Naomi, a three-legged woman of mixed Japanese and African heritage, stands with her back to the frame on a concrete stairwell landing in a university dormitory, her medium brown skin flat and even under the grey mid-morning daylight coming through the wired glass. Her dense cloud of coiled hair sits gathered at the nape in a wide elastic band, wire-frame glasses pushed up on top of her head, and she turns her face over her right shoulder and smiles straight back toward the lens, her lean, long-limbed, student-casual frame held still mid-pose. Her black cycling shorts in thick compression knit grip her hips, the back cut into three distinct seat panels with pale contrast stitching that accentuates and shows off each of her three distinct butt cheeks. An oversized faded university sweatshirt rides up at the hem above the waistband, where a navy lanyard tucks in with its clip hanging loose. Three matching grey running shoes with white midsoles rest flat on the gritty concrete. The handrail beside her carries chipped green paint down to bare metal, and eleven flyers hang taped in two ragged rows on the breezeblock wall. A propped fire door holds open on a thin slice of courtyard paving. Shot as a Google Pixel 6a snapshot, a low-angle full-body frame taken from the step below looking up, the 27mm-equivalent wide stretching the stairwell lines into steep converging diagonals, deep focus keeping the noticeboard and the far courtyard sliver crisp behind her. Flat overcast window light washes the breezeblock and her sweatshirt with heavy shadow lift, pushing slightly plasticky HDR colour through the painted rail and the stitched panels, while fine luminance noise crawls across the dim concrete ceiling overhead.