Cinematic interior, architectural photography, a massive ornate Fresnel lens from a lighthouse repurposed as a centerpiece in a decaying neoclassical rotunda, wide-angle shot, low angle, concentric glass rings creating a tunnel effect, polished brass and weathered iron housing, concentric circles of refractive glass, a spiral staircase with a wrought-iron railing curving around the left side, peeling plaster walls, vaulted dome ceiling with water stains and crumbling masonry, two large arched windows flanking the lens, one window catching a blinding golden hour sunburst creating a sharp lens flare and volumetric dust motes, hard shadows stretching across distressed wide-plank wooden floors, warm amber and cool teal color grade, Kodak Portra 400 aesthetic, shot on 24mm f/2.8 lens, deep depth of field, natural light source mixed with soft ambient bounce, tactile textures of rusted metal and flaky paint, salt-air atmosphere, serene yet melancholic mood, steampunk influence, reminiscent of Piranesi's imaginary prisons and the cinematic lighting of Roger Deakins.