Late afternoon sunlight slices through the tall arched windows of an old stone church, one beam raking diagonally across the aisle's polished oak floor, igniting motes of dust in a golden haze while leaving the far pews in deep indigo shadow. Crimson and sapphire glints from stained glass fleck the white train of the bride's gown as she and the groom walk hand in hand down the center, mid-stride, her bouquet slightly crushed in her grip, his tie loosened just a fraction from the ceremony's heat. Viewed from the altar end, low and wide, flanked by out-of-focus ranks of wooden pews and wilted hydrangeas in mismatched vases, the frame cuts them off at the knees against a receding vaulted ceiling. Teal shadows pool under the benches, warm highlights cling to their linked fingers; a single fallen petal sticks to her hem. Subtle film grain, shallow depth of field melting the guests into atmospheric bokeh, anamorphic lens breathing faint horizontal flare from the brightest shaft.