BArtstyle style,z3zz4.A cinematic vertical portrait in 3:4 aspect ratio, rendered as a high-end anime illustration with painterly depth and atmospheric precision. The scene places Hoshimi Miyabi — a young woman with long black hair, blunt bangs, sidelocks, and large fluffy black fox ears, glowing crimson eyes with stark white pupils, fair skin, and a medium build — alone in a narrow cyberpunk back alley deep within a neon-drenched city on a rainy night. Wet asphalt stretches before her like a dark mirror, throwing back shimmering reflections of magenta, cyan, and electric amber signage that lines the alley walls. Miyabi has paused mid-stride, her body turned in a graceful three-quarter profile, shoulders rotating as she glances back over one shoulder with an expression that hovers between vigilance and melancholy — lips slightly parted, one glowing red eye catching a razor-sharp reflection of neon while the other is veiled behind damp strands of her jet-black hair. The open teal-green kimono jacket, with its dramatically wide and flowing sleeves, is caught mid-billow by a current of warm air rising from a street vent, the lightweight fabric lifting and curling to reveal the crisp white collared shirt beneath, the black necktie hanging neatly against her chest, and the chest strap with its rectangular ID card catching a flat gleam of cyan light. The high-waist black pleated skirt moves heavily with residual rainwater weight, the pleats separating and reforming with the subtle sway of her hips, while the belt tassel swings outward, frozen mid-arc. Her black pantyhose sheen transitions from matte shadow to satiny highlight where streetlight catches the curve of her calves and the subtle definition of her thighs, leading the eye down to the elegant architecture of her black high-heel boots, their patent-leather surfaces reflecting fractured neon like chips of colored glass. Her single black fingerless glove on the human hand contrasts starkly with the pale skin of her exposed fingers, which are half-curled in a relaxed, natural pose. The left arm commands secondary focus: a sleek mechanical prosthetic, its polished chrome and dark-alloy segments articulated by visible joint actuators and subtle blue internal glow lines, currently raised to chest height with fingers slightly splayed as though brushing rain from her field of vision, the metallic surfaces catching and scattering the ambient neon into fine spectral highlights. The large fluffy black fox ears atop her head are angled subtly backward — an animalistic tell of alertness — their fur beaded with tiny droplets of rain that catch the light like scattered crystals. Her long black hair, soaked through, clings to the nape of her neck and shoulders in glossy, ribbon-like strands, the blunt bangs plastered asymmetrically across her forehead while the sidelocks frame the delicate structure of her jaw and cheekbones. Background elements include: a glowing vending machine casting warm amber pools onto the wet ground, steam venting diagonally from a grated pipe, blurred kanji signage in saturated magenta and cyan bleeding into soft bokeh circles, power lines sagging overhead, and the distant city skyline dissolving into a haze of rain and light pollution. The composition employs a low-angle shot from approximately hip height, placing the viewer slightly beneath Miyabi to emphasize her height, the verticality of the alley, and the dramatic sweep of her kimono jacket. She is positioned on the left third-line intersection, her backward gaze pulling the viewer's eye toward the right and into the depth of the alley. A shallow depth of field keeps Miyabi in razor-sharp focus — especially her face, the mechanical arm, and the fabric folds — while the background melts into a soft, atmospheric defocus. Key lighting comes from an overhead neon fixture casting a cool cyan rim light along her hair, the edge of her fox ears, and the mechanical arm's upper silhouette. A warm magenta fill from the vending machine softens the shadow side of her face and body, creating a pleasing color-temperature contrast. Subtle volumetric rays streak through the falling rain where light beams intersect the water, adding cinematic atmosphere. The color palette is deliberately dual-toned: cool teal-green from the kimono against warm magenta-amber neon environment, with the deep black of her skirt, pantyhose, and boots acting as a visual anchor and contrast absorbent. Rendering style is top-tier anime illustration — clean, precise linework for facial features and mechanical details, soft painterly rendering for clothing folds and atmospheric elements, with subtle cel-shading highlights and a film-grain finish that evokes premium animation stills. The image must be sharp where it counts — her eyes, the mechanical arm joints, the rain droplets on her ears — and softly diffuse where atmosphere takes priority. No text, no logos, no watermarks, no speech bubbles, no UI overlays, no on-screen display elements, no malformed anatomy, no extra or fused fingers, no distorted fox ears, no blurry or smeared facial features, no mechanical arm parts that merge unnaturally with flesh, and no off-model proportions that deviate from the subject description.