A cinematic wide shot inside a partially collapsed concrete building at night, in the quiet after a brutal war. An Asian woman in her late twenties sits low on a broken slab, close to a small fire burning in a shallow pile of wood and debris. She wears a thick padded winter coat, dark and dusted with snow, a scarf tucked at her collar, worn jeans, and black boots. Both arms reach toward the flames, palms open, fingers spread, trying to catch the heat. Her face is tired and still, lit only by the fire, warm orange on her cheeks and hands, the rest of her falling into cold blue shadow. Her breath shows in the air. A rifle lies on the rubble beside her, within reach, dusted with ash and a little snow. Around her the floor is buried in broken concrete, snapped rebar, scorched walls, and large chunks of fallen ceiling. Bullet holes and blast marks scar the standing walls. A torn opening in the far wall briefly shows the outside, where heavy snow is blowing sideways through the dark over a ruined street. Snow drifts in through the hole and dusts the concrete near her boots. The fire is small, more embers than flame, with a thin column of smoke. Shallow depth of field, fine grain, high contrast between the warm fire and the frozen blue ruin, like a still from a war film.