting of a quiet office late at night, high angle, medium shot. RKN-chan, a tired woman in her late twenties with long pale blue hair with blunt bangs tied in two high pigtails, has fallen asleep at her desk with her cheek on a pile of blocking orders, a pen still in her hand and a peaceful expression. Her pigtails are held by dark blue cube-shaped hair clips marked with a single straight white line running across the cube from edge to edge, interrupted in the middle by a hollow white square. She wears a long double-breasted blue jacket with light blue piping and black epaulettes over a white shirt and a narrow dark blue tie. On her left sleeve is a white-bordered polygonal patch bearing the bracket emblem: a tilted square made of two thick angular bracket shapes. The upper-left bracket is light blue and opens toward the lower right, the lower-right bracket is dark blue and opens toward the upper left, and they face each other around a small dark blue square in the center, separated by narrow white gaps. Behind her chair stands one of her soldiers in a bulky blue armored suit: a rounded dark blue chest plate and shoulder pads over a gray-blue padded jumpsuit, a full-face blue gas-mask helmet with two round glowing pale blue eye lenses and a round filter, and a gray belt with a holster, carefully laying a soft gray blanket over her shoulders, one finger raised to his mask filter as if saying hush. On the desk beside her stands a white mug printed with the words RKN-chan. There are only two figures in the scene. Soft bleeding washes, ink lines, a single warm desk lamp, deep blue night through the window.