Cinematic photorealism, full length rear view of a solitary woman standing in a torrential downpour on a city street, she is holding a large black nylon umbrella with visible rain droplets beading on the fabric, wearing a deep burgundy midi-length A-line skirt and a tailored charcoal grey open blazer, black pointed-toe stiletto pumps, long wavy brunette hair cascading down her back, slim leather crossbody handbag hanging from her shoulder, composition centered with a shallow depth of field, bokeh background of a blurred urban canyon with towering grey skyscrapers, distant golden headlights and amber street lamps creating shimmering vertical reflections on the wet cobblestone pavement, mood is melancholic and contemplative, lighting is a complex mix of cool blue twilight ambient light and warm orange tungsten point sources, shot on 35mm film Kodak Portra 400, 85mm f/1.8 lens, subtle film grain, color grading is a heavy teal and orange contrast with deep crushed blacks and luminous highlights, micro-textures of wet asphalt, shimmering puddles, fine mist and vertical rain streaks cutting through the air, silhouettes of distant pedestrians blurred in the haze, atmospheric perspective, urban noir aesthetic, inspired by the cinematography of Wong Kar-wai and the moody street photography of Saul Leiter.