A hand-carved red cedar raven mask in the Northern Northwest Coast regional style, with a long projecting beak, a strong angular brow, and a large oval eye set into the side of the head. The painted design uses dense, carefully interlocking black and deep red shapes organized through ovoids, U-forms, split-U forms, tapered interior lines, and sharply controlled negative spaces. Natural golden cedar remains visible between the painted areas, emphasizing the grain and carved planes. A small abalone-shell inlay catches the light inside the eye, while restrained black horsehair emerges from the crown and rear edge. Photograph the mask from a low three-quarter profile so the beak extends dramatically across the frame and the carved depth of the eye, brow, and jaw remains visible. Use a charcoal-gray studio background, soft directional light from above and to one side, crisp detail in the cedar grain, gentle shadows beneath the beak, and a refined museum-photography atmosphere. The composition feels monumental, balanced, graphic, and sculptural, with the Northern regional design system clearly integrated into the physical carving.