expressionism, a man lying inside a narrow coffin, his eyes just opening as he awakens, the coffin interior elongated and unnaturally narrow, its wooden sides painted with sharp angular patterns that converge toward his face, the lid partially open above him at an impossible angle, allowing a thin beam of harsh light to cut diagonally across his body and face, illuminating one eye while the rest remains in deep shadow, the surrounding space abstract and theatrical rather than realistic, the coffin placed within a warped interior set with leaning walls and painted shadows, emotional atmosphere of dread, confusion, and psychological unease, early 1920s German silent film aesthetic, hand-painted theatrical set design, stark black and white cinematography, heavy contrast between light and dark, visible film grain, subtle flicker and gate weave, theatrical blocking, painterly chiaroscuro, surreal expressionist world, cinematic abstraction