Cinematic wide shot, low-angle perspective, futuristic Egypt, Giza plateau under a dual-eclipse midnight sky, colossal obsidian pyramids integrated with bioluminescent alien circuitry, monolithic floating obsidian shards hovering in geometric suspension, pulsing azure neon conduits tracing ancient hieroglyphic paths across matte black basalt surfaces, atmospheric haze of oxidized orange desert dust, cobalt blue lunar lighting clashing with amber plasma discharge, a lone cybernetic archaeologist in weathered linen tech-wear, oxidized copper plating, intricate holographic ocular implants, holding a humming alien artifact of iridescent void-glass, micro-textures of wind-swept sand clinging to polished chrome, macro-details of etched circuitry and pitted stone, deep subterranean shadows, volumetric light shafts piercing through smog, shot on Panavision 70mm, Zeiss Master Prime 35mm lens, f/2.8, Kodak Vision3 5219 film stock, heavy grain, teal and orange cinematic color grade, crushed blacks, high contrast, moody noir psychological tension, oppressive scale of alien architecture, ethereal blue glow reflecting in pools of liquid mercury, dust motes dancing in plasma light, brutalist alien aesthetic, influence of H.R. Giger and Denis Villeneuve's Blade Runner 2049, vast desert wasteland during a temporal storm, electrical arcs bridging the gap between sand and sky, immense sense of cosmic insignificance, intricate mechanical joints of synthography drones patrolling the perimeter, sharp focus on the artifact's refraction, soft bokeh of distant neon cities on the horizon.