Soo-min, a three-legged woman in her twenties, stands grinning at the lens on level two of a municipal parking garage at night, her Korean features and light neutral-toned skin flared pale by direct on-camera flash. Her long straight black hair, the grown-out caramel ends hanging past her collarbone, sits pushed behind one shoulder, and a chunky silver chain rests on her lean frame at the open throat of a plain white tank. A cropped black puffer jacket zipped halfway catches the flash in blown highlights across its quilted nylon panels. Glossy black faux-leather leggings fit tight the whole way down to three matching black chunky-soled platform boots, their chrome side buckles throwing six small specular glints. Her right hand plants on her hip, the thin chain-link bracelet slipping down that wrist; her left hand dangles a black baseball cap with an embroidered logo, and her outer right leg lifts bent at the knee, boot sole tipped toward the camera, mid-pose and held. Painted yellow bay lines run across oil-stained concrete behind her toward a dented pillar stenciled with the numeral 2, where the flash prints one hard close shadow of her shape. A silver sedan parks to her left and a dark blue sedan to her right, the far bays dissolving in shallow falloff, while the open edge of the deck shows four lit office-block windows across the street. Google Pixel 3a snapshot, full-body frame from slightly low, 28mm-equivalent lens, soft flat phone rendering, heavy noise swallowing the garage ceiling.